
Date of issue: 31.12.1969
Record label: Mlp
Song language: Spanish
Cantores que reflexionan(original) |
En la prisión de la ansiedad medita un astro en alta voz |
Gime y se agita como león, como queriéndose escapar |
¿De dónde viene su corcel? |
Con ese brillo abrumador |
Parece falso el arrebol que se desprende de su ser |
«Viene del reino de Satán», toda su sangre respondió |
Quemas el árbol del amor, dejas cenizas al pasar |
Va prisionero del placer, y siervo de la vanidad |
Busca la luz de la verdad, ma' la mentira está a sus pies |
Gloria le tiende terca red, y le aprisiona el corazón |
En los silencios de su voz que se va ahogando sin querer |
La candileja artificial le ha encandilado la razón |
Dale tu mano, amigo Sol, en su tremenda oscuridad |
¿Qué es lo que canta? |
Digo yo, no se consigue responder |
Vana e' la abeja sin su miel, vana la hoz sin segador |
¿Es el dinero alguna luz para los ojo' que no ven? |
«Treinta denarios y una cruz», responde el eco de Israel |
¿De dónde viene tu mentir? |
¿Y a dónde empieza tu verdad? |
Parece broma tu mirar, llanto parece tu reír |
Y su conciencia dijo, al fin, «cántale al hombre en su dolor» |
En su miseria y su sudor, y en su motivo de existir |
Cuando del fondo de su ser, entendimiento, así le habló |
Un vino nuevo le endulzó las amargura' de su hiel |
Hoy es su canto un azadón que le abre surcos al vivir |
A la justicia en su raíz, y a los raudale' de su voz |
En su divina comprensión luce' brotaban del cantor |
(translation) |
In the prison of anxiety a star meditates aloud |
Moans and shakes like a lion, as if wanting to escape |
Where does his steed come from him? |
With that overwhelming brightness |
The glow that emerges from his being seems false |
"He Comes from the realm of Satan", all her blood from him replied |
You burn the tree of love, leave ashes behind |
He is a prisoner of pleasure, and a servant of vanity |
He seeks the light of truth, ma 'the lie is at his feet |
Gloria casts a stubborn net for him, and imprisons his heart |
In the silences of his voice that he inadvertently drowns |
The artificial footlight has dazzled his reason |
Give him your hand, friend Sun, in his tremendous darkness |
What is he singing? |
I say, it is not possible to answer |
The bee is vain without its honey, the sickle is vain without a reaper |
Is money some light for the eyes' that do not see? |
"Thirty denarii and a cross," replies the echo of Israel |
Where does your lie come from? |
And where does your truth begin? |
Your look seems like a joke, crying seems like you laugh |
And his conscience of him said, finally, "sing to the man in his pain of him" |
In her misery and her sweat of him, and in her reason for existing |
When from the bottom of his being of him, understanding, so he spoke to him |
A new wine sweetened the bitterness of his gall |
Today his song is a hoe that opens furrows for him to live |
To the justice in his root of him, and to the raudale 'of his voice |
In his divine understanding of him looks 'poured from the singer |
Name | Year |
---|---|
Volver a los 17 | 1969 |
Cueca Larga de Los Meneses | 2017 |
Pedro Urdemales | 2013 |
Que Dira el Santo Padre | 2013 |
Casamiento de Negros | 2013 |
A la Una | 2013 |
Parabienes al Reves | 2013 |
Y Amiba Quemando el Sol | 2013 |
Versos por la Nina Muerta | 2013 |
Aqui Se Acaba Esta Cueca | 2015 |
Yo Canto la Diferencia | 2015 |
Aqui se acaba esa cueca | 1969 |
Corazón Maldito | 2021 |
Me gustan los estudiantes | 2021 |
El Sacristan | 2007 |
Verso por la Niña Muerta | 2014 |
Ausencia | 2014 |
Los Paires Saben Sentir | 1979 |
Los Pueblos Americanos | 1957 |
Escuchame, Pequeño | 2005 |