| FRANK
|
| How’s it going?
|
| CHARLEY
|
| Good. |
| You?
|
| FRANK
|
| Fair
|
| CHARLEY
|
| Yeah, tell me
|
| FRANK
|
| Chinese laundry
|
| MARY
|
| Hi
|
| FRANK
|
| Mary?
|
| CHARLEY
|
| Say hello
|
| MARY
|
| I think I got a job
|
| FRANK
|
| Where?
|
| MARY
|
| True Romances
|
| FRANK
|
| Posing?
|
| MARY
|
| Thank you. |
| Writing captions
|
| FRANK
|
| What about the book?
|
| MARY
|
| What about the book?
|
| FRANK
|
| Nothing, are you working on your book?
|
| MARY
|
| Yes?
|
| FRANK
|
| Good
|
| MARY
|
| No?
|
| FRANK
|
| Mary?
|
| MARY
|
| Right, I know, yes, me and Balzac?
|
| CHARLEY
|
| I finished the one-act
|
| FRANK
|
| I got an audition
|
| MARY
|
| I started the story
|
| FRANK
|
| Rehearsal pianist
|
| CHARLEY
|
| So where are we eating?
|
| MARY
|
| I’m moving to Playboy
|
| FRANK
|
| The publisher called me
|
| CHARLEY
|
| I’m doing a rewrite
|
| MARY
|
| My parents are coming
|
| FRANK
|
| I saw My Fair Lady
|
| CHARLEY
|
| I rewrote the rewrite
|
| FRANK
|
| I sort of enjoyed it
|
| MARY
|
| I threw out the story
|
| CHARLEY
|
| I’m meeting an agent
|
| ALL
|
| We’ll all get together on Sunday
|
| We’re opening doors
|
| Singing, «Here we are!»
|
| We’re filling up days
|
| On out dime
|
| That faraway shore’s
|
| Looking not too far
|
| We’re following every star?
|
| There’s not enough time!
|
| FRANK
|
| I called a producer
|
| CHARLEY
|
| I sent off the one-act
|
| MARY
|
| I started the story
|
| FRANK
|
| He said to come see him
|
| CHARLEY
|
| I dropped out of college
|
| MARY
|
| I met this musician
|
| FRANK
|
| I’m playing a nightclub
|
| CHARLEY
|
| They’re doing my one-act!
|
| MARY
|
| I’m working for Redbook
|
| FRANK
|
| I rewrote the ballad
|
| MARY
|
| I finished the story
|
| CHARLEY
|
| We started rehearsals
|
| MARY
|
| I threw out the story
|
| And then the musician
|
| I’m moving to Popular Science
|
| ALL
|
| We’re opening doors
|
| Singing, «Look who’s here!»
|
| Beginning to sail
|
| On out dime
|
| That faraway shore’s
|
| Getting very near!
|
| We haven’t a thing to fear
|
| We haven’t got time!
|
| FRANK
|
| How’s it coming?
|
| CHARLEY
|
| Good. |
| You?
|
| FRANK
|
| Done
|
| CHARLEY
|
| One minute?
|
| FRANK
|
| Hamburg Heaven
|
| MARY
|
| Hi
|
| FRANK
|
| Mary?
|
| CHARLEY
|
| Say hello
|
| MARY
|
| I got another job
|
| FRANK
|
| Where?
|
| MARY
|
| Chic
|
| FRANK
|
| What’s that?
|
| MARY
|
| A brand-new concept:
|
| Pop-up pictures
|
| FRANK
|
| What about the book?
|
| MARY
|
| What about the book?
|
| FRANK
|
| Did you give the publisher the book?
|
| MARY
|
| Yes?
|
| FRANK
|
| Good
|
| MARY
|
| No?
|
| FRANK
|
| Mary?
|
| MARY
|
| Look, I never?
|
| CHARLEY
|
| Finished!
|
| FRANK
|
| Let me call you back
|
| MARY
|
| Right
|
| CHARLEY
|
| This is just a draft
|
| FRANK
|
| Right
|
| CHARLEY
|
| Probably it stinks
|
| FRANK
|
| Right
|
| CHARLEY
|
| Haven’t had the time to do a polish
|
| FRANK
|
| Will you sing?1
|
| CHARLEY
|
| Right
|
| «Who wants to live in New York?
|
| Who wants the worry, the noise, the dirt, the heat?
|
| Who wants the garbage cans clanging in the street?
|
| Suddenly I do
|
| They’re always popping their cork «I'll fix that line
|
| «The cops, the cabbies, the salesgirls up at Saks
|
| You gotta have a real taste for maniacs?
|
| Suddenly I do!»
|
| JOE
|
| That’s great. |
| That’s swell
|
| The other stuff as well
|
| It isn’t every day
|
| I hear a score this strong
|
| But fellas, if I may
|
| There’s only one thing wrong:
|
| There’s not a tune you can hum
|
| There’s not a tune you go bum-bum-bum-di-dum
|
| You need a tune you can bum-bum-bum-di-dum?
|
| Give me a melody!
|
| Why can’t you throw 'em a crumb?
|
| What’s wrong with letting 'em tap their toes a bit?
|
| I’ll let you know when Stravinsky has a hit?
|
| Give me some melody!
