| There’s a class of men and women who are always on their guard,
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| Cunning, treacherous, suspicious, feeling softly, grasping hard,
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| Yet without the courage to forsake the beaten track,
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| Wearily they feel their way behind a bolder spirit’s back.
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| They will stick to you as sin does, while your money comes and goes,
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| But they’ll leave you when you haven’t got a dollar in your clothes.
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| You may get some help from others, but you’ll nearly always find
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| That you cannot get assistance from the men who come behind.
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| There are many, far too many, in the world of prose and rhyme,
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| Always looking for another’s 'footsteps on the sands of time.'
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| Journalistic imitators are the meanest of mankind;
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| And the grandest themes are hackneyed by the pens that come behind.
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| If you strike a novel subject, write it up, and do not fail,
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| They will rhyme and prose about it, till your very own is stale,
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| As they raved about the bushland that the wattle-boughs perfume
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| Till the reader cursed that region and the stink of wattle-bloom.
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| They will follow in your footsteps while you’re groping for the light;
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| But they’ll run to get before you when they see you’re going right;
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| And they’ll trip you up and baulk you in their blind and greedy heat,
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| Like a stupid pup that hasn’t learned to trail behind your feet.
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| Well take your loads of sin and sorrow on an energetic back!
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| Go and strike across the country where there isn’t any track!
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| And I fancy that the subject could be further treated here,
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| But we’ll leave it to be hackneyed by the fellows in the rear.
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| Oh there are many, far too many, in the world of prose and rhyme,
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| Always looking for another’s 'footsteps on the sands of time.'
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| Journalistic imitators are the meanest of mankind;
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| And the grandest themes are hackneyed by the pens that come behind. |