| Slow pulsing
|
| Red tower lights
|
| Across a distance
|
| Refuge in the dust
|
| All my life I can remember longing
|
| Looking across the water and seeing lights
|
| When I was five or six, we were camping in the islands in July. |
| The tall yellow
|
| grass and the rose hips fragrant after sunset. |
| Island beyond island.
|
| Undulating and familiar. |
| Not far from home, with my fragrant, whittled,
|
| cedar driftwood dagger in the mildew canvas tent, I saw fireworks many miles
|
| away but didn’t hear them, and I felt a longing, a childish melancholy,
|
| and then I went to sleep and the aching was buried, dreaming, aging,
|
| reaching for an idea of somewhere other than this place that could fold me in
|
| clouded yearning for nowhere actually reachable. |
| The distance was the point
|
| And then when I was twenty-four, I followed this ache to an arctic Norwegian
|
| cabin where I said «fuck the world» in a finally satisfying way.
|
| I stayed through the winter and emerged as an adult holding a letter from you,
|
| an invitation, so I flew back and drove back and when we met in person it was
|
| instant. |
| It didn’t matter where we lived as long as we were together and that
|
| was really true for thirteen years. |
| And the whole time still
|
| Slow pulsing
|
| Red tower lights
|
| Across a distance
|
| Refuge in the dust
|
| In January, you were alive still but chemo had ravaged and transformed your
|
| porcelain into some other thing, something jaundiced and fucked.
|
| They put you in the hospital in Everett so I gave the baby away and drove up
|
| and down I-5 every night like a satellite bringing you food that you wanted,
|
| returning at night to sleep in our bed, cold. |
| I went back to feel alone there,
|
| all past selves and future possibilities on hold while I tore through the dark
|
| on the freeway, the old yearning burning in me
|
| I knew exactly where the road bent around
|
| Where the trees opened up and I could see
|
| Way above the horizon
|
| Beyond innumerable islands
|
| The towers on top of the mountain lit up slowly, silently beaconing as if to
|
| say, «Just keep going. |
| There is a place where a wind could erase this for you
|
| and the branches could white noise you back awake.» |
| So I went back to feel
|
| alone there but cradled you in me. |
| (In the National Gallery in Oslo there’s a
|
| painting called Soria Moria. |
| A kid looks across a deep canyon of fog at a lit
|
| up inhuman castle or something.)
|
| I have not stopped looking across the water from the few difficult spots where
|
| you can see that the distance from this haunted house where I live to Soria
|
| Moria is a real traversable space
|
| I’m an arrow now
|
| Mid air
|
| Slow pulsing
|
| Red tower lights
|
| Across a distance
|
| Refuge in the dust |