| Listening to these tracks brings up a lot of memories about
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| the source of the lyrics of these early songs
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| Most of them come from the fact that when I returned to Mobile
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| after several years of living and playing in New Orleans
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| I had started writing songs
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| New Orleans will do that to you
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| Though my first recordings were done in Mobile
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| the songs that I carried into the
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| studio had their origins in New Orleans
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| When I landed there in 1968 I was just a year behind
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| being a Jesuit alter boy
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| I was still a virgin and I wanted
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| not to be either of those things anymore
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| So to borrow from a recent song title by Mack McNally,
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| Blame it on New Orleans
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| Sounds fair, I do
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| New Orleans to all of us who grew up on the Gulf Coast
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| is a place where, if you had any eccentricities
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| And you weren’t thinking the way other people in the South were
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| in those days
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| New Orleans was the place to be
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| It had made its mark on me long before I even picked up a guitar
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| in my freshman year in college
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| I had family roots that ran deep from Pascagoula to Gulf Port
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| to New Orleans to Mobile
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| So when I left there and returned to Mobile to continue playing
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| clubs for a living,
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| I was armed with old childhood memories and a fresh
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| French Quartered venture that I had turned into lyrics and songs
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| that wound up being the material that interested Milton and Travis
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| and when I got back to Mobile
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| And I think these early recordings clearly show my evolution as a
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| performer and a song writer
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| You start emulating someone, like I did Gordan Lightfoot
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| and then you open up to other inspiring singers and songwriters
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| Who’s music was the sound of the 60's
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| Dylan, Tim Harden, Bobby Charles from Abbeyville,
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| Alan Toussaint from New Orleans,
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| Judy Collins, Joan Baez and Fred Neil down in Miami
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| They were now the roadsigns on my song line
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| All those wonderful adventures I had in New Orleans as a 20-year-old
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| became my musical roots
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| Yeah, blame it on New Orleans I say
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| I’m not sure New Orleans wants to take the blame
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| Many of the ingredients in that big pot of musical gumbo
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| I was cooking up would eventually be served up
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| In 2011 I was given the unique honour
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| of being the Jazz Fest poster boy
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| in a painting that depicted my busking days
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| on the corner of Royal and Charter streets
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| When I saw the painting for the first time
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| I thought it pretty much summed up things because
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| From 1967 through 2011 and still to this day
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| New Orleans has had the most effect on me
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| as a songwriter, performer and novelist as any place
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| I ever lived or travelled to during my time on this planet
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| Oh with maybe the exception of that week I spent
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| in Timbuktu and in Mali in Bamako with the Bucktooth Brothers
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| exploring the musical culture of West Africa
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| And someone says, What about Key West?
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| That’s a whole 'nother story
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| We’ll get to that one later
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| But right now, here’s another story that was simmering in my pot
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| for a longtime and finally is getting served up on Buried Treasure
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| This is called Rickety Lane |