| take it out...
|
| Come on, use it...
|
| Don't be afraid of him...
|
| If it's a matter of dying...
|
| First they die...
|
| take it out...
|
| Come on, use it...
|
| Don't be afraid of him...
|
| If it's a matter of dying...
|
| First they die...
|
| Give it, take it out and chambe
|
| that my dogs are hungry
|
| If the 'R' gives them a cramp, lambe them
|
| Aren't you brave?
|
| I slice melons with the rope
|
| Throw me, bastards, I'm still making kids
|
| Get turuleco, all of you fighting are Moroccan
|
| Papi, for the chola there is no vest
|
| Quiet ox, olé, or we'll get the guacamole
|
| One hundred with the gun and one hundred with the snails
|
| Don't lose control of me or I'll empty you to' el treintole
|
| All those who snored finished for school
|
| You saw how the Tonka demolished them
|
| Naldo, everyone snores and no one can with the Mole
|
| (That was the father, daddy!)
|
| (Hector, the baby!)
|
| (And now he touches you with the other fantastic!)
|
| (Daddy, you will never forget my name!)
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| (I am your worst nightmare!)
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| The ___________, the one that puts them to eat pitch
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| The one who borders them and pitches them
|
| With his little red eyes, the little black man champions them
|
| Upload his glasses so he can see
|
| Although from afar they look at me and throw me
|
| They are my things, look for your ways
|
| And although they conspire that they dominate
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| You all admire me (Hey!)
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| take it out...
|
| Come on, use it...
|
| Don't be afraid of him...
|
| If it's a matter of dying...
|
| First they die...
|
| Get another sack to put a rogue
|
| 'W', part tobacco
|
| Prepare for the heist
|
| The lyrical barraco arrived
|
| In the record of the new kids
|
| Bambino, put down the broom
|
| Give the butt to mahogany
|
| We're going to set fire to this silly mafia
|
| They caught her wrong with the one who sings "La Trova"
|
| And now I kill them and ride them in the trunk of a Nova
|
| The key man hunting on the ship
|
| They think it's low key
|
| It is a danger that they walk together 'W' with the father
|
| (You know, 'W', the freaks got together!)
|
| smell the loin
|
| Don't snore me or I eat them all
|
| Naldo, whoever throws what there is is lead
|
| And I bring you Yomo, and that's how we are
|
| Hitting your pigeon in the crop
|
| What is mine I take
|
| The one that is outlined with the full dome it
|
| I've been coming since the Momo's 24 "in chrome
|
| And in your head I show them
|
| The one with the cake, throw me lambones, give me a promo
|
| Good evening, reporting from the scene
|
| (Hey!) The only rapper with the right
|
| To say that I am the most complete prospect of this business
|
| Completely, because of how I sing, dance or conduct myself and project
|
| And if they notice me upset, it is indeed
|
| With all those who have thrown mud at me
|
| Promotion of over I'm giving them elbow
|
| After all, what am I missing, fool?
|
| If, as you tell me, pa', the numbers speak for themselves
|
| I have never tried to pass you the rolo
|
| I just work and you figure it out on your own
|
| (I just work and you figure it out for yourself!)
|
| take it out...
|
| Come on, use it...
|
| Don't be afraid of him...
|
| If it's a matter of dying...
|
| First they die...
|
| take it out...
|
| Come on, use it...
|
| Don't be afraid of him...
|
| If it's a matter of dying...
|
| First they die...
|
| «This is Naldo!
|
| That today he presents you!
|
| The best production of new talents!
|
| This is the production where…
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| …all the great exponents of the genre…
|
| …from reggaeton come together to support the new!
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| This is the new blood!
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| The new generation of reggaeton!” |