| They released him from jail
|
| And he walks like crazy
|
| (Looking for his own)
|
| It was two unnecessary years
|
| losing kids
|
| (For two pistols and an eighth)
|
| He doesn't understand that the street is hot
|
| and at the point
|
| they are killing algarete
|
| He arrives in the neighborhood with the same picket
|
| And snoring like pa' repaltir fuete
|
| Old!
|
| If you've already cooked, skip!
|
| That this business was not made to retire
|
| There are many crazy people with needs
|
| And if you made little guys
|
| Brother, pass the key
|
| Avoid having your beak cleaned
|
| Or that your son is thrown from a third floor
|
| That's what the guy who takes her to the neighborhood tells her
|
| And because he is younger, he does not intend to pay attention to him
|
| He swishes him and backs away
|
| He turns around, turns on and leaves in his mercy
|
| Because in my neighborhood nothing has changed
|
| And the guns, they keep making noise
|
| Why in my neighborhood children cry
|
| And the guns, they keep making noise
|
| Because in my neighborhood nothing has changed
|
| And the guns, they keep making noise
|
| Because in my neighborhood the mothers cry
|
| And the guns, they keep making noise
|
| It smells like there is going to be a wake
|
| You activated the combo
|
| That the fun is over
|
| That's how he told kiko
|
| The old school partner
|
| For whom he kills anyone
|
| Talking to your neighbor
|
| he finds out
|
| Of things that prisoner
|
| Nobody tells you!
|
| she tells him
|
| your wife is a palga
|
| And while you were imprisoned
|
| they ate his buttocks
|
| He acts like he doesn't care
|
| And to scare her
|
| He adjusts the gun
|
| She tells him it's not that she's a bochinchera
|
| But in the long run
|
| Anyway, you find out about this
|
| Then he tells her that his son belonged to someone else.
|
| From the little boy the one who ran the kiosk
|
| He changes her face and finds out
|
| That Kiko his corduroy
|
| He was the one who raped his sister
|
| Why does he drug the grass and the parakeet
|
| Day after day they are covering Puerto Rico?
|
| He activates with a comb 30
|
| he leaves pal point
|
| to settle accounts
|
| With the attitude of a hit man
|
| And he wants to confront the one who takes her in the neighborhood
|
| But the tolta is turned
|
| When he sees that the neighborhood combo catches him on a corner
|
| Without dicimulus he gets closer kiko
|
| And he empties the comb on her
|
| wow
|
| Because in my neighborhood nothing has changed
|
| And the guns, they keep making noise
|
| Why in my neighborhood children cry
|
| And the guns, they keep making noise
|
| Because in my neighborhood nothing has changed
|
| And the guns, they keep making noise
|
| Because in my neighborhood the mothers cry
|
| And the guns, they keep making noise
|
| (Hey, the business of the street was not made to reign)
|
| (Because kings are killed)
|
| (And the pawns go with the one who takes it)
|
| (This is Nicky Jam)
|
| ((They keep making noise!))
|
| (You know!)
|
| (You already know how it goes!)
|
| (Lito MC Cassidy)
|
| ((They keep making noise!))
|
| (Take advice!)
|
| (That the one who takes advice)
|
| (gets old)
|
| ((They keep making noise!))
|
| (And the one who doesn't take it, he left him!) |