| I wrote Hannah from Indiana
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| Then I wrote ‘Ida from Idaho'
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| Then I wrote ‘Louise from Louisiana'
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| Then I wrote ‘Yoko from Kokomo'
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| Then I wrote the ‘Take It Or Leave It, Move It Or Lose It, Love It,
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| Or Shove It Blues'
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| Every word and every note
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| Then I wrote ‘Massachusetts Moon'
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| And ‘Juno Juno in June'
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| And then I wrote ‘And Then I Wrote', that’s this song
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| ‘Course they weren’t all hits, I had some near misses too
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| I wrote ‘Hello Solly', close!
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| And then I wrote ‘As Time Goes On'
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| Then I wrote ‘Three Sets in a Fountain'
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| And ‘Where Have All The Flounders Gone?', kind of an ecological number
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| And then I wrote ‘Seventy-Five Trombones' and ‘Two Little Words' and ‘Don't Go
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| Breaking My Throat'
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| ‘I left my heart in San Clemente', ‘I Am Nineteen, Going On Twenty'
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| And then I wrote ‘And Then I Wrote'
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| I wrote ‘And Then I Wrote', to show what I wrote
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| Because nobody seems to know what I wrote
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| I’m sick of the singers getting all of the credit
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| Remember songwriter wrote it, the singer just read it
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| I wrote ‘Smile Through Your Tears', then I wrote ‘Smile Through Your Fears' |
| Then I wrote ‘Smile All The While', then I wrote ‘Smile With A Smile'
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| I wrote fast tunes and slow tunes
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| And one or two show tunes
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| Like ‘Sit Down, You’re Rocking The Ship'
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| I wrote country and soul, I wrote rock, I wrote roll
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| I wrote Latin and pop, I wrote rap and hip-hop
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| I wrote all of that stuff
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| And then I said ‘That's enough'
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| It’s time just to sit back and gloat
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| So I laid down my pen
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| Picked up my pen up again
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| And then I wrote ‘And Then I wrote'
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| From which I quote
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| And then I wrote «And Then Wrote», that’s this song |