| Uh, this is, uh, from a Western in progress, entitled The Place of Dead Roads.
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| And my protagonist Kim Carson finds himself in deadly conflict with Mr.
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| Hart — the press tycoon, and Old Man Bickford — a beef and oil baron.
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| And Bickford has a special price on Kim’s head, because Kim killed Old Man
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| Bickford’s son in a gunfight…
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| Real Western… Yeah
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| For three days, Kim camped on the Macy Tops, sweeping the valley with his
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| binoculars. |
| A cloud of dust headed south told him they figured he’d arrive
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| south from Mexico. |
| He’d headed north instead, into a land of sandstone
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| formations. |
| And everywhere caves pocked into the red rock like bubbles in
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| boiling oatmeal. |
| Some of the caves had been lived in, at one time or another.
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| Rusty tin cans, pottery shards, cartridge cases. |
| Kim found an arrowhead,
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| six inches long, chipped from obsidian. |
| And a smaller arrowhead of rose
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| colored flint. |
| Dusk was falling and blue shadows gathered in the Sangre de
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| Cristo Mountains to the east
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| Sangre de Cristo. |
| Blood of Christ. |
| Rivers of blood. |
| Mountains of blood.
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| Does Christ never get tired of bleeding?
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| It is raining in the Jimenez Mountains. |
| «It is raining Anita Huffington»
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| — Last words of General Grant, spoken to his nurse. |
| Circuits in his brain
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| flickering out like lightning in gray clouds
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| Pottery shards, arrowheads, rusting fish hooks. |
| You can see there was a cabin
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| here once. |
| A hypodermic syringe glints in the sun
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| He holds the rose flint arrow head in his hand. |
| And he fondles the obsidian
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| arrowhead, so fragile. |
| «Do they break every time they were used like bee stings?
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| «, he wonders. |
| Somebody made this arrowhead. |
| It had a creator long ago.
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| This arrowhead is the only proof of his existence. |
| So living things can also
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| be seen as artefacts designed for a purpose. |
| So perhaps the human artefact had
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| a creator? |
| Perhaps the stranded space traveller needed the human vessel to
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| continue his voyage and he made it for that purpose? |
| He died before he could
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| use it, he found another escape route. |
| This artefact shaped to fill a forgotten
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| need, now has no more meaning or purpose than this arrow head without the arrow
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| and the bow, the arm and the eye. |
| Or perhaps the human artefact was the
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| creators' last card, played in an old game many light years ago
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| Chill in an empty space, Kim gathers wood for a fire. |
| The stars are coming out.
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| There’s the Big Dipper. |
| His father points to Betelgeuse in the night sky over
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| St. Louis. |
| His fathers grey face on a pillow. |
| Helpless pieces in the game he
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| plays on this checker board of nights and days — so fragile — shivers and
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| gathers wood. |
| Slave gods in the firmament
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| He remembers his fathers' last words: «Stay outta churches, son.
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| All I got a key to is the shit house… And swear to me you will never wear a
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| policeman’s badge.»
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| Hither and thither, moves and checks and slaves. |
| And one by one,
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| back in the closet lays. |
| Rusty tin cans, pottery shards, cartridge cases,
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| arrow heads, a hypodermic syringe glints in the sun |