| Mine is a story that spans centuries.
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| My place is the Placeless,
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| My track is like that of a bird across the endless sky.
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| I am the music that echoes from the unseen world.
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| At the dawn of Islam,
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| The rich poetry that marked the Arabian heartland
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| Mingled with the melodies of the oud,
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| The rhythms of the duff, and the art of the human voice.
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| I carried these outward,
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| Journeying along with the message of the new revelation.
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| That message travelled west, and I travelled, too.
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| In each new landscape people added their voices,
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| Their words, their instruments — to my song.
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| Across the lands of North Africa, all the way to Andalusia, my song was heard.
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| It carried the ethos, the spirit, of Islam.
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| I was welcomed.
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| My sound awakened something deep within the soul,
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| A memory beyond words.
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| For the wise ones have said:
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| «These melodies are the sounds of the revolving spheres of heaven.
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| We were all part of Adam, we heard these melodies in Paradise.
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| Water and clay may have clouded our sight, but an echo of their sound lingers
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| in our memory.»
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| In Moorish Spain’s Golden Age, I was reborn as the music of Andalusia.
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| So powerful was my grip on the imagination,
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| That even today this music awakens the noblest aspirations in its listeners.
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| And when the Moors left the Iberian Peninsula,
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| My voice was not silenced.
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| My echo is heard across Europe and beyond,
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| In the song of the troubadour,
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| And in the sounds of the instruments I brought with me:
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| The lute,
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| The guitar,
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| And the violin
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| Now my Andalusian music flourishes in the Maghreb,
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| Where I live on in sacred ceremonies and songs
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| «Music will show you the path beyond Heaven.
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| Immerse yourself in its sound,
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| And the veils that hide your Light
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| Will fall in a heap on the floor.
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| And from those early days of Islam in Arabia’s heartland,
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| I also travelled north and east.
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| In Turkey, the ney, the reed flute, added its achingly sweet sound of Divine
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| longing to my song.
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| «Listen to the lament of the reed,
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| Telling its tale of longing,
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| Ever since it was cut from its reed-bed,
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| All who hear it weep at its sorrow.
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| I moved on to Persia.
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| I was welcomed in that land,
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| Where poets and musicians of exquisite skill joined me in their quest to touch
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| the Divine.
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| I was recognized.
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| I was loved.
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| One poet said:
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| «In music there are a hundred thousand joys,
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| And any one of these will shorten by a thousand years
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| The path to attain knowledge of the Divine mysteries.»
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| While I travelled and grew,
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| The greatest Muslim thinkers — Al-Kindi, Al-Farabi
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| Ibn Sina — wrote of my qualities for healing body and soul.
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| And they gave me a structure that would always define my homeland as the heart
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| of Islam.
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| No matter what embellishment each people add to me,
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| Still my essence shines through.
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| My home is everywhere,
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| But my heart is one.
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| I journeyed farther east,
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| With the trade caravans and the mystics,
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| Until my song reached the great Indian subcontinent.
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| Harmoniums and rababs and tablas joined singers in ecstatic praise of the
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| Divine.
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| The qawwali was born.
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| And now as I continue to travel across time and lands and waters,
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| I grow and change and still my essence remains the same.
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| When the sound of my song is heard,
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| Revealing that truth and beauty that lie beyond words,
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| You will always know me. |