Song information On this page you can find the lyrics of the song Class Clown - Bi-Labial Fricative / Attracting Attention / Squeamish, artist - George Carlin. Album song Class Clown, in the genre
Date of issue: 31.03.1972
Age restrictions: 18+
Record label: Laugh.com
Song language: English
Class Clown - Bi-Labial Fricative / Attracting Attention / Squeamish |
Uh, people always want to know how you get started...on this job. |
I guess they ask musicians |
too...and actors and everything, but, uh, they always want to know how you got started. |
They |
say, "How'd you get started?" |
They say to you, "Did you always want to be a comedian?" |
Well, |
not in the womb, but right after that, yes, I did. |
Sure. |
But class clown is when you really do get a chance to kind of ...work out, y'know. |
'Cause the |
classroom's the best place. |
Classroom's best because...well, no one's allowed to laugh there. |
And |
suppressed laughter, y'know, is they easiest to get, the most fun. |
Y'know, like when you're |
kneelin' in front of a casket- 'CHORTLE!' |
...during the sermon, whatever it is and in the |
classroom. |
Class clown always sounds like there was only one of 'em, y'know, sounds like "the |
class clown" but that's not true, really. There was, y'know, quite often there were two or three or |
four of 'em. |
Mmm. |
Sometimes you'd have a whole classroom full of 'em, man. |
If the main guy |
was absent, second banana would fill in, right? |
And the class clown wasn't really so unique. |
Y'know, he didn't necessarily do things that were real different. |
It was just..he learned things |
first. |
He discovered things first and passed them on to the other guys, right? |
The class clown was |
the first to discover a lot of musical things. |
He was the first one to get into Hawaiian nose |
humming, right? |
('Hawaiian nose humming' sounds) Well, if you're gonna play, play, y'know? |
And |
then, uh, playing 'head' (raps fist on head with mouth open) You had to be a little 'masso' for |
that anyway, man, y'know? |
That and throat (taps throat with mouth open) Aah. |
Found out later |
in life that the beard acts as a mute for soft passages, right? |
Well, anyway. |
Class clown was the first guy to discover this- usually in gym class, right? |
('arm fart' sounds) Yeah, |
the old artificial fart under the arm. |
Or as we called it in New York, (with heavy New York accent |
"The awtificial fawt undah the awm!" |
There were a lot of ways to make the fart sound when you |
were a kid. |
Remember, you had this one, too (makes different fart sound) Then, in the crook of |
your arm (another one) It was an important sound, y'know? |
I gues..we found so many ways to |
make it, y'know? |
I didn't need any of those fancy ones, 'cause I could (makes 'regular' mouth fart |
noises) I was into the bi-labial fricative, y'know? |
I was so glad when I found out that had a real |
official name to it, man. |
Bronx cheer and raspberry never made it for me. |
Bi-labial fricative- |
(makes more fart noises, then guy in crowd shouts, "Do one from the back!") Do one from the |
back? |
It would probably be an SBD today, man. |
Remember that? |
" Silent But Deadly, wow. |
It's true. |
Most of the time in class I was tempted to..fool around, man. |
Get someone's..that's |
what it was, yeah. |
You'd be bored and you'd figure, "Well, why not deprive someone else of their |
education." And you would set about disrupting the class by...ATTRACTING ATTENTION TO |
YOURSELF! |
That is the name of this job, y'know? |
It's called "Dig me." |
It's like, "Hey guys, didn't |
make the team, but- BBBBBBLLLLLAH! |
They'd say, "Hey, he's crazy, man. Hey, ya wanna go to a |
party, wow." Yeah, you went to all the parties. Got the last girl, but you went to all the parties, |
man. |
BBBBLAH! |
When I would, uh, try to attract attention in class, it was..I wasn't really like a very daring and bold youth. |
I was a little timid, really. |
I didn't get right into fake epileptic seizures in the aisle, |
y'know. |
Start out and test the water a little bit. |
I used to start with little sounds, like- (makes |
'pigeon' sounds in throat). |
That's a good one 'cause no one can really see where it's coming |
from. |
(does it again) You can even look around like you don't know. |
(once more) That's, of |
course, the pigeon; |
you recognize the pigeon. |
That was my only bird call...'cause that was our |
only bird, man. |
I was from a real 'New York' part of New York, y'know. |
We had pigeons..and, uh, |
sparrows; |
had sparrows. |
Sparrows- you could never pin a sparrow, y'know?. |
They would leave |
too fast. |
You try to go over to a sparrow- 'BROODOOM!' |
Pigeons would walk out of your way and |
give you a bad look, right? |
Poor pigeons, man. |
Their song is stuck in their throat. |
(makes 'pigeon' |
sounds again) That's what livin' in the city does, man. |
Sticks your song in your throat. |
I'm sure |
when the pigeons first got to the city, they had a nice song, man- (does 'birdcall' sounds) Few |
years in the city..(makes 'throat' pigeon sounds). |
And then that oil slick we laid on 'em; |
you've |
seen that oil slick on their neck. |
I'm sure we gave 'em that. |
Pidgies. |
I had one sound that was my own. |
Not completely my own. |
I stole it from a Spike Jones record- |
'GLLLGEAH!' |
(does variations on the sound) None of the other guys could do that one. |
I added a |
little something to it- 'HICUPMNNGLLLGEAH!' |
No one really cared. |
"Get him outta here, willya?" |
'GLLLGAH GLLLGEE!' |
"Get him outta here." |
And then of course, there was- 'POP!' |
Popping the |
cheek. |
Which everyone had to do. |
