| Than ever abstract art, which is rampant now
|
| Don't rob your charms of that astonishing volume
|
| Back when fake asses are the majority
|
| Glory to him who speaks the whole truth
|
| Your back loses its name with such good grace
|
| That we can't help but agree with him
|
| Why am I, madam, a purebred poet
|
| To speak his praise an immortal coat of arms
|
| Seeing him pass, I got goosebumps
|
| Finally, I came into the world and, since then, I dedicate to him
|
| True worship and when I lose bowls
|
| Kissing Fanny, all I think about is you
|
| To obtain, madam, a curve of this order
|
| You have to torture the people around you
|
| Giving the seamstresses a hard time
|
| And you must kill your lady-in-waiting
|
| It's the Duke of Bordeaux who leaves, head bowed
|
| 'Cause it looks like mine like two drops of water
|
| If it looked like yours, it looks like when it passes
|
| "He's a pretty boy, the Duke of Bordeaux! |
| "
|
| Disregard the jealous who profess
|
| That you set your pride a little low
|
| That you assume too much, sum of your ass
|
| And above all, as a favor, do not sit
|
| Let them tell that when they get out of the carriage
|
| The breeze has blown your dress and we live
|
| Written in a heart pierced with an arrow
|
| This trivial expression: "to Julot for life"
|
| Let them say still only at the English court
|
| Bowing to the English rulers
|
| You are, boom! |
| fell sitting on the ground
|
| The law of gravity is hard, but it's the law
|
| No one can pass away today without seeing Naples
|
| Attacking the masterpieces they all want to run
|
| My own ambitions are much more reasonable:
|
| See your academy, lady, and then die
|
| Than ever abstract art, which is rampant now
|
| Don't rob your charms of that astonishing volume
|
| Back when fake asses are the majority
|
| Glory to him who speaks the whole truth |