|
| Oh sure, I know
|
| It’s not that kind of show
|
| But can’t you have a score
|
| That’s sort of in between?
|
| Look, play a little more
|
| I’ll show you what I mean?
|
| CHARLEY
|
| «Who wants to live in New York?
|
| I’ve always hated the dirt, the heat, the noise
|
| But ever since I met you, I -»
|
| JOE
|
| Listen, boys
|
| Maybe it’s me
|
| But that’s just not a hummmmmmmmmmmmmable melody!
|
| Write more, work hard
|
| Leave your name with the girl
|
| Less avant-garde
|
| Leave your name with the girl
|
| Just write a plain old melodee-dee-dee-dee-dee-dee-dee
|
| Dee-dee-dee-dee-dee-dee
|
| CHARLEY
|
| They’re stopping rehearsals
|
| They ran out of money
|
| MARY
|
| We lasted one issue
|
| My book was rejected
|
| FRANK
|
| The nightclub was raided
|
| I have to start coaching
|
| MARY
|
| My parents are coming
|
| CHARLEY
|
| They screwed up the laundry
|
| FRANK
|
| My wallet was stolen
|
| MARY
|
| I saw the musician
|
| CHARLEY
|
| We’re being evicted
|
| MARY
|
| I’m having a breakdown
|
| ALL
|
| We’ll all get together on Sunday
|
| They’re slamming doors
|
| Singing, «Go away!»
|
| It’s less of a sail
|
| Than a climb
|
| That faraway shore’s
|
| Farther every day
|
| We’re learning to ricochet? |
| We still have a lot to say?
|
| FRANK
|
| You know what we’ll do?
|
| CHARLEY
|
| What?
|
| FRANK
|
| We’ll do a revue
|
| CHARLEY
|
| What?
|
| MARY
|
| What?
|
| FRANK
|
| We’ll do a revue of our own!
|
| MARY
|
| What?
|
| CHARLEY
|
| Where?
|
| MARY
|
| Why?
|
| CHARLEY
|
| When?
|
| FRANK
|
| Not just songs, but stories, scenes
|
| Piano pieces, mime?
|
| CHARLEY
|
| Yeah!
|
| MARY
|
| Frankly Frank?
|
| FRANK
|
| A showcase of our own?
|
| CHARLEY
|
| Where?
|
| FRANK
|
| The club’s reopening
|
| MARY
|
| We’ll write a lot of new stuff?
|
| CHARLEY
|
| Rewrite the old stuff?
|
| FRANK
|
| What about the girl?
|
| CHARLEY
|
| What about the girl?
|
| FRANK
|
| Only that we’re gonna need a girl
|
| CHARLEY
|
| Well, Mary?
|
| MARY
|
| Thanks, I don’t perform except at dinner
|
| GIRL AUDITIONING
|
| «Who wants to live in New York?
|
| Who wants the worry, the noise, the dirt, the heat?
|
| Who wants the garbage cans -»
|
| I can sing higher-
|
| FRANK
|
| Thank you for coming
|
| Next eight, please
|
| BETH
|
| «They're always popping their cork»
|
| FRANK
|
| Up a tone
|
| BETH
|
| «The cops, the cabbies, the salesgirls up at Saks»
|
| FRANK
|
| Up a tone
|
| BETH
|
| «You gotta have a real taste for maniacs»
|
| FRANK
|
| Thank you. |
| You’re hired
|
| BETH
|
| I’m Beth
|
| FRANK
|
| I’m Frank
|
| BETH
|
| I really thought I stank
|
| MARY
|
| I’m Mary
|
| CHARLEY
|
| Charley
|
| FRANK
|
| By the way
|
| I’m told we open Saturday
|
| MARY, BETH AND CHARLEY
|
| What!
|
| MARY
|
| You’re not serious!
|
| CHARLEY
|
| Nobody’s ready!
|
| FRANK
|
| Apparently someone cancelled a booking
|
| CHARLEY
|
| The songs aren’t finished
|
| MARY
|
| And what about costumes?
|
| BETH
|
| And how do I learn all these numbers?
|
| FRANK
|
| I’ll bring you the copies of everything later this evening
|
| BETH
|
| Okay, but I’ll have to have all the music, and
|
| Saturday I’ve got to sing at a wedding. |
| Oh
|
| God, is there dancing, 'cause I’m not a dancer?
|
| CHARLEY
|
| Not to mention I still haven’t finished the
|
| Synanon song or the Kennedy number?
|
| FRANK
|
| You don’t have to, we’ll segue the
|
| End of it into the dance we cut out?
|
| CHARLEY
|
| And what’ll we do about getting publicity
|
| Run around town putting stickers on windows?
|
| MARY
|
| And have we decided or not on the restaurant sketch?
|
| I need two or three days to replace it
|
| FRANK
|
| No, we’ll use it but not with the long introduction
|
| ALL
|
| We’ll worry about it on Sunday!
|
| We’re opening doors, singing, «Here we are!»
|
| We’re filling up days on our dime
|
| That faraway shore’s looking not too far
|
| We’re following every star?
|
| There’s not enough time!
|
| We’re banging on doors, shouting, «Here again!»
|
| We’re risking it all on our dime
|
| That faraway shore’s looking near again
|
| The only thing left is when
|
| We know we should count to ten?
|
| We haven’t got time!
|
| We haven’t got time! |