| JOE: In our country, you’re free and so you’re born and so they say, «You're free,» so happy birthday. |
| And even if you were born to lose--even if you
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| were a complete wreck when you were born--you might still grow up to be
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| president … because you’re free
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| GERALDINE: Today, you might be an average citizen … a civilian …
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| a pedestrian … But tomorrow you might be elected to some unexpected
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| office--or sell your novel and suddenly become famous. |
| Or you could get run
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| over by a truck and your picture could get into the papers _that_ way.
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| Because you’re free and anything might happen … so happy birthday
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| JOE: Gee! |
| All those lights and all those screens! |
| The New York Experience is
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| mind-boggling. |
| I don’t think I’ve ever seen that many screens and I’ll probably
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| come again … It was really amazing, mind-boggling
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| GERALDINE: You’re walking and you don’t always realize it but you’re always
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| falling at the same time. |
| With each step you fall forward. |
| Over and over,
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| you’re falling and then catching yourself from falling … And this is how you
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| can be walking and falling at the same time
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| JOE: Look! |
| Over there! |
| It’s a real dog … and it’s really talking
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| GERALDINE: I wanted you and I was looking for you … but I couldn’t find you.
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| I wanted you and I was looking for you all day … but I couldn’t find you
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| JOE: Well, I paid my money, and I’ve got this funny feeling that somehow--you
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| know--it's not what I paid my money for. |
| I mean I _paid_ my money and I just
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| don’t think this is what I paid my money--you know--what I paid my money for
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| GERALDINE: No one has ever looked at me like this before … no one has ever
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| _stared_ at me for so long like this … This is the first time anyone has ever
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| looked at me like this … stared at me like this for such a long time …
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| for so long
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| JOE: Well, he didn’t know what to do so he just decided to watch the government
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| and see what the government was doing and then kind of scale it down to
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| size--and run his life that way
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| GERALDINE: She said the hardest thing to teach her three-year-old kid was what
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| was alive and what wasn’t. |
| The phone rings and she holds it out to her kid and
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| says, «It's Grandma. |
| Talk to Grandma.» |
| But she’s holding a piece of plastic.
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| And the kid says to herself: «Wait a minute. |
| Is the phone alive?
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| Is the TV alive? |
| What about that radio? |
| What is alive in this room and what
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| doesn’t have life?» |
| Unfortunately, she doesn’t know how to ask these questions
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| JOE: We were in a large room. |
| Full of people. |
| All kinds. |
| And they had arrived
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| at the same time. |
| And they were all free and they were all asking themselves
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| the same question: What is behind that curtain? |
| They were all free.
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| And they were all wondering what would happen next
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| GERALDINE: This is the time and this is the record of the time |