| Artificial selection, it starts with a question
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| How did people ever get cows, chickens and pigs
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| And other animals and plants to act so domestic?
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| We took them from the wild and we bred them, brethren
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| Welcome to the Charles Darwin Bicentennial
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| So, why does everybody think this guy is so special?
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| Maybe because a man was born two centuries ago
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| Who, as far as anyone knows, was the first
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| To recognize the underlying pattern behind the pageant
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| Affectionately known as «life on this planet»
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| He was the first to understand it
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| The first to translate his amazement
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| At the wonder of life, into a way to explain it
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| So this is a celebration of Darwin’s greatness
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| In the form of a rap — some would say «a debasement»
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| I would say «be patient», just think of this as
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| A manifestation of the evolutionary equation
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| A recapitulation of life, a re-enactment
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| So, how do you go from amoebas to rappers?
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| You open The Origin of Species, and you read it’s chapters
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| The first chapter is about the impact of people’s actions
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| On farm animals, pets, and domestic crops |
| Where did they come from? |
| From original stocks
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| Of wild animals and plants, which were selected and crossed
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| For the best properties, and thus became the effect of their cause
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| But of course, not every selection was conscious
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| Still, even if breeders in ancient Egypt couldn’t see this
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| And had no idea how to rework the features
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| Of a species of sheep or increase the sweetness
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| Of their peaches every season, when they chose to seed it
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| Or to feed it or to breed it or to weed it out and delete it
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| 'Cause they didn’t see it as needed, whether the preferences in question
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| Were for bigger chicken breasts or whippets with a thinner mid-section
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| Or if it was just an inner predilection to pick the best in
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| Any mixed collection, that’s artificial selection
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| Artificial selection, it starts with a question
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| How did people ever get cows, chickens and pigs
|
| And other animals and plants to act so domestic?
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| We took them from the wild and we bred them, brethren
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| But there’s nothing artificial about domestication
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| Ant colonies keep domestic aphids |
| It’s just an arrangement where one hand washes the other
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| We protect the cow, and the cow offers the udder
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| And even if there’s never a conscious discussion
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| If our little selections and little preferences
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| Can change and enhance the critical differences
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| Between wild and domestic breeds over the centuries
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| Then maybe that can explain… everything
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| In nature it isn’t us that makes the selections
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| It’s just survival and reproduction in the midst of competition
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| Where slight differences that arise randomly
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| Get selected by the pressures applied environmentally
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| And eventually species divide like a family tree
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| Into everything alive, from a fly to a manatee
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| So how does this apply to the craft of the MC?
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| Well, variation can be found in the styles on display
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| Rappers all have different techniques when they’re on stage
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| And the results can be seen in the audience’s face
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| Like, for instance, at this moment, you all look amazed
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| Like guppies removed abruptly from their aquatic space
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| Your minds are probably racing over questions of style and race |
| And genre and time and place, and some of your eyes are glazed
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| Like «For God’s sake, how long will this take?!?»
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| But if you all feel that way, then soon I’ll be replaced
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| By someone more entertaining, like maybe Lil Wayne
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| This is the rap version of the doctrine of Malthus
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| It’s the proportion of hungry mouths
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| To food resources in the form of captive audiences
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| Where crowds of two or more will always
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| Be at least half as common as performers
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| Can you see the mathematical problem?
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| But survival on stage is a non-random process
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| 'Cause those who get massive responses tend to influence
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| Those who aspire to get massive responses
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| So if you say I sound like, for instance, Eminem, then I’ll say
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| «That's preposterous!» |
| But if you catch me grabbing my crotch
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| And acting obnoxious, then I might have to acknowledge
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| That this is a form of imitation modified by experience
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| Which is similar to the genetic basis of inheritance
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| Except it’s part Darwinism and part Lamarkism
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| With genes and culture co-evolving as we rock to the rhythm |
| But whether you think cultures really evolve
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| Or if it’s just a silly metaphor that’s pretty but false
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| Or whether you’ve never even thought about that
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| I still think Darwin can teach us a lot about rap
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| And vice verse; |
| 'cause it’s all about that
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| Competition for status with intricate language
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| Delivered in battles, and it’s all about getting that
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| Fitness advantage and the different adaptive behaviour patterns
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| That have us acting crazier than capercaillie mating dances
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| But hey, that’s natural selection; |
| so just sit back and listen
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| And witness the evolution of the rap profession
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| Artificial selection, it starts with a question
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| How did people ever get cows, chickens and pigs
|
| And other animals and plants to act so domestic?
|
| We took them from the wild and we bred them, brethren |