| The world for some years
|
| Has been sodden with tears
|
| On behalf of the acting profession.
|
| Each star playing a part
|
| Seems to expect a Purple Heart.
|
| It’s unorthodox to be born in a box,
|
| But it needn’t become an obsession.
|
| Let’s hope we have no worse to plague us Than two shows a night in Las Vegas.
|
| When I think of physicians and mathematicians
|
| Who don’t earn a quarter the dough,
|
| When I look at the faces
|
| Of people in Macy’s,
|
| There’s one thing I’m burning to know:
|
| Why must the show go on?
|
| It can’t be all that indispensable.
|
| To me, it really isn’t sensible on the whole,
|
| To play a leading role,
|
| While fighting those tears you can’t control.
|
| Why kick up your legs
|
| When draining the dregs
|
| Of sorrow’s bitter cup?
|
| Because you have read
|
| Some idiot has said
|
| 'The curtain must stay up!'
|
| I’d like to know
|
| Why a star takes bows,
|
| Having just returned from burying her spouse.
|
| Brave boop-a-doopers,
|
| Go home and dry your tears.
|
| Gallant old troopers,
|
| You’ve bored us all for years.
|
| And if you’re so blue,
|
| Wet through
|
| And thoroughly woe-begone,
|
| Why must the show go on?
|
| Oh, mammy,
|
| Why must the show go on?
|
| We’re asked to condole
|
| With each tremulous soul
|
| Who steps out to be loudly applauded.
|
| Stars on opening nights
|
| Weep when they see their names in lights.
|
| Though people who act,
|
| As a matter of fact,
|
| Are, financially, amply rewarded,
|
| It seems, when pursuing their calling,
|
| Their suffering’s simply appalling.
|
| But butchers, and bakers, and candlestick makers
|
| Get little applause for their pains.
|
| When I think of miners
|
| And waiters in diners,
|
| The query forever remains:
|
| Why must the show go on?
|
| The rule
|
| Is surely not immutable.
|
| It. |
| .. It might be wiser,
|
| And more suitable,
|
| Just to close,
|
| If you are in the throes
|
| Of personal grief and private woes.
|
| Why stifle a sob when doing your job
|
| When, if you’d use your head,
|
| You’d go out and grab
|
| A comfortable cab,
|
| And go right home to bed?
|
| Because you’re not
|
| Giving us much fun.
|
| This 'Laugh, Clown, Laugh' routine’s been overdone.
|
| Hats off to showfolks,
|
| For smiling when they’re blue,
|
| But more comme il faut folks
|
| Are sick of smiling through.
|
| And if you’re out cold,
|
| Too old,
|
| And most of your teeth have gone,
|
| Why must the show go on?
|
| I sometimes wonder,
|
| Why must the show go on?
|
| Why must the show go on?
|
| Now, why not announce the closing night of it?
|
| The public seem to hate the sight of it, dear,
|
| And so,
|
| Why you should undergo
|
| This terrible strain,
|
| We’ll never know.
|
| We know that you’re sad,
|
| We know that you’ve had
|
| A lot of storm and strife,
|
| But is it quite fair
|
| To ask us to share
|
| Your dreary private life?
|
| We know you’re trapped in a gilded cage,
|
| But for heaven’s sake,
|
| Relax and be your age.
|
| Stop being gallant,
|
| And don’t be such a bore.
|
| Pack up your talent,
|
| There’s always plenty more.
|
| And if you lose hope,
|
| Take dope,
|
| And lock yourself in the John,
|
| Why must the show go on?
|
| I’m merely asking,
|
| Why must the show
|
| Go on? |