| You know. |
| life is funny.
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| If you don’t repeat the actions of your own success
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| you won’t be successful
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| You gotta know your own formula, your own ingredients
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| What made you, YOU.
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| 1987 I was at the Latin Quarters
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| Listenin to Afrika Bambaata give the order
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| The call of the order was to avoid the slaughter
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| He said, «Record companies ain’t got nuttin for ya!»
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| Without a lawyer, he taught The Infinity Lessons
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| In how hip-hop could be a, many a blessing
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| And that was great, so in 1988
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| there was no debate, we had to end the hate
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| The name of the game was «Stop the Violence»
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| and unity, knowledge, and self-reliance
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| We — started talkin bout Martin and Malcolm
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| Had these ghetto kids goin, «Huh, what about him?»
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| 1989, Professor Griff speaks his mind
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| but his freedom of speech is declined
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| 1990 came with the West coast
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| East coast, West coast, who is the best coast?
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| Lookin back now, of COURSE it was bogus
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| The whole argument was where we lost focus
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| We got hopeless; |
| not with the lyrics and music
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| but with hip-hop, and how we used it Or abused it, you know how the crew get
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| «You like it cause you choose it»
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| 1991, we opened our eyes
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| with Human Education Against Lies, we tried
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| to talk about the state of humanity
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| But all these others rappers got mad at me They called me «Captain Human», another message was sent
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| «Self Destruction don’t pay the rent»
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| Remember that? |
| Nobody wanted conscious rap
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| It was like — where these ballers at?
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| Where can they call us at? |
| All was wack
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| Hip-Hop culture was fallin flat and that was that
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| So in 1992, I found my crew
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| They said, «Yo Kris, what you wanna do?»
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| I said, «Damn — why they wanna get with me?
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| If I bust they I’m contradictory.
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| If I play the bitch role, they take my shoe.
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| Tell me what the am I supposed to do?»
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| So I did it, don’t stop get it get it get it All of a sudden these critics they wanna spit it
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| «Kay Are Ess One is con-tra-dic-to-ry»
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| Just cause I wouldn’t let these rappers get with me that, you and your pen
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| If a rapper wanna diss, yo I’d do it again
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| But I’m makin these ends, and I got my friends
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| And I really don’t wanna have to sit in the pen
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| So I go back to the philosopher
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| 1993 hip-hop is uhh. |
| wack
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| Go back, check the facts
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| 1994, «Return of the Boom Bap»
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| It wasn’t all about the loot
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| It was all about Harry Allen Rhythm Cultural Institute
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| Blowin up, 1995
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| Conscious rap is still alive
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| But nobody wanna play it, nobody wanna say it Nobody okayed it, they’d all rather hate it 1996 it really don’t stop
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| We put together somethin called the Temple of Hip-Hop
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| Not just DJin, breakin, graf and lyrics
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| But how hip-hop affects the spirit
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| «Step Into a World,"that's what I did
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| 1997 I was raisin my kid
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| or kids, but I, had to go Cause New York DJ’s changed the flows
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| to clothes and hoes, but that wasn’t me
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| I’ll be damned if I dance for the MTV
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| So in 1998 I began to debate
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| Should I go now, or should I really wait?
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| '99, I moved to L.A. you see
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| and took a gig with the WB
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| Started studyin philosophy full-time
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| To have a full heart, full body, full mind
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| But you know what the problem is or was?
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| DJ’s don’t raise our kids, cuz
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| they so caught up in the cash and jewels
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| How they gonna really see a hip-hop school?
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| How they gonna really see a hip-hop temple?
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| They don’t even wanna play my instrumentals, but
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| big up Dr. Dre, Snoop, Xzibit
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| Especially Xzibit, he was there in a minute
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| Mic Conception, all of them, said
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| «Yo you need help? |
| I should call them»
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| When I was in L.A., I held the crown
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| Bloods, Crips, they held me down
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| I could never forget Mad Lion, killer pride
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| with the gat in the lap in the low-ride
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| Oh I can’t forget, Icy Ice, Lucky Lou
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| Julio G, that was the crew
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| Davey D, Ingrid, David Connor
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| The list goes on and on, let me tell ya FredWreck, and my man Protest
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| Much respect, no less
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| To my spiritual and mental defenders
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| Big up to L.A., temple members
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| But in 2000, I seen how I wanted to live
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| I wasn’t no executive
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| So I picked up the mic and I quit my job
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| Said to Simone I gotta get with God
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| She said, «Don't worry bout these dollars and quarters.
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| Record companies ain’t got nuttin for ya.» |
| Damn, she took me back to Bam!
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| Took me back to who I am!
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| Brought me back to the New York land!
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| Now I overstand!..
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| Now KRS-One, now you’ve been «ed as saying that
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| rap is something we do, hip-hop is something you live.
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| Yes!
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| Explain that to us please.
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| Well, well, today hip-hop, we are advocating that hip-hop is not,
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| just a music, it is an attitude, it is an awareness, it is a way
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| to view the world. |
| So rap music, is something we do, but HIP-HOP,
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| is something we live. |
| And we look at hip-hop, in it’s 9 elements;
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| which is breaking, emceeing, graffiti art, deejaying, beatboxing,
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| street fashion, street language, street knowledge, and street
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| entrepenurialism — trade and business. |
| And uhh, that’s where y’know
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| that’s the hip-hop that that that we’re about. |
| We come from the uhh
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| the root of, of Kool DJ Herc, who originated hip-hop in the early 70's
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| and then Afrika Bambaata and Zulu Nation (mmhmm)
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| who instigated something called The Infinity Lessons
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| and added conciousness to hip-hop, and then Grandmaster Flash
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| with the invention of the mixer, on to Run-D.M.C. |
| and then myself.
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| And uhh, we created the «Stop the Violence"movement, you may recall
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| a song, «Self Destruction"and and and so on. All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility
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| for how it looks and and acts in society. |