Song information On this page you can find the lyrics of the song Hiphop Knowledge, artist - KRS-One. Album song Sneak Attack, in the genre Иностранный рэп и хип-хоп
Date of issue: 23.04.2001
Age restrictions: 18+
Record label: In The Paint
Song language: English
Hiphop Knowledge |
You know. |
life is funny. |
If you don’t repeat the actions of your own success |
you won’t be successful |
You gotta know your own formula, your own ingredients |
What made you, YOU. |
1987 I was at the Latin Quarters |
Listenin to Afrika Bambaata give the order |
The call of the order was to avoid the slaughter |
He said, «Record companies ain’t got nuttin for ya!» |
Without a lawyer, he taught The Infinity Lessons |
In how hip-hop could be a, many a blessing |
And that was great, so in 1988 |
there was no debate, we had to end the hate |
The name of the game was «Stop the Violence» |
and unity, knowledge, and self-reliance |
We — started talkin bout Martin and Malcolm |
Had these ghetto kids goin, «Huh, what about him?» |
1989, Professor Griff speaks his mind |
but his freedom of speech is declined |
1990 came with the West coast |
East coast, West coast, who is the best coast? |
Lookin back now, of COURSE it was bogus |
The whole argument was where we lost focus |
We got hopeless; |
not with the lyrics and music |
but with hip-hop, and how we used it Or abused it, you know how the crew get |
«You like it cause you choose it» |
1991, we opened our eyes |
with Human Education Against Lies, we tried |
to talk about the state of humanity |
But all these others rappers got mad at me They called me «Captain Human», another message was sent |
«Self Destruction don’t pay the rent» |
Remember that? |
Nobody wanted conscious rap |
It was like — where these ballers at? |
Where can they call us at? |
All was wack |
Hip-Hop culture was fallin flat and that was that |
So in 1992, I found my crew |
They said, «Yo Kris, what you wanna do?» |
I said, «Damn — why they wanna get with me? |
If I bust they I’m contradictory. |
If I play the bitch role, they take my shoe. |
Tell me what the am I supposed to do?» |
So I did it, don’t stop get it get it get it All of a sudden these critics they wanna spit it |
«Kay Are Ess One is con-tra-dic-to-ry» |
Just cause I wouldn’t let these rappers get with me that, you and your pen |
If a rapper wanna diss, yo I’d do it again |
But I’m makin these ends, and I got my friends |
And I really don’t wanna have to sit in the pen |
So I go back to the philosopher |
1993 hip-hop is uhh. |
wack |
Go back, check the facts |
1994, «Return of the Boom Bap» |
It wasn’t all about the loot |
It was all about Harry Allen Rhythm Cultural Institute |
Blowin up, 1995 |
Conscious rap is still alive |
But nobody wanna play it, nobody wanna say it Nobody okayed it, they’d all rather hate it 1996 it really don’t stop |
We put together somethin called the Temple of Hip-Hop |
Not just DJin, breakin, graf and lyrics |
But how hip-hop affects the spirit |
«Step Into a World,"that's what I did |
1997 I was raisin my kid |
or kids, but I, had to go Cause New York DJ’s changed the flows |
to clothes and hoes, but that wasn’t me |
I’ll be damned if I dance for the MTV |
So in 1998 I began to debate |
Should I go now, or should I really wait? |
'99, I moved to L.A. you see |
and took a gig with the WB |
Started studyin philosophy full-time |
To have a full heart, full body, full mind |
But you know what the problem is or was? |
DJ’s don’t raise our kids, cuz |
they so caught up in the cash and jewels |
How they gonna really see a hip-hop school? |
How they gonna really see a hip-hop temple? |
They don’t even wanna play my instrumentals, but |
big up Dr. Dre, Snoop, Xzibit |
Especially Xzibit, he was there in a minute |
Mic Conception, all of them, said |
«Yo you need help? |
I should call them» |
When I was in L.A., I held the crown |
Bloods, Crips, they held me down |
I could never forget Mad Lion, killer pride |
with the gat in the lap in the low-ride |
Oh I can’t forget, Icy Ice, Lucky Lou |
Julio G, that was the crew |
Davey D, Ingrid, David Connor |
The list goes on and on, let me tell ya FredWreck, and my man Protest |
Much respect, no less |
To my spiritual and mental defenders |
Big up to L.A., temple members |
But in 2000, I seen how I wanted to live |
I wasn’t no executive |
So I picked up the mic and I quit my job |
Said to Simone I gotta get with God |
She said, «Don't worry bout these dollars and quarters. |
Record companies ain’t got nuttin for ya.» |
Damn, she took me back to Bam! |
Took me back to who I am! |
Brought me back to the New York land! |
Now I overstand!.. |
Now KRS-One, now you’ve been «ed as saying that |
rap is something we do, hip-hop is something you live. |
Yes! |
Explain that to us please. |
Well, well, today hip-hop, we are advocating that hip-hop is not, |
just a music, it is an attitude, it is an awareness, it is a way |
to view the world. |
So rap music, is something we do, but HIP-HOP, |
is something we live. |
And we look at hip-hop, in it’s 9 elements; |
which is breaking, emceeing, graffiti art, deejaying, beatboxing, |
street fashion, street language, street knowledge, and street |
entrepenurialism — trade and business. |
And uhh, that’s where y’know |
that’s the hip-hop that that that we’re about. |
We come from the uhh |
the root of, of Kool DJ Herc, who originated hip-hop in the early 70's |
and then Afrika Bambaata and Zulu Nation (mmhmm) |
who instigated something called The Infinity Lessons |
and added conciousness to hip-hop, and then Grandmaster Flash |
with the invention of the mixer, on to Run-D.M.C. |
and then myself. |
And uhh, we created the «Stop the Violence"movement, you may recall |
a song, «Self Destruction"and and and so on. All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility |
for how it looks and and acts in society. |