Song information On this page you can read the lyrics of the song Only Skin , by - Joanna Newsom. Song from the album Ys, in the genre Иностранная авторская песняRelease date: 13.11.2006
Record label: Drag City
Song language: English
Song information On this page you can read the lyrics of the song Only Skin , by - Joanna Newsom. Song from the album Ys, in the genre Иностранная авторская песняOnly Skin |
| And there was a booming above you |
| That night black airplanes flew over the sea |
| And they were lowing and shifting like |
| Beached whales |
| Shelled snails |
| As you strained and you squinted to see |
| The retreat of their hairless and blind cavalry |
| You froze in your sand shoal |
| Prayed for your poor soul; |
| Sky was a bread roll, soaking in a milk-bowl |
| And when the bread broke — |
| Fell in bricks of wet smoke — |
| My sleeping heart woke, and my waking heart spoke |
| Then there was a silence you took to mean something: |
| Mean, Run, sing |
| For alive you will evermore be |
| And the plague of the greasy black engines a-skulking |
| Has gone east |
| While you’re left to explain them to me — |
| Released |
| From their hairless and blind cavalry |
| With your hands in your pockets |
| Stubbily running |
| To where I’m unfresh |
| Undressed and yawning — |
| Well, what is this craziness? |
| This crazy talking? |
| You caught some small death |
| When you were sleepwalking |
| It was a dark dream, darlin; |
| It’s over |
| The firebreather is beneath the clover |
| Beneath his breathing there is cold clay, forever: |
| A toothless hound-dog choking on a feather |
| But I took my fishing pole (fearing your fever) |
| Down to the swimming hole, where there grows a bitter herb |
| That blooms but one day a year, by the riverside — |
| I’d bring it here: |
| Apply it gently |
| To the love you’ve lent me |
| While the river was twisting and braiding, the bait bobbed |
| And the string sobbed |
| As it cut through the hustling breeze |
| And I watched how the water was kneading so neatly |
| Gone treacly |
| Nearly slowed to a stop in this heat; |
| In a frenzy coiling flush along the muscles beneath |
| Press on me |
| We are restless things |
| Webs of seaweed are swaddling |
| You call upon the dusk of the |
| Musk of a squid: |
| Shot full of ink, until you sink into your crib |
| Rowing along, among the reeds, among the rushes |
| I heard your song, before my heart had time to hush it! |
| Smell of a stonefruit being cut and being opened |
| Smell of a low and of a lazy cinder smoking |
| And when the fire moves away |
| Fire moves away, son |
| Why would you say |
| I was the last one? |
| Scrape your knee: it is only skin |
| Makes the sound of violins |
| When I cut your hair, and leave the birds all the trimmings |
| I am the happiest woman among all women |
| And the shallow water stretches as far as I can see |
| Knee deep, trudging along — |
| The seagull weeps ‘so long' — |
| I’m humming a threshing song — |
| Until the night is over, hold on |
| Hold on; |
| Hold your horses back from the fickle dawn |
| I have got some business out at the edge of town |
| Candy weighing both of my pockets down |
| Till I can hardly stay afloat, from the weight of them |
| (and knowing how the commonfolk condemn |
| What it is I do, to you, to keep you warm: |
| Being a woman. |
| Being a woman.) |
| But always up the mountainside you’re clambering |
| Groping blindly, hungry for anything; |
| Picking through your pocket linings — |
| Well, what is this? |
| Scrap of sassafras, eh Sisyphus? |
| I see the blossoms broke and wet after the rain |
| Little sister, he will be back again |
| I have washed a thousand spiders down the drain |
| Spiders' ghosts hang, soaked and dangling |
| Silently from all the blooming cherry trees |
| In tiny nooses, safe from everyone — |
| Nothing but a nuisance; |
| gone now, dead and done — |
| Be a woman. |
| Be a woman |
| Though we felt the spray of the waves |
| We decided to stay, 'till the tide rose too far |
| We weren’t afraid, cause we know what you are; |
| And you know that we know what you are |
| Awful atoll — |
| O, incalculable indiscreetness and sorrow! |
| Bawl bellow: |
| Sibyl sea-cow, all done up in a bow |
| Toddle and roll; |
| Teethe an impalpable bit of leather |
| While yarrow, heather and hollyhock |
| Awkwardly molt along the shore |
| Are you mine? |
| My heart? |
| Mine anymore? |
| Stay with me for awhile |
| That’s an awfully real gun |
| And though life will lay you down |
| As the lightning has lately done |
| Failing this, failing this |
| Follow me, my sweetest friend |
| To see what you anointed |
| In pointing your gun there |
| Lay it down! |
| Nice and slow! |
| There is nowhere to go |
| Save up; |
| Up where the light, undiluted, is |
| Weaving, in a drunk dream |
| At the sight of my baby, out back: |
| Back on the patio |
| Watching the bats bring night in |
| — while, elsewhere |
| Estuaries of wax-white |
| Wend, endlessly, towards seashores unmapped |
| Last week, our picture window |
| Produced a half-word |
| Heavy and hollow |
| Hit by a brown bird |
| We stood and watched her gape like a rattlesnake |
| And pant and labor over every intake |
| I said a sort of prayer for some rare grace |
| Then thought I ought to take her to a higher place |
| Said, «dog nor vulture nor cat shall toy with you |
| And though you die, bird, you will have a fine view.» |
| Then in my hot hand, she slumped her sick weight |
| We tramped through the poison oak, heartbroke and inchoate |
| The dogs were snapping, so you cuffed their collars |
| While I climbed the tree-house. |
| Then how I hollered! |
| Cause she’d lain, as still as a stone, in my palm, for a lifetime or two; |
| Then saw the treetops, cocked her head, and up and flew |
| (While back in the world that moves, often, according to |
| The hoarding of these clues) |
| Dogs still run roughly around |
| Little tufts of finch-down |
| And the cities we passed were a flickering wasteland, |
| But his hand, in my hand, made them hale and harmless |
| While down in the lowlands, the crops are all coming; |
| We have everything |
| Life is thundering blissful towards death |
| In a stampede |
| Of his fumbling green gentleness |
| You stopped by; |
| I was all alive |
| In my doorway, we shucked and jived |
| And when you wept, I was gone; |
| See, I got gone when I got wise |
| But I can’t with certainty say we survived |
| Then down and down |
| And down and down |
| And down and deeper |
| Stoke, without sound |
| The blameless flames |
| You endless sleeper |
| Through fire below |
| And fire above |
| And fire within |
| Sleep through the things that couldn’t have been |
| If you hadn’t have been |
| And when the fire moves away |
| Fire moves away, son |
| Why would you say |