
Date of issue: 31.12.2004
Song language: English
Williamsburg Will Oldham Horror |
And on the L train in the morning, I was pretty sure I saw Will Oldham |
He was wearin' the same sunglasses he had on stage at the Bowery Ballroom |
Had he come to walk among the Williamsburgers of his kingdom |
And like the burghers of Calais will a sacrifice be demanded? |
To offer up our dreams and beg for mercy empty-handed? |
And hapless in our hipness crowded 5 to an appartment |
Relegate our dreams to hobbies and deny our disappointment |
Cause The Stones in '65 want total satisfaction, kid |
But The Stones in '69 see grace in just getting what you need |
But if that’s a victory then I’d hate to see what I’d look like defeated |
Cause I know there are those among us who seem to get their dreams unimpeded |
Today I went to Major Matt’s to remaster my old album |
And on the L train in the morning, i was really sure i saw Will Oldham |
He was wearin' the same sunglasses he had on stage at the Bowery Ballroom |
Had he come to walk among the Williamsburgers of his kingdom |
And you might say now there’s a guy who seems to have their world laid out |
before him |
Or you might say, he’s just a rich kid or a fascist or a charlatan |
But either way you say it if you look at indie-rock culture you really can’t |
ignore him |
And even if at first dismissive, after some listens you’ll enjoy him |
I was thinking this on the L train, intend on bursting my own bubble |
How long should an artist struggle before it isn’t worth the hassle? |
And admit we aren’t fit to be the one inside the castle |
This quest for greatness or, at least hipness, just a scam |
And too much trouble but then what makes on human being worthy of an easy ride |
Born to be a natural artist you love or hate but can’t deny |
While us minions in our millions tumble into history’s chasm |
We might have a couple of laughs but we’re still wastes of protoplasm |
Today I was gonna waste some time and money to remaster some dumb old album |
And on the L train in the morning, i was really sure I saw Will Oldham |
He was wearin' the same big sunglasses he had on stage at the Bowery Ballroom |
Had he come to see the strife here in the gutters of his kingdom? |
Where us noble starving artists are striving to feed our ego |
Our mothers like our music our our friends come to our shows |
And if our friends become successful, we’ll consider them our foes |
Go home to our 4 roomates after payin' big bucks for rockstars shows |
What a nightmare! |
what a horror! |
i don’t want no part of this |
Get me off this crazy ride |
I’m gonna puke, I’m gonna piss! |
I’d rather kill myself |
I’d rather just relax or not exist |
But you say you wanna do an e-mail interview? |
Oh what the heck, I can’t resist! |
«Hey, 'ma, guess what today, I did another magazine interview! |
Honey, that’s great, you’re really famous!!» |
Yeah and I’m 27 too! |
I kinda thought I was gonna grow up to do stuff that would benefit humanity |
But it’s getting harder to tell if this artist’s life is even benefitting me |
Cause I was gonna waste some time and money today to remaster some dumb old |
album |
And on the L train in the morning, I was totally sure I saw Will Oldham |
He was wearin' the same big sunglasses he had on stage at the bowery ballroom |
And since I was feeling in need of answers I just went right up and asked him, |
I said |
Will Bonnie Prince, Palace or whatever «What do you think about it? |
Is it worth being an artist or an indie-rock star, or are you better off |
without it?» |
Cause I mean maybe the world would be better if we were all just uncreative |
drones |
No dead child, hood dreams to haunt us, a decent job, a decent home |
And if we have some extra time we could do real things to promote peace |
Become scientists or history teachers or un-corrupt police at least |
«Come on Will, you gotta tell me!!» |
I grabbed and shook him by the arm |
The L train was leaning Bedford with 10,000 white 20 somethings crowed on |
He opened his mouth to speak but it was lost in the rumbling of the wheels |
We were thrown together in a corner and I yelled «Tell me, man, for real!» |
You’re living comfortably, I assume, even if you’re not quite a household name |
You’ve reached a pretty high level of success & critical acclaim |
The L train got to first avenue and a bunch of people piled out |
I was starring into his sunglasses and I was really freakin' out i was like |
Steamboat Willie Bonnie Prince of all this shit, you’re like the king of a |
certain genre |
But even you must want to quit like if you hear a record by Bob Dylan or Neil |
Young or whatever |
You must start thinkin' «People like me, but i won’t be that good ever» |
And I’m sure the thing is probably Dylan himself too stayed up some nights |
Wishing he was as good as Ginsberg or Camus |
And he was like «Dude, I’m such a faker, I’m just a clown who entertains |
And these fools who pay for my crap, they just have pathetic punny brains |
And Camus probably wished he was Milton too or whatever, you know what I’m |
sayin'?!» |
So Will, will you be straight with me now that it’s just us 2 on this train? |
Cause I was gonna spend some time and money today to remaster some dumb old |
album |
And I saw you here on the L train |
And I was like «Hey, is that Will Oldham?» |
he must at least, have some |
perspective |
Cause it’s like, living in this town I get so confused & wound up & up tight |
And I just don’t know up from down |
And then we’d reached the last stop and the subway was deserted |
There was a long moment of silence and I let go of his shirt |
I started to think that maybe I’d made some kind of big mistake |
I tried to walk out onto the platform but by then it was too late |
His sunglasses seemed to grow darker and still he hadn’t even spoke |
He just came right up behind me and put his hand around my throat |
And threw me down onto the concrete and kicked my face in with his boot |
And dragged me down onto the train tracks and tied my hands back with his coat |
And I was slipping out of conciousness as he was slipping down my jeans |
And he was punching me and humping me and I slipped off into a dream |
So it might have just been a delusion |
But I thought I heard him say something like «Artists are pussies» |
Then he climbed back up and ran away |
So I lay there in the darkness on the train tracks cold and broken |
The hours passed and I thought |
Well… maybe I won’t remaster that old album |
And then I started thinking maybe it really hadn’t been Will Oldham |
Even though he did hold my arms and fucked me just like Will sings in «A sucker’s evening» |
But whether it was him or not I couldn’t forget the words he’d spoken |
«Artists are pussies», like we’re wusses or we end up getting fucked |
And other kinds of folks are dicks, tall, smart and strong |
And born to fuck us up I know |
It sounds really sexist and stupid |
It’s a terrible analogy but at that moment on the train tracks |
It made a lot of sense to me maybe it’s just some kind of natural balance |
Like 2 types of mental gender that’s gone on in all societies |
In one form or another like some dicks were born to conquer |
I probably would if I could but if I’m just a pussy, that’s okay |
Cause in a few months maybe, I’ll put out something good |
Name | Year |
---|---|
The Last Time I Did Acid I Went Insane | 2001 |
Don't Be Upset | 2005 |
I Saw a Hippie Girl on 8th Ave | 2003 |
Back When I Was 4 | 2003 |
No LSD Tonight | 2003 |
Alphabet | 2003 |
Life | 2001 |
Heavy Heart | 2001 |
The Man with the Golden Arm ft. Jack Lewis | 2001 |
Seattle | 2001 |
Amanda Is a Scalape | 2001 |
You Don't Have to Be a Scientist to Do Experiments on Your Own Heart | 2003 |
Springtime | 2001 |
Another Girl ft. Jack Lewis | 2001 |
Don't Let the Record Label Take You Out to Lunch | 2003 |
The Chelsea Hotel Oral Sex Song | 2001 |
The East River | 2001 |
Gold | 2003 |
Walls (Fun In The Oven) | 2007 |
The Gasman Cometh | 2007 |