Song information On this page you can read the lyrics of the song Opening Doors , by - Stephen Sondheim. Song from the album Merrily We Roll Along, in the genre МюзиклыRelease date: 31.10.1994
Record label: Varese Sarabande
Song language: English
Song information On this page you can read the lyrics of the song Opening Doors , by - Stephen Sondheim. Song from the album Merrily We Roll Along, in the genre МюзиклыOpening Doors |
| FRANK |
| How’s it going? |
| CHARLEY |
| Good. |
| You? |
| FRANK |
| Fair |
| CHARLEY |
| Yeah, tell me |
| FRANK |
| Chinese laundry |
| MARY |
| Hi |
| FRANK |
| Mary? |
| CHARLEY |
| Say hello |
| MARY |
| I think I got a job |
| FRANK |
| Where? |
| MARY |
| True Romances |
| FRANK |
| Posing? |
| MARY |
| Thank you. |
| Writing captions |
| FRANK |
| What about the book? |
| MARY |
| What about the book? |
| FRANK |
| Nothing, are you working on your book? |
| MARY |
| Yes? |
| FRANK |
| Good |
| MARY |
| No? |
| FRANK |
| Mary? |
| MARY |
| Right, I know, yes, me and Balzac? |
| CHARLEY |
| I finished the one-act |
| FRANK |
| I got an audition |
| MARY |
| I started the story |
| FRANK |
| Rehearsal pianist |
| CHARLEY |
| So where are we eating? |
| MARY |
| I’m moving to Playboy |
| FRANK |
| The publisher called me |
| CHARLEY |
| I’m doing a rewrite |
| MARY |
| My parents are coming |
| FRANK |
| I saw My Fair Lady |
| CHARLEY |
| I rewrote the rewrite |
| FRANK |
| I sort of enjoyed it |
| MARY |
| I threw out the story |
| CHARLEY |
| I’m meeting an agent |
| ALL |
| We’ll all get together on Sunday |
| We’re opening doors |
| Singing, «Here we are!» |
| We’re filling up days |
| On out dime |
| That faraway shore’s |
| Looking not too far |
| We’re following every star? |
| There’s not enough time! |
| FRANK |
| I called a producer |
| CHARLEY |
| I sent off the one-act |
| MARY |
| I started the story |
| FRANK |
| He said to come see him |
| CHARLEY |
| I dropped out of college |
| MARY |
| I met this musician |
| FRANK |
| I’m playing a nightclub |
| CHARLEY |
| They’re doing my one-act! |
| MARY |
| I’m working for Redbook |
| FRANK |
| I rewrote the ballad |
| MARY |
| I finished the story |
| CHARLEY |
| We started rehearsals |
| MARY |
| I threw out the story |
| And then the musician |
| I’m moving to Popular Science |
| ALL |
| We’re opening doors |
| Singing, «Look who’s here!» |
| Beginning to sail |
| On out dime |
| That faraway shore’s |
| Getting very near! |
| We haven’t a thing to fear |
| We haven’t got time! |
| FRANK |
| How’s it coming? |
| CHARLEY |
| Good. |
| You? |
| FRANK |
| Done |
| CHARLEY |
| One minute? |
| FRANK |
| Hamburg Heaven |
| MARY |
| Hi |
| FRANK |
| Mary? |
| CHARLEY |
| Say hello |
| MARY |
| I got another job |
| FRANK |
| Where? |
| MARY |
| Chic |
| FRANK |
| What’s that? |
| MARY |
| A brand-new concept: |
| Pop-up pictures |
| FRANK |
| What about the book? |
| MARY |
| What about the book? |
| FRANK |
| Did you give the publisher the book? |
| MARY |
| Yes? |
| FRANK |
| Good |
| MARY |
| No? |
| FRANK |
| Mary? |
| MARY |
| Look, I never? |
| CHARLEY |
| Finished! |
| FRANK |
| Let me call you back |
| MARY |
| Right |
| CHARLEY |
| This is just a draft |
| FRANK |
| Right |
| CHARLEY |
| Probably it stinks |
| FRANK |
| Right |
| CHARLEY |
| Haven’t had the time to do a polish |
| FRANK |
| Will you sing?1 |
| CHARLEY |
| Right |
| «Who wants to live in New York? |
| Who wants the worry, the noise, the dirt, the heat? |
| Who wants the garbage cans clanging in the street? |
| Suddenly I do |
| They’re always popping their cork «I'll fix that line |
| «The cops, the cabbies, the salesgirls up at Saks |
| You gotta have a real taste for maniacs? |
| Suddenly I do!» |
| JOE |
| That’s great. |
| That’s swell |
| The other stuff as well |
| It isn’t every day |
| I hear a score this strong |
| But fellas, if I may |
| There’s only one thing wrong: |
| There’s not a tune you can hum |
| There’s not a tune you go bum-bum-bum-di-dum |
| You need a tune you can bum-bum-bum-di-dum? |
| Give me a melody! |
| Why can’t you throw 'em a crumb? |
| What’s wrong with letting 'em tap their toes a bit? |
| I’ll let you know when Stravinsky has a hit? |
| Give me some melody! |
| Oh sure, I know |
