| With your mercury mouth in the missionary times
|
| And your eyes like smoke and your prayers like rhymes
|
| And your silver cross, and your voice like chimes
|
| Oh, who among them do they think could bury you?
|
| With your pockets well protected at last
|
| And your streetcar visions which you place on the grass
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| And your flesh like silk, and your face like glass
|
| Who among them do they think could carry you?
|
| Sad-eyed lady of the lowlands
|
| Where the sad-eyed prophet says that no man comes
|
| My warehouse eyes, my Arabian drums
|
| Should I leave them by your gate
|
| Or, sad-eyed lady, should I wait?
|
| With your sheets like metal and your belt like lace
|
| And your deck of cards missing the jack and the ace
|
| And your basement clothes and your hollow face
|
| Who among them can think he could outguess you?
|
| With your silhouette when the sunlight dims
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| Into your eyes where the moonlight swims
|
| And your match-book songs and your gypsy hymns
|
| Who among them would try to impress you?
|
| Sad-eyed lady of the lowlands
|
| Where the sad-eyed prophet says that no man comes
|
| My warehouse eyes, my Arabian drums
|
| Should I leave them by your gate
|
| Or, sad-eyed lady, should I wait?
|
| The kings of Tyrus with their convict list
|
| Are waiting in line for their geranium kiss
|
| And you wouldn’t know it would happen like this
|
| But who among them really wants just to kiss you?
|
| With your childhood flames on your midnight rug
|
| And your Spanish manners and your mother’s drugs
|
| And your cowboy mouth and your curfew plugs
|
| Who among them do you think could resist you?
|
| Sad-eyed lady of the lowlands
|
| Where the sad-eyed prophet says that no man comes
|
| My warehouse eyes, my Arabian drums
|
| Should I leave them by your gate
|
| Or, sad-eyed lady, should I wait?
|
| Oh, the farmers and the businessmen, they all did decide
|
| To show you where the dead angels are that they used to hide
|
| But why did they pick you to sympathize with their side?
|
| Oh, how could they ever mistake you?
|
| They wished you’d accepted the blame for the farm
|
| But with the sea at your feet and the phony false alarm
|
| And with the child of a hoodlum wrapped up in your arms
|
| How could they ever, ever persuade you?
|
| Sad-eyed lady of the lowlands
|
| Where the sad-eyed prophet says that no man comes
|
| My warehouse eyes, my Arabian drums
|
| Should I leave them by your gate
|
| Or, sad-eyed lady, should I wait?
|
| With your sheet-metal memory of Cannery Row
|
| And your magazine-husband who one day just had to go
|
| And your gentleness now, which you just can’t help but show
|
| Who among them do you think would employ you?
|
| Now you stand with your thief, you’re on his parole
|
| With your holy medallion which your fingertips fold
|
| And your saintlike face and your ghostlike soul
|
| Oh, who among them do you think could destroy you
|
| Sad-eyed lady of the lowlands
|
| Where the sad-eyed prophet says that no man comes
|
| My warehouse eyes, my Arabian drums
|
| Should I leave them by your gate
|
| Or, sad-eyed lady, should I wait? |