Song information On this page you can find the lyrics of the song Artificial Selection, artist - Baba Brinkman
Date of issue: 31.07.2009
Song language: English
Artificial Selection |
Artificial selection, it starts with a question |
How did people ever get cows, chickens and pigs |
And other animals and plants to act so domestic? |
We took them from the wild and we bred them, brethren |
Welcome to the Charles Darwin Bicentennial |
So, why does everybody think this guy is so special? |
Maybe because a man was born two centuries ago |
Who, as far as anyone knows, was the first |
To recognize the underlying pattern behind the pageant |
Affectionately known as «life on this planet» |
He was the first to understand it |
The first to translate his amazement |
At the wonder of life, into a way to explain it |
So this is a celebration of Darwin’s greatness |
In the form of a rap — some would say «a debasement» |
I would say «be patient», just think of this as |
A manifestation of the evolutionary equation |
A recapitulation of life, a re-enactment |
So, how do you go from amoebas to rappers? |
You open The Origin of Species, and you read it’s chapters |
The first chapter is about the impact of people’s actions |
On farm animals, pets, and domestic crops |
Where did they come from? |
From original stocks |
Of wild animals and plants, which were selected and crossed |
For the best properties, and thus became the effect of their cause |
But of course, not every selection was conscious |
Still, even if breeders in ancient Egypt couldn’t see this |
And had no idea how to rework the features |
Of a species of sheep or increase the sweetness |
Of their peaches every season, when they chose to seed it |
Or to feed it or to breed it or to weed it out and delete it |
'Cause they didn’t see it as needed, whether the preferences in question |
Were for bigger chicken breasts or whippets with a thinner mid-section |
Or if it was just an inner predilection to pick the best in |
Any mixed collection, that’s artificial selection |
Artificial selection, it starts with a question |
How did people ever get cows, chickens and pigs |
And other animals and plants to act so domestic? |
We took them from the wild and we bred them, brethren |
But there’s nothing artificial about domestication |
Ant colonies keep domestic aphids |
It’s just an arrangement where one hand washes the other |
We protect the cow, and the cow offers the udder |
And even if there’s never a conscious discussion |
If our little selections and little preferences |
Can change and enhance the critical differences |
Between wild and domestic breeds over the centuries |
Then maybe that can explain… everything |
In nature it isn’t us that makes the selections |
It’s just survival and reproduction in the midst of competition |
Where slight differences that arise randomly |
Get selected by the pressures applied environmentally |
And eventually species divide like a family tree |
Into everything alive, from a fly to a manatee |
So how does this apply to the craft of the MC? |
Well, variation can be found in the styles on display |
Rappers all have different techniques when they’re on stage |
And the results can be seen in the audience’s face |
Like, for instance, at this moment, you all look amazed |
Like guppies removed abruptly from their aquatic space |
Your minds are probably racing over questions of style and race |
And genre and time and place, and some of your eyes are glazed |
Like «For God’s sake, how long will this take?!?» |
But if you all feel that way, then soon I’ll be replaced |
By someone more entertaining, like maybe Lil Wayne |
This is the rap version of the doctrine of Malthus |
It’s the proportion of hungry mouths |
To food resources in the form of captive audiences |
Where crowds of two or more will always |
Be at least half as common as performers |
Can you see the mathematical problem? |
But survival on stage is a non-random process |
'Cause those who get massive responses tend to influence |
Those who aspire to get massive responses |
So if you say I sound like, for instance, Eminem, then I’ll say |
«That's preposterous!» |
But if you catch me grabbing my crotch |
And acting obnoxious, then I might have to acknowledge |
That this is a form of imitation modified by experience |
Which is similar to the genetic basis of inheritance |
Except it’s part Darwinism and part Lamarkism |
With genes and culture co-evolving as we rock to the rhythm |
But whether you think cultures really evolve |
Or if it’s just a silly metaphor that’s pretty but false |
Or whether you’ve never even thought about that |
I still think Darwin can teach us a lot about rap |
And vice verse; |
'cause it’s all about that |
Competition for status with intricate language |
Delivered in battles, and it’s all about getting that |
Fitness advantage and the different adaptive behaviour patterns |
That have us acting crazier than capercaillie mating dances |
But hey, that’s natural selection; |
so just sit back and listen |
And witness the evolution of the rap profession |
Artificial selection, it starts with a question |
How did people ever get cows, chickens and pigs |
And other animals and plants to act so domestic? |
We took them from the wild and we bred them, brethren |