| The cause is Ozymandian.
|
| The map of Sapokanikan
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| is sanded and bevelled,
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| the land lone and leveled
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| by some unrecorded and powerful hand
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| which plays along the monument
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| and drums upon a plastic bag.
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| The «Brave Men and Women So Dear to God
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| and Famous to All of the Ages"rag.
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| Sang:
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| «Do you love me?
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| Will you remember?»
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| The snow falls above me.
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| The renderer renders:
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| «The event is in the hand of God».
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| Beneath a patch of grass, her
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| bones the old Dutch master hid.
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| While elsewhere Tobias
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| and the angel disguise
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| what the scholars surmise was a mother and kid.
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| Interred with other daughters,
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| in dirt in other potters' fields
|
| above them, parades
|
| mark the passing of days
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| through parks where pale colonnades arch in marble and steel,
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| where all of the twenty-thousand attending your foot fall
|
| and the cause that they died for are lost in the idling bird calls,
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| and the records they left are cryptic at best,
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| lost in obsolescence.
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| The text will not yield, nor x-ray reveal
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| with any fluorescence
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| where the hand of the master begins and ends.
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| I fell, I tried to do well but I won’t be.
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| Will you tell the one that I love to remember and hold me?
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| I call and call for the doctor
|
| but the snow swallows me whole with ol' Florry Walker
|
| and the event lives only in print.
|
| He said:
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| «It's alright,»
|
| and «It's all over now,»
|
| and boarded the plane,
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| his belt unfastened;
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| the boy was known to show unusual daring.
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| And, called a «boy»,
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| this alderman, confounding Tammany Hall,
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| In whose employ King Tamanend himself preceded John’s fall.
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| So we all raise a standard
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| to which the wise and honest soul may repair,
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| to which a hunter,
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| a hundred years from now, may look and despair
|
| and see with wonder
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| the tributes we have left to rust in the parks,
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| swearing that our hair stood on end
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| to see John Purroy Mitchel depart
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| for the Western front where our work might count.
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| All exeunt, all go out,
|
| await the hunter to decipher the stone,
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| and what lies under. |
| Now the city is gone.
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| Look and despair.
|
| Look and despair. |