| It’s not that kind of show |
| But can’t you have a score |
| That’s sort of in between? |
| Look, play a little more |
| I’ll show you what I mean? |
| CHARLEY |
| «Who wants to live in New York? |
| I’ve always hated the dirt, the heat, the noise |
| But ever since I met you, I -» |
| JOE |
| Listen, boys |
| Maybe it’s me |
| But that’s just not a hummmmmmmmmmmmmable melody! |
| Write more, work hard |
| Leave your name with the girl |
| Less avant-garde |
| Leave your name with the girl |
| Just write a plain old melodee-dee-dee-dee-dee-dee-dee |
| Dee-dee-dee-dee-dee-dee |
| CHARLEY |
| They’re stopping rehearsals |
| They ran out of money |
| MARY |
| We lasted one issue |
| My book was rejected |
| FRANK |
| The nightclub was raided |
| I have to start coaching |
| MARY |
| My parents are coming |
| CHARLEY |
| They screwed up the laundry |
| FRANK |
| My wallet was stolen |
| MARY |
| I saw the musician |
| CHARLEY |
| We’re being evicted |
| MARY |
| I’m having a breakdown |
| ALL |
| We’ll all get together on Sunday |
| They’re slamming doors |
| Singing, «Go away!» |
| It’s less of a sail |
| Than a climb |
| That faraway shore’s |
| Farther every day |
| We’re learning to ricochet? |
| We still have a lot to say? |
| FRANK |
| You know what we’ll do? |
| CHARLEY |
| What? |
| FRANK |
| We’ll do a revue |
| CHARLEY |
| What? |
| MARY |
| What? |
| FRANK |
| We’ll do a revue of our own! |
| MARY |
| What? |
| CHARLEY |
| Where? |
| MARY |
| Why? |
| CHARLEY |
| When? |
| FRANK |
| Not just songs, but stories, scenes |
| Piano pieces, mime? |
| CHARLEY |
| Yeah! |
| MARY |
| Frankly Frank? |
| FRANK |
| A showcase of our own? |
| CHARLEY |
| Where? |
| FRANK |
| The club’s reopening |
| MARY |
| We’ll write a lot of new stuff? |
| CHARLEY |
| Rewrite the old stuff? |
| FRANK |
| What about the girl? |
| CHARLEY |
| What about the girl? |
| FRANK |
| Only that we’re gonna need a girl |
| CHARLEY |
| Well, Mary? |
| MARY |
| Thanks, I don’t perform except at dinner |
| GIRL AUDITIONING |
| «Who wants to live in New York? |
| Who wants the worry, the noise, the dirt, the heat? |
| Who wants the garbage cans -» |
| I can sing higher- |
| FRANK |
| Thank you for coming |
| Next eight, please |
| BETH |
| «They're always popping their cork» |
| FRANK |
| Up a tone |
| BETH |
| «The cops, the cabbies, the salesgirls up at Saks» |
| FRANK |
| Up a tone |
| BETH |
| «You gotta have a real taste for maniacs» |
| FRANK |
| Thank you. |
| You’re hired |
| BETH |
| I’m Beth |
| FRANK |
| I’m Frank |
| BETH |
| I really thought I stank |
| MARY |
| I’m Mary |
| CHARLEY |
| Charley |
| FRANK |
| By the way |
| I’m told we open Saturday |
| MARY, BETH AND CHARLEY |
| What! |
| MARY |
| You’re not serious! |
| CHARLEY |
| Nobody’s ready! |
| FRANK |
| Apparently someone cancelled a booking |
| CHARLEY |
| The songs aren’t finished |
| MARY |
| And what about costumes? |
| BETH |
| And how do I learn all these numbers? |
| FRANK |
| I’ll bring you the copies of everything later this evening |
| BETH |
| Okay, but I’ll have to have all the music, and |
| Saturday I’ve got to sing at a wedding. |
| Oh |
| God, is there dancing, 'cause I’m not a dancer? |
| CHARLEY |
| Not to mention I still haven’t finished the |
| Synanon song or the Kennedy number? |
| FRANK |
| You don’t have to, we’ll segue the |
| End of it into the dance we cut out? |
| CHARLEY |
| And what’ll we do about getting publicity |
| Run around town putting stickers on windows? |
| MARY |
| And have we decided or not on the restaurant sketch? |
| I need two or three days to replace it |
| FRANK |
| No, we’ll use it but not with the long introduction |
| ALL |
| We’ll worry about it on Sunday! |
| We’re opening doors, singing, «Here we are!» |
| We’re filling up days on our dime |
| That faraway shore’s looking not too far |
| We’re following every star? |
| There’s not enough time! |
| We’re banging on doors, shouting, «Here again!» |
| We’re risking it all on our dime |
| That faraway shore’s looking near again |
| The only thing left is when |
| We know we should count to ten? |
| We haven’t got time! |
| We haven’t got time! |
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|---|---|
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