| This is a Place of Dead Roads. |
| Rod riding yanks and peat men and cat burglars,
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| black bindle stiffs and hobo jungles. |
| Here is salt chunk Mary the fence in her
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| red brick house down by the tracks in Portobello, Idaho
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| Mary keeps an iron pot of pork and beans always on the fire, you eat first and
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| talk business later, watches and rings slap down on the kitchen table
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| She names a price, she doesn’t name another
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| Mary can say 'no' quicker than any women I ever knew, and none of her 'no's'
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| ever meant yes
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| She kept the money in a cookie jar, but nobody though about that.
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| Her cold grey eyes would have seen a thought. |
| And maybe something goes wrong
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| on the next day. |
| John Law just happens by. |
| Or a citizen comes up with a load of
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| double zero buckshot in your soft and tenders
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| Like Mr. Hart, Kim has a dark side to his character. |
| Unlike Mr. Hart,
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| Kim is not afraid to hear the word death. |
| Or take his bloody chances in a
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| shoot out. |
| Saturday maybe somebody from across the river comes in the Uncle
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| Tesla’s Saloon lookin' for trouble. |
| He won’t have to look far
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| 'The short barrel, double action .44 tonight', Kim decides. |
| As soon as Kim
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| walks through the swinging door, he knows this is it
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| Two men at the bar by the door, one is tall and thin with a dead sour wooden
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| face. |
| The other tall and fattish and loose lipped with lead grey eyes.
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| Loose lipped smile, showing his awful yellow teeth
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| 'Now I don’t like drinkin' in the same room with a fairy. |
| Do you Clem?'
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| 'Can't says I do, Cash'
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| Yeah, they want to bat it around a while, but Kim doesn’t…
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| 'Are you gentlemen referring to me?'
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| Kim’s hand sweeps down to his belt and up smooth and casual like he was giving
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| Clem his visiting card. |
| As Clem clears his holster with a .45, Kim shoots him
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| in the stomach. |
| Clem doubles forward and his false teeth fly out. |
| His.
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| 45 ploughs a hole in the floor
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| Kim pivots and shoots Cash in the hollow of the throat. |
| The bullet goes through
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| and spatters the wall with slivers of white bone. |
| Cash buckles and his.
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| 45 chunks back in the holster. |
| Clem is weaving around tryin' to re-cock his.
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| 45 with numb fingers. |
| Taking his time Kim shoots him in the forehead.
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| Both assholes are dead before they hit the floor!
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| As Kim looks down at the two bodies crumpled there, spilling blood and brains
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| on the floor — he experiences a rush of pure joy
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| Two enemies will never bother him again. |
| Two lousy sons of bitches melded into
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| error and gun smoke. |
| Like a prisoner who’s killed his guards, he steps lightly
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| though an open door |