Song information On this page you can read the lyrics of the song Formol , by - Thomas Fersen. Song from the album Trois petits tours, in the genre ЭстрадаRelease date: 07.09.2008
Record label: Believe
Song language: French
Song information On this page you can read the lyrics of the song Formol , by - Thomas Fersen. Song from the album Trois petits tours, in the genre ЭстрадаFormol(original) |
| Chapeau melon, veston croisé, tel est le joueur de tam-tam |
| Tandis qu’avec un air blasé, il donne une fessée à madame |
| Et boum, il boxe la grosse caisse et vlan, il gifle les cymbales |
| Comme dans un pensionnat, il fesse, sa main rebondit comme une balle |
| Moi, la batterie ça m’rend toute molle, comme si j’respirais du formol |
| Je deviens dès le premier son, mi-déesse et mi-paillasson |
| Chapeau melon, veston étroit, portant des lunettes d’aveugle |
| Le mort assis au piano droit s’emploie à faire pleurer ce meuble |
| Il appuie là où ça fait mal, il vient regratter nos vieilles croûtes |
| Et nous au lieu d’se faire la malle, on reste là et on écoute |
| Moi, le piano ça m’rend toute molle, comme si j’respirais du formol |
| Je deviens dès le premier son, mi-déesse et mi-paillasson |
| Chapeau melon, veston croisé, un œillet à la boutonnière |
| Un zombi porte en bandoulière une guitare électrisée |
| La pauvre chose est tombée entre ses effroyables mains de spectre |
| Il veut lui chatouiller le ventre avec ce qu’on appelle un plectre |
| On se met les doigts en bouchon, et on prie pour cet instrument |
| Qui pousse de grands hurlements, on dirait qu’on tue le cochon |
| Moi, la guitare ça m’rend toute molle, comme si j’respirais du formol |
| Je deviens dès le premier son, mi-déesse et mi-paillasson |
| Musique de bois, musique de fer, je ferme les yeux et j’me laisse faire |
| Je me laisse glisser dans ses bras, je me laisse glisser dans ses pas |
| Moi, la musique ça m’rend toute molle, comme si j’respirais du formol |
| Je deviens dès le premier son, mi-déesse et mi-paillasson |
| Il est coiffé d’un chapeau où une balle a laissé un trou |
| Quant à son veston du dimanche, faudrait lui rallonger les manches |
| Ses bras sont très longs et très mous, il porte la basse au genou |
| Tel est le démon de la danse tandis qu’il pince la cadence |
| Moi, la cadence ça m’rend toute molle, comme si j’respirais du formol |
| Je deviens dès le premier son, mi-déesse et mi-paillasson |
| Chapeau melon, veston croisé, tel est le joueur de tam-tam |
| Tandis qu’avec un air blasé, il donne une fessée à madame |
| Et boum, il boxe la grosse caisse et vlan, il gifle les cymbales |
| Comme dans un pensionnat, il fesse mais c’est déjà la fin du bal |
| Nous, on est sortis enchantés des abattoirs de la Villette |
| On était comme caoutchoutés, on avait encore dans nos têtes |
| De la musique qui rend toute molle, comme quand tu respires du formol |
| Tu deviens dès le premier son mi-déesse et mi-paillasson |
| (translation) |
| Bowler hat, double-breasted jacket, such is the tom-tom player |
| While with a blasé air, he spanks the lady |
| And boom, he's boxing the bass drum and wham, he's slapping the cymbals |
| Like in a boarding school, he spanks, his hand bounces like a ball |
| Me, the battery makes me very soft, as if I were breathing formalin |
| I become from the first sound, half goddess and half doormat |
| Bowler hat, narrow jacket, wearing blind glasses |
| The dead man seated at the upright piano works to make this piece of furniture cry |
| He presses where it hurts, he comes to scratch our old scabs |
| And we instead of packing up, we stay there and we listen |
| Me, the piano makes me very soft, as if I were breathing formalin |
| I become from the first sound, half goddess and half doormat |
| Bowler hat, double-breasted jacket, single eyelet buttonhole |
| A zombie wears an electrified guitar on his shoulder strap |
| The poor thing fell into his dreadful ghostly hands |
| He wants to tickle her belly with what is called a plectrum |
| We put our fingers in a cork, and we pray for this instrument |
| Screaming loudly, looks like we're killing the pig |
| Me, the guitar makes me very soft, as if I were breathing formalin |
| I become from the first sound, half goddess and half doormat |
| Wood music, iron music, I close my eyes and let myself go |
| I slide into his arms, I slide into his footsteps |
| Me, the music makes me very soft, as if I were breathing formalin |
| I become from the first sound, half goddess and half doormat |
| He wears a hat where a bullet left a hole |
| As for his Sunday jacket, he should lengthen his sleeves |
| His arms are very long and very soft, he carries the bass on his knee |
| Such is the demon of the dance as he pinches the cadence |
| Me, the cadence makes me very soft, as if I were breathing formalin |
| I become from the first sound, half goddess and half doormat |
| Bowler hat, double-breasted jacket, such is the tom-tom player |
| While with a blasé air, he spanks the lady |
| And boom, he's boxing the bass drum and wham, he's slapping the cymbals |
| Like in a boarding school, he spanks but it's already the end of the ball |
| We left the slaughterhouses of La Villette delighted |
| We were like rubberized, we still had it in our heads |
| Music that makes everything limp, like when you breathe formalin |
| You become from the first his half-goddess and half-doormat |
| Name | Year |
|---|---|
| Bella Ciao | 2004 |
| Au café de la paix | 2004 |
| La chauve-souris | 2007 |
| Zaza | 2005 |
| Punaise | 2008 |
| Le Chat Botté | 2004 |
| Les Cravates | 2004 |
| Le balafré | 2011 |
| Diane De Poitiers | 2004 |
| J'suis mort | 2011 |
| Les papillons | 2004 |
| Bucéphale ft. Bratsch | 2004 |
| Mais oui mesdames | 2013 |
| Viens mon Michel | 2013 |
| Où trouver des fleurs un lundi soir après minuit ft. Bratsch | 2004 |
| Ma douceur | 2004 |
| La boxe à l'anglo-saxonne | 2013 |
| Je suis dev'nue la bonne | 2004 |
| Les pingouins des îles | 2013 |
| Deux Pieds | 2004 |