| Uh, people always want to know how you get started...on this job. |
| I guess they ask musicians
|
| too...and actors and everything, but, uh, they always want to know how you got started. |
| They
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| say, "How'd you get started?" |
| They say to you, "Did you always want to be a comedian?" |
| Well,
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| not in the womb, but right after that, yes, I did. |
| Sure.
|
| But class clown is when you really do get a chance to kind of ...work out, y'know. |
| 'Cause the
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| classroom's the best place. |
| Classroom's best because...well, no one's allowed to laugh there. |
| And
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| suppressed laughter, y'know, is they easiest to get, the most fun. |
| Y'know, like when you're
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| kneelin' in front of a casket- 'CHORTLE!' |
| ...during the sermon, whatever it is and in the
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| classroom. |
| Class clown always sounds like there was only one of 'em, y'know, sounds like "the
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| class clown" but that's not true, really. There was, y'know, quite often there were two or three or
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| four of 'em. |
| Mmm. |
| Sometimes you'd have a whole classroom full of 'em, man. |
| If the main guy
|
| was absent, second banana would fill in, right? |
| And the class clown wasn't really so unique.
|
| Y'know, he didn't necessarily do things that were real different. |
| It was just..he learned things
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| first. |
| He discovered things first and passed them on to the other guys, right? |
| The class clown was
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| the first to discover a lot of musical things. |
| He was the first one to get into Hawaiian nose
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| humming, right? |
| ('Hawaiian nose humming' sounds) Well, if you're gonna play, play, y'know? |
| And
|
| then, uh, playing 'head' (raps fist on head with mouth open) You had to be a little 'masso' for
|
| that anyway, man, y'know? |
| That and throat (taps throat with mouth open) Aah. |
| Found out later
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| in life that the beard acts as a mute for soft passages, right? |
| Well, anyway.
|
| Class clown was the first guy to discover this- usually in gym class, right? |
| ('arm fart' sounds) Yeah,
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| the old artificial fart under the arm. |
| Or as we called it in New York, (with heavy New York accent
|
| "The awtificial fawt undah the awm!" |
| There were a lot of ways to make the fart sound when you
|
| were a kid. |
| Remember, you had this one, too (makes different fart sound) Then, in the crook of
|
| your arm (another one) It was an important sound, y'know? |
| I gues..we found so many ways to
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| make it, y'know? |
| I didn't need any of those fancy ones, 'cause I could (makes 'regular' mouth fart
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| noises) I was into the bi-labial fricative, y'know? |
| I was so glad when I found out that had a real
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| official name to it, man. |
| Bronx cheer and raspberry never made it for me. |
| Bi-labial fricative-
|
| (makes more fart noises, then guy in crowd shouts, "Do one from the back!") Do one from the
|
| back? |
| It would probably be an SBD today, man. |
| Remember that? |
| " Silent But Deadly, wow.
|
| It's true. |
| Most of the time in class I was tempted to..fool around, man. |
| Get someone's..that's
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| what it was, yeah. |
| You'd be bored and you'd figure, "Well, why not deprive someone else of their
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| education." And you would set about disrupting the class by...ATTRACTING ATTENTION TO
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| YOURSELF! |
| That is the name of this job, y'know? |
| It's called "Dig me." |
| It's like, "Hey guys, didn't
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| make the team, but- BBBBBBLLLLLAH! |
| They'd say, "Hey, he's crazy, man. Hey, ya wanna go to a
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| party, wow." Yeah, you went to all the parties. Got the last girl, but you went to all the parties,
|
| man. |
| BBBBLAH!
|
| When I would, uh, try to attract attention in class, it was..I wasn't really like a very daring and bold youth.
