| Lala, lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| I've been writing and deleting all the time
|
| I know I'd have to leave you alone
|
| Don't tell me that talking to us is bad for me
|
| When the bad thing is not knowing at this point what to tell you now
|
| I just want you to tell me the whole truth
|
| That this time you are sincere without being rational
|
| And you tell me that your mouth does not forgive
|
| That doesn't say what I told you, that doesn't define me the same
|
| Why do you look further if you have me in front of you?
|
| I don't believe in halves, but this breaks me
|
| And it destroys me that you don't understand what I say
|
| How hard it is to give if I want to give with you
|
| I couldn't face you so I stepped aside
|
| When playing strong makes you chicken
|
| And I only hope to see you, even for a moment
|
| You tell me that there is no time, that ours has already passed
|
| You're so afraid of what I'll do to you
|
| So much damage that you do
|
| So much damage with so much fear
|
| You're so afraid of what I'll do to you
|
| So much damage that you do
|
| So much damage with so much fear
|
| Lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| I've been knocking on your door for so long
|
| Pretending that the ball was always in your court
|
| That now I fall in soft, connects it
|
| And in the account of the times when the bad one is not so bad
|
| With my feet on the ground I have stumbled more
|
| More than twice with your heart of stone
|
| More, I know that it hurts you that I left and now it comes back
|
| I'm not testing you
|
| Just a stone's throw away for you to throw the first
|
| There's no way to make you see
|
| How I see you with my eyes so that you believe me
|
| And so you can see that this is not a mere trap-craving
|
| What more do you want
|
| I just want you to love me well and love me, not chimeras
|
| That you understand me well when I tell you that I want everything
|
| If that all works for a broken and unstitched
|
| semicolon, period followed
|
| United to the end point, to leave it in ellipses
|
| You're so afraid of what I'll do to you
|
| So much damage that you do
|
| So much damage with so much fear
|
| You're so afraid of what I'll do to you
|
| So much damage that you do
|
| So much damage with so much fear
|
| To the girl in the cypress, she knows who she is
|
| Good goddess, better person
|
| The one that lights up fasting hearts in the area
|
| The one that does not reason or rationalize
|
| Complacent voice, bossy tongue
|
| Disobedient and who takes the penalty as a joke
|
| omniscient narrator
|
| That she knows the roads that lead to Rome
|
| But she doesn't tell me why she abandons herself
|
| Lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala
|
| Lala, lala… lalalala, lala |