Just to be a kid you had to be able to do that, right? |
Yeah, it |
was part of the credentials. |
"Can he pop his cheek?" |
'POP'! |
"Okay, he's a kid. Let him in." |
Let me |
hear all of you do that. |
I love it when a whole auditorium does it. |
Everybody do it...like that. |
(hundreds of pops are heard from the crowd and they laugh at the sound) Now do it without |
giving in to the temptation to laugh. |
Everybody do it without laughing. |
(even more pops are |
heard from the crowd and they laugh louder at the speed of the pops) But, uh, we take that for |
granted. |
We think it's so simple. |
You say to yourself, "Well, I think I'll put my finger in my cheek |
and pop it." It's not that easy, man. There's a lotta things to think about. Ya gotta know how |
much finger to put in there for one, right? |
You can't do it like that (jams finger way in), man. |
You |
have to judge the amount of finger. |
You have to know how much air pressure against the cheek, |
how much cheek pressure against the air...and when to release. |
You see old guys in the park now |
can't get it on anymore- MMM! |
UHHH! |
That's the first thing that goes on a class clown...the |
cheeks, man. |
They never did issue microphones to the class clowns. |
That would have been a big help. |
But you |
had ones like this- (does popping noises with microphone) And you remember this one? |
Old |
men always used to do this to you- (makes squeaking noises with his lips) Remember? |
Your |
grandfather would always do that. |
"Hey! Come here!" |
(squeak!) Ah ha ha ha! |
I was, uh, my specialty was knuckle cracking....I was, uh, I was into it on kind of an esoteric level, |
really. |
For instance, I could crack all twenty-eight knuckles, you know. |
Twenty-eight plus, actually. |
Only twenty-eight are officially recognized by the Knuckle Institute. |
But you aficionados know |
that down at the ends of the fingers you have a lot of multiples and repeaters and, uh, if you |
wake up and think about it first thing in the morning you can do fifty or more of 'em, man. |
A |
little more knuckle lore for you. |
The smaller the knuckle, the higher the pitch. |
Something we just don't stop to think about, y'know? |
For instance, this last knuckle on the pinky is the highest |
pitched knuckle; |
you'll hear it now...CRACK! |
CRACK! |
That was a double! |
Let's see if I can go for |
the double on the other pinky. |
I don't often get two doubles in performance; |
I'd like to try. |
And |
that was down a little lower than it should have been. |
That's a higher pitched and much more |
gentle knuckle, usually. |
Let's give the right on the end of the pinky a chance...CRACK! |
Let's see if |
the other one's in there too...CRACK! |
Ahhhh! |
Two doubles is far out, yeah! |
The best reason for cracking your knuckles was to make the girls sick. |
I mean that's... That's all |
you wanted to do when you were nine or ten was make the girls sick. |
If you could get Margaret |
Mary to throw up on her desk in the morning...you knew it would be a good day. |
You'd pick the |
most squeamish girl. |
Margaret Mary was susceptible to knuckles- Hey, Margaret Mary! |
CRACK! |
"Wooo oooh woo!" |
Remember that feeling? |
Like wiping off snot. |
"Wooo oooh woo!" |
Somebody |
else's! |
"AAAUGH!" |
You'd wipe it on flaming wood if you had to. |
"Get it off me; it got on me by |
accident- AAUUGH!" 'Cause nobody really likes your bodily fluids, y'know. Unless you keep them |
to yourself. |
People don't want them. |
Really, think of it. |
Any fluids of semi-fluids that you secrete |
or excrete or whatever. |
People don't wanna hear it. |
Earwax, blood, sweat, "Get it outta here, |
man!" Sometimes they'll take your blood if they're in trouble, otherwise keep things inside; |
people want you to keep things inside. |
Anything you could do disgusting was good for class clown. |
Ernest Cruz could turn his upper |
eyelids inside out. |
Remember those guys, wow. |
Even I would go EWWWW! |
Don't do that, |
Ernest; |
you look like the Devil, man. |
John Pigman could belch at will. |
Not just the ordinary belch. |
I mean, we all learned to swallow a little air, y'know, and do the fraternity burp- BRAACK! |
But, |
uh, John Pigman was an artist, man. |
He would save air for like half an hour, man. |
You'd see him |
over in the corner. |
"Hey, John.." "No no, man..(gulping air sounds). "Ah, and when he would |
finally let go- 'BRRRIGADDOOMBRIGGADOWWBRRRRUGGADOOWOWOWOW!' |
Oh, wow. |
Old |
ladies...old ladies would puke for blocks around. |
He would talk when he burped. |
You remember |
those guys? |
(burping "How do you do? Son of a *****. BLLGADOO! BLLLUGH! He'd try to go |
through the whole alphabet on one burp. |
(burping ABCDEFGHIJKLMNOPQRSTUVW... Sometimes |
John would be in the movie theater...and you didn't know he was there. |
And then you found out, |
man. |
If anybody on the screen opened their mouth without saying anything, John would provide |
the dialog. |
'BRRRRIGADOW!' |
"Hey, John's here, man! |
Class clown used to save his best stuff for lunchtime...when you were drinking your milk. |
And |
he'd try to make the milk come out your nose. |
"UGGGH! Carlin, you bastard! I'll get you, man!" |
It |
was even better with 7UP or root beer, y'know? |
Get all those bubbles up in their sinuses. |
One |
time, Michael Davey passed an entire cheese sandwich through his nose. |
Sister Annunciado |
thought is was a miracle, y'know? |
"Come with me, mister and don't talk to the other boys and |
girls. |
Yeah, you're not allowed to talk to anyone right after a miracle, y'know? |
You have to wait |
and be debriefed by a priest, right? |