| Sittin' on the seat with my mother and my brother
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| And my nephew, my nephew’s mother’s niece
|
| I said «Bless you,» «Thank you,» she replied
|
| I sighed. |
| My mother said «What's wrong?»
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| My brother played a song
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| On the box right next to me
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| But my nephew’s expression looked vexed to me
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| So I tried to cheer him up. |
| I said «What's up, little VCJ?
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| Hey, you should be smiling, it’s a sunny day
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| The family together, out in the good weather
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| Mom, should I sing a song?» |
| She said «Whatever's clever, Trevor»
|
| So I opened my mouth, began, and I sang
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| To with a funky little man
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| Sure 'nough I got results, Duane cracked a smile
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| My mom said «Monie, you’s a talented child
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| I’ma go see my friend who has job as a produca
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| To hook up the beats that maybe you could get used ta»
|
| She took a long to the producer man’s quarters"
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| He said «Is Monie signed?» |
| Mom said «No, but she oughta»
|
| He said «Well bring her over, so I can get a view
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| And then after that I know exactly what to do»
|
| My mother came back, she said «Pack up all your demos
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| To play for the producer.» |
| I said «Why?» |
| She said «Who knows?
|
| Suppose you get a break? |
| It’s a chance I have to take
|
| You’re my daughter. |
| I love you. |
| I think this is your fate.»
|
| I went along over. |
| The producer man told her
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| «Monie is a talented child.» |
| She said «I know. |
| The
|
| Talent runs in the genes. |
| But back to the point
|
| If you know what I mean
|
| Will you help my daughter get to get her ?»
|
| He said «Sure, just cross my palms with the green.»
|
| (Okay, here’s your receipt… I’ll see you next week.)
|
| She did say «So thank you.» |
| They grabbed me, said «Let's go»
|
| Locked me in my room and said «Write a funky song, Mo, yo»
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| I had my qualms but yo I stayed calm
|
| Wrote on the 'til it was full
|
| Right up to the tippy-top line
|
| And then I just knew that success would be mine
|
| Anyway I took my rhyme sheet to the producer
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| Along with the beat, cause he was callin', frontin' and all, but yo
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| I hooked it up quick-fast, and it was funky
|
| For funky music there is no replacement
|
| Producer man looked up at me, said «We win!»
|
| (Yeah!) I said «We? |
| Since when has this been?» |
| (What?)
|
| «I used your bass, now which my mother paid you generously for
|
| Therefore, I been settled the score
|
| You had the chance to contribute this and that
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| But you ain’t do nothing but sit on your butt and slack
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| I’ma take my rhyme sheets along with my master tapes
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| Then perform them to the industry, of which it is my fate.»
|
| He said «How anybody know I ain’t write the song?
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| I’ma give you hell if you try to do me wrong.»
|
| I said «Brother, I’ll the floor with you in court
|
| Got names and numbers from other people who bought
|
| That touchy, crusty, crappy personality
|
| Trust me, you must be runnin' from reality
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| If you feel you can stop me, bro
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| I’m releasin' my cut, Don’t Funk wid the Mo.»
|
| (Oh, wow, that was dope)
|
| Back up on the seat with my mother and my brother
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| And my nephew. |
| My nephew’s mother’s three
|
| Is she. |
| «How it go, Monie?» |
| «It went as well as I expected
|
| The last few months I’ve been totally accepted.»
|
| «But what about the fellow employees within the industry?»
|
| My mother asked. |
| «They be alright as long as they don’t mess with me
|
| I know the ins and outs and I’m learnin' all the time
|
| I won’t be taken for a ride; |
| I ain’t blind
|
| And mom, as to the friend who had a job as a producer
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| He moved out the neighborhood because he is a loser
|
| He tried to jeopardize what I was workin' hard towards
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| So I put him off and said 'Don't Funk wid the Mo.'»
|
| (Huh)
|
| (She crazy)
|
| (That's why, you know what I mean?)
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| (It ain’t worth the money) |