| I was born with the charm of innocence
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| On my back like a cross
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| Thorns upon my forehead
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| Round my neck I wore it
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| Sometimes a rabbit’s claw
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| Sometimes an albatross
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| It began at a school that turned boys into gentlemen
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| Then turned them on to debauchery
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| I was forced to my knees in front of these gentlemen
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| If I refused they would torture me
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| On Sundays I’d stalk the Botanical Garden
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| And under my uniform something would harden
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| Whenever I passed a girl of my own age
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| Or did it begin with au pair girls from Germany
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| Paid by the hour to look after us?
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| Did it begin with that first opportunity
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| To corner a stranger with nakedness?
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| Maybe the clinical way they undressed me
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| Stayed with me and deeply distressed me
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| I think, at heart, I’m something of a prude
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| I was born with the charm of innocence
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| On my back like a cross
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| Thorns upon my forehead
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| Round my neck I wore it
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| Sometimes a rabbit’s claw
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| Sometimes an albatross
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| Then at 18 I decided I wanted
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| To be a commercial photographer
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| I rented a studio down by the docks
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| Which I shared with a friendly pornographer
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| I photographed models in fluorescent light
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| Whose veins were so blue and whose breasts were so white
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| I assumed, like the moon, women were blue cheese
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| When I left home I already had five years
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| Of self abuse under my belt
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| I found certain women who’d let me try anything
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| Just to find out how it felt
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| In some garish hotel room with vile decoration
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| The wallpaper witnessed my first pollination
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| The paisley patterns witnessed an abortion
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| In the army they taught me to share the abuse
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| That I’d kept up till then to myself
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| There’s nothing like killing
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| For coaxing a shy boy of twenty-one out of his shell
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| In the dark continent with a peace-keeping force
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| I fell in with a bunch of Algerian whores
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| And promised them I’d try and keep in touch
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| We met up again in the 18th arrondisement
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| I remember them well
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| Their lank stringy hair and their big bulbous noses
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| Their unmistakable smell
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| I’d approach all the ugliest, seediest jerks
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| And ask them to keep a young model in work
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| Some men, thank Christ, don’t discriminate at all
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| I was born with the charm of innocence
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| On my back like a cross
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| Thorns upon my forehead
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| Round my neck I wore it
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| Sometimes a rabbit’s claw
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| Sometimes an albatross
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| I will pass my old age by a pale two-bar fire
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| Patiently waiting to die
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| Twitching the lace as the schoolgirls go past
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| Tracing a page of Bataille
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| And if you catch sight of my secondhand coat
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| Leaving behind it a faint whiff of goat
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| Remember both of us are naked underneath
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| I thought it would end with the first obscene phone call
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| The second professional kill
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| But somehow detached from my actual behaviour
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| This innocence burdens me still
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| Up in the attic I pick up the brush
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| Paint in the crow’s feet, paint out the blush
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| The face this portrait is of is still capable of
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| The face this portrait is supposed to be of is still capable of
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| Paint out the blush of shame |