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| I was a little timid, really. |
| I didn't get right into fake epileptic seizures in the aisle,
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| y'know. |
| Start out and test the water a little bit. |
| I used to start with little sounds, like- (makes
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| 'pigeon' sounds in throat). |
| That's a good one 'cause no one can really see where it's coming
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| from. |
| (does it again) You can even look around like you don't know. |
| (once more) That's, of
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| course, the pigeon; |
| you recognize the pigeon. |
| That was my only bird call...'cause that was our
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| only bird, man. |
| I was from a real 'New York' part of New York, y'know. |
| We had pigeons..and, uh,
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| sparrows; |
| had sparrows. |
| Sparrows- you could never pin a sparrow, y'know?. |
| They would leave |
| too fast. |
| You try to go over to a sparrow- 'BROODOOM!' |
| Pigeons would walk out of your way and
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| give you a bad look, right? |
| Poor pigeons, man. |
| Their song is stuck in their throat. |
| (makes 'pigeon'
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| sounds again) That's what livin' in the city does, man. |
| Sticks your song in your throat. |
| I'm sure
|
| when the pigeons first got to the city, they had a nice song, man- (does 'birdcall' sounds) Few
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| years in the city..(makes 'throat' pigeon sounds). |
| And then that oil slick we laid on 'em; |
| you've
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| seen that oil slick on their neck. |
| I'm sure we gave 'em that. |
| Pidgies.
|
| I had one sound that was my own. |
| Not completely my own. |
| I stole it from a Spike Jones record-
|
| 'GLLLGEAH!' |
| (does variations on the sound) None of the other guys could do that one. |
| I added a
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| little something to it- 'HICUPMNNGLLLGEAH!' |
| No one really cared. |
| "Get him outta here, willya?"
|
| 'GLLLGAH GLLLGEE!' |
| "Get him outta here." |
| And then of course, there was- 'POP!' |
| Popping the
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| cheek. |
| Which everyone had to do. |
| Just to be a kid you had to be able to do that, right? |
| Yeah, it
|
| was part of the credentials. |
| "Can he pop his cheek?" |
| 'POP'! |
| "Okay, he's a kid. Let him in." |
| Let me
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| hear all of you do that. |
| I love it when a whole auditorium does it. |
| Everybody do it...like that.
|
| (hundreds of pops are heard from the crowd and they laugh at the sound) Now do it without
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| giving in to the temptation to laugh. |
| Everybody do it without laughing. |
| (even more pops are
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| heard from the crowd and they laugh louder at the speed of the pops) But, uh, we take that for
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| granted. |
| We think it's so simple. |
| You say to yourself, "Well, I think I'll put my finger in my cheek
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| and pop it." It's not that easy, man. There's a lotta things to think about. Ya gotta know how
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| much finger to put in there for one, right? |
| You can't do it like that (jams finger way in), man. |
| You
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| have to judge the amount of finger. |
| You have to know how much air pressure against the cheek,
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| how much cheek pressure against the air...and when to release. |
| You see old guys in the park now
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| can't get it on anymore- MMM! |
| UHHH! |
| That's the first thing that goes on a class clown...the
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| cheeks, man.
|
| They never did issue microphones to the class clowns. |
| That would have been a big help. |
| But you
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| had ones like this- (does popping noises with microphone) And you remember this one? |
| Old
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| men always used to do this to you- (makes squeaking noises with his lips) Remember? |
| Your
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| grandfather would always do that. |
| "Hey! Come here!" |
| (squeak!) Ah ha ha ha!
|
| I was, uh, my specialty was knuckle cracking....I was, uh, I was into it on kind of an esoteric level,
|
| really. |
| For instance, I could crack all twenty-eight knuckles, you know. |
| Twenty-eight plus, actually.
|
| Only twenty-eight are officially recognized by the Knuckle Institute. |
| But you aficionados know
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| that down at the ends of the fingers you have a lot of multiples and repeaters and, uh, if you
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| wake up and think about it first thing in the morning you can do fifty or more of 'em, man. |
| A
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| little more knuckle lore for you. |
| The smaller the knuckle, the higher the pitch.
|
| Something we just don't stop to think about, y'know? |
| For instance, this last knuckle on the pinky is the highest
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| pitched knuckle; |
| you'll hear it now...CRACK! |
| CRACK! |
| That was a double! |
| Let's see if I can go for
|
| the double on the other pinky. |
| I don't often get two doubles in performance; |
| I'd like to try. |
| And
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| that was down a little lower than it should have been. |
| That's a higher pitched and much more
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| gentle knuckle, usually. |
| Let's give the right on the end of the pinky a chance...CRACK! |
| Let's see if
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| the other one's in there too...CRACK! |
| Ahhhh! |
| Two doubles is far out, yeah!
|
| The best reason for cracking your knuckles was to make the girls sick. |
| I mean that's... That's all
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| you wanted to do when you were nine or ten was make the girls sick. |
| If you could get Margaret
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| Mary to throw up on her desk in the morning...you knew it would be a good day. |
| You'd pick the
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| most squeamish girl. |
| Margaret Mary was susceptible to knuckles- Hey, Margaret Mary! |
| CRACK!
|
| "Wooo oooh woo!" |
| Remember that feeling? |
| Like wiping off snot. |
| "Wooo oooh woo!" |
| Somebody |
| else's! |
| "AAAUGH!" |
| You'd wipe it on flaming wood if you had to. |
| "Get it off me; it got on me by
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| accident- AAUUGH!" 'Cause nobody really likes your bodily fluids, y'know. Unless you keep them
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| to yourself. |
| People don't want them. |
| Really, think of it. |
| Any fluids of semi-fluids that you secrete
|
| or excrete or whatever. |
| People don't wanna hear it. |
| Earwax, blood, sweat, "Get it outta here,
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| man!" Sometimes they'll take your blood if they're in trouble, otherwise keep things inside;
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| people want you to keep things inside.
|
| Anything you could do disgusting was good for class clown. |
| Ernest Cruz could turn his upper
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| eyelids inside out. |
| Remember those guys, wow. |
| Even I would go EWWWW! |
| Don't do that,
|
| Ernest; |
| you look like the Devil, man. |
| John Pigman could belch at will. |
| Not just the ordinary belch.
|
| I mean, we all learned to swallow a little air, y'know, and do the fraternity burp- BRAACK! |
| But,
|
| uh, John Pigman was an artist, man. |
| He would save air for like half an hour, man. |
| You'd see him
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| over in the corner. |
| "Hey, John.." "No no, man..(gulping air sounds). "Ah, and when he would
|
| finally let go- 'BRRRIGADDOOMBRIGGADOWWBRRRRUGGADOOWOWOWOW!' |
| Oh, wow. |
| Old
|
| ladies...old ladies would puke for blocks around. |
| He would talk when he burped. |
| You remember
|
| those guys? |
| (burping "How do you do? Son of a *****. BLLGADOO! BLLLUGH! He'd try to go
|
| through the whole alphabet on one burp. |
| (burping ABCDEFGHIJKLMNOPQRSTUVW... Sometimes
|
| John would be in the movie theater...and you didn't know he was there. |
| And then you found out,
|
| man. |
| If anybody on the screen opened their mouth without saying anything, John would provide
|
| the dialog. |
| 'BRRRRIGADOW!' |
| "Hey, John's here, man!
|
| Class clown used to save his best stuff for lunchtime...when you were drinking your milk. |
| And
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| he'd try to make the milk come out your nose. |
| "UGGGH! Carlin, you bastard! I'll get you, man!" |
| It
|
| was even better with 7UP or root beer, y'know? |
| Get all those bubbles up in their sinuses. |
| One
|
| time, Michael Davey passed an entire cheese sandwich through his nose. |
| Sister Annunciado
|
| thought is was a miracle, y'know? |
| "Come with me, mister and don't talk to the other boys and
|
| girls. |
| Yeah, you're not allowed to talk to anyone right after a miracle, y'know? |
| You have to wait
|
| and be debriefed by a priest, right? |