
Date of issue: 10.11.2014
Record label: Rough Trade, What's Your Rupture?
Song language: English
Content Nausea |
Content nausea, World War Four |
Seems like it all came too soon |
Another carnage apparatus |
Such a dissapointing doom |
I’ve used money, I’ve used drugs |
Abuse body, abuse mind |
People use such strange excuses |
Always have done no clue why |
Most folks think and some folks know |
Life’s lived least when you don’t let go |
Of a memory, of a dream |
Like an hometown better seen |
On a screen or at a distance |
Life lived best without resistance |
People clicked and people read |
'Modern Life' is what it said |
Pretty pictures, pretty lives |
I peered into once or twice |
I’ll go back but not today |
It’s nice to visit but it’s hard to stay |
In the grips of bad dimension |
Too much data, too much tension |
Too much plastic, Too much glass |
Life lived least when when fears are passed |
My friend he won’t leave his home |
Says 'I am a bonfire of human bones' |
I am a bonfire of human bones |
I am a bonfire of human bones |
And am I under some spell? |
And do my thoughts belong to me? |
Or just some slogan I ingested to save time? |
This night is missing people |
The sea, it had no-one |
Hardly no-one, it had shapes, it had light |
Some were flashing, most moved |
Me, I couldn’t look away |
But still no-one came or left they just stayed |
But they weren’t there in the first place |
Overpopulated by nothing, crowded by a sparseness |
Guided by darkness, too much, not enough |
Content, that’s what you’d call it |
An infant screaming in every room in your gut |
Bets strum on an intention but best left unattended |
How gathered the pixels in the dust of the digital age to our being |
With what do I wash? |
Put on some music |
My friend walks the same path every day |
Steep the stairwell, cognizance to coma |
Ignoring best he can |
An inconvenient reality |
The consequential chore that unfolds in the naked sprint from screen to screen |
Scrolling binary ghettos for escape for reminders |
And this would be a good year to free poets |
From the back padding dungeons of content and comments |
To free artists from empty and vulgar broadcasting ritual |
For this year it became harder to be tender |
Harder and harder to remember |
Meeting a friend, writing a letter |
Being lost, antique ritual |
All lost to the ceremony of progress |
Like the sensual organs removed |
They’re only weighing you down, you didn’t need them |
Ignore this part, it’s an advertisement |
These people are famous, I’d trust them |
Protesters stayed home this time around |
Some enlisted, some never heard the first shots |
Well I’ve been north and I’ve been south |
I’ve been west and I’ve been east |
Been around long enough to know |
Life’s lived best when scrolling least |
Just a broken piece of plastic |
Just another new device |
Just another nervous habit |
One more thing you have to buy |
Just one more thing to replace |
One more way to block your face |
Too much data, Too much tension |
Life’s lived least when less is mentioned |
Wasting dollars, wasting hours |
Wasting talent with wasted power |
No one says it but it’s known |
The more connected, the more alone |
My friend stays at the home in the dark |
Never walks up to the park |
Always nauseous, always tired |
I am a landmine, wrong supplier |
I am a landmine |
Name | Year |
---|---|
Wide Awake | 2018 |
Almost Had to Start a Fight/In and Out of Patience | 2018 |
Total Football | 2018 |
Tenderness | 2018 |
Berlin Got Blurry | 2016 |
Stoned and Starving | 2016 |
Before the Water Gets Too High | 2018 |
Human Performance | 2016 |
Freebird II | 2018 |
These Boots Are Made For Walkin' | 2014 |
Violence | 2018 |
Pretty Prizes ft. Parquet Courts, Karen O | 2017 |
Talisa ft. Parquet Courts, Karen O | 2017 |
Death Will Bring Change | 2018 |
Walking at a Downtown Pace | 2021 |
Extinction | 2018 |
Mardi Gras Beads | 2018 |
Borrowed Time | 2016 |
Normalisation | 2018 |
NYC Observation | 2018 |