| {It is against the rules and regulations of the New Jersey Turnpike Authority
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| to drive in the wrong direction on the New Jersey Turnpike
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| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive in the right direction in reverse on the New Jersey Turnpike
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| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive herds of hooven animals on the New Jersey Turnpike
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| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive vehicles with metal tires on the New Jersey Turnpike
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| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive in the wrong direction on the entrance and exit ramps of the New Jersey
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| Turnpike
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| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive in the right direction in reverse on the entrance and exit ramps of the
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| New Jersey Turnpike
|
| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive herds of hooven animals on the entrance and exit ramps of the New Jersey
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| Turnpike
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| It is against the rules and regulations of the New Jersey Turnpike Authority to
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| drive vehicles with metal tires on the entrance and exit ramps of the New
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| Jersey Turnpike.}
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| PETER: There was an old couple who decided to drive cross country in their car.
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| Both of them were almost legally deaf. |
| About ten miles away from home,
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| the burglar alarm for their car door went off and got stuck in the «on»
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| position. |
| They drove all the way to San Francisco like this. |
| You could hear
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| them coming from three miles away
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| The alarm didn’t seem to bother the old woman at all. |
| She thought it was sort
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| of pleasant. |
| Near Chicago, she said to her husband, «It sounds like faraway
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| bees on a summer day.» |
| Her husband said, «What?»
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| LAURIE: You can read the signs. |
| You’ve been on this road before.
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| Do you want to go home? |
| Do you want to go home now?
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| PETER: One of the major airlines used to run a kind of lottery, mostly to give
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| passengers something to do while the plane was waiting in line on the runway.
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| The stewardess would hand out lottery tickets and you peeled the sticker away.
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| If you had the right combination of numbers, you won a free trip to Hawaii.
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| If you didn’t, you didn’t win a free trip. |
| The airline discontinued the game
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| when there were too many complaints about the timing of the lottery. |
| They said:
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| Our surveys tell us that our customers felt that waiting on the runway was the
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| wrong time to play a game of chance
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| LAURIE: In my dream, I am your customer, and the customer is always right
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| PETER: He said, you know, to be _really_ safe you should always carry a bomb on
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| an airplane. |
| Because the chances of there being _one_ bomb on a plane are
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| pretty small. |
| But the chances of _two_ bombs are almost minuscule.
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| So by carrying a bomb on a plane, the odds of your becoming a hostage or of
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| getting blown up are astronomically reduced
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| LAURIE: You’re driving and you’re talking to yourself and you say to yourself:
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| Why these mountains? |
| Why this sky? |
| Why this road? |
| This big town.
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| This ugly train
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| PETER: In our eyes. |
| And in our wives' eyes. |
| In our arms and (I might add) in
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| our wives' arms
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| LAURIE: How come people from the North are so well organized, industrious,
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| pragmatic and--let's face it--preppy? |
| And people from the South are so
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| devil-may-care? |
| Every man for himself
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| PETER: I know this English guy who was driving around in the South.
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| And he stopped for breakfast one morning somewhere in southeast Georgia.
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| He saw «grits» on the menu. |
| He’d never heard of grits so he asked the waitress,
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| «What are grits, anyway?» |
| She said, «Grits are fifty.» |
| He said, «Yes,
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| but what _are_ they?» |
| She said, «They're extra.» |
| He said, «Yes,
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| I’ll have the grits, please.»
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| LAURIE: Over the river and through the woods. |
| Let me see that map
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| PETER: A sideshow. |
| A smokescreen. |
| A passing landscape
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| LAURIE: I was living out in West Hollywood when the Hollywood Strangler was
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| strangling women. |
| He was strangling women all over town, but he was
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| particularly strangling them in West Hollywood. |
| Every night there was a panel |
| discussion on TV about the strangler--speculations about his habits,
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| his motives, his methods. |
| One thing was clear about him: He only strangled
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| women when they were alone, or with other women. |
| The panel members would always
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| end the show by saying, «Now, for all you women, listen, don’t go outside
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| without a man. |
| Don’t walk out to your car, don’t even take out the garbage by
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| yourself. |
| Always go with a man.» |
| Then one of the eyewitnesses identified a
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| policeman as one of the suspects. |
| The next night, the chief of police was on
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| the panel. |
| He said, «Now, girls, whatever happens, do not stop for a police
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| officer. |
| Stay in your car. |
| If a police officer tries to stop you, do not stop.
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| Keep driving and under no circumstances should you get out of your car.
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| «For a few weeks, half the traffic in L.A. was doing twice the speed limit
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| PETER: I remember when we were going into outer space. |
| I remember when the
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| President said we were going to look for things in outer space. |
| And I remember
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| the way the astronauts talked and the way everybody was watching because there
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| was a chance that they would burn up on the launching pad or that the rocket
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| would take off from Cape Canaveral and land in Fort Lauderdale five minutes
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| later by mistake. |
| And now we’re not even trying to get _that_ far.
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| Now it’s more like the bus. |
| Now it’s more like they go up just high enough to
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| get a good view. |
| They aim the camera back down. |
| They don’t aim the camera up.
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| And then they take pictures and come right back and develop them.
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| That’s what it’s like now. |
| Now that’s what it’s like
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| LAURIE: Every time I hear a fire engine it seems like the trucks are running
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| away from the fire. |
| Not towards it. |
| Not right into it. |
| They seem like monsters
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| in a panic--running away from the fire. |
| Stampeding away from the fire.
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| Not towards it. |
| Not right into it
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| PETER: In Seattle, the bus drivers were out on strike. |
| One of the issues was
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| their refusal to provide a shuttle service for citizens to designated host
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| areas in the event of a nuclear attack on Seattle. |
| The drivers said, «Look,
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| Seattle will be a ghost town.» |
| They said, «It's a one-way trip to the host
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| town, we’re not driving back to that ghost town.»
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| LAURIE: A city that repeats itself endlessly. |
| Hoping that something will stick
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| in its mind |