| Check, check one, two
|
| (Check one, two)
|
| Check, check
|
| (Check, is this?)
|
| Check, check one, two
|
| (Come one)
|
| Uhm, my mic’s little hot.
|
| No, no. |
| That’s little hot coutu-ure
|
| (Check mic two, mic two)
|
| Mix it on point
|
| Turn me up little, turn me up
|
| La, la, la, la, la, la, la, la, la, la
|
| (Mi, mi, mi, mi, mi, mi)
|
| I sound terrible, I sound like a, a to-, uh like a, like a man
|
| I know there’s like a, a button we can press
|
| To make me sound like a woman
|
| No. That’s, that’s that’s too much woman
|
| That’s too much woman
|
| Thank you
|
| Just make me sound like Rosie the Robot
|
| Or something
|
| No. I want, I wanna sound like Will.I.Am
|
| Yeah, no
|
| That… it just sounded like Cher’s, Believe
|
| One, two
|
| Oh
|
| Could I just sing it a monotone?
|
| Try just, try just talk the whole thing
|
| And do the whole ovah
|
| Let’s just, yeah. |
| Imma tryna
|
| Yeah, I’m gonna sing the whole thing
|
| In just like my regular voice
|
| And you just do the
|
| This is why microphones at a gay bar
|
| Always think I’m the top
|
| Is this what it feels like to be Ke$ha?
|
| Oh, yeah. |
| It’s, it’s on honey, it’s
|
| This mic is turn on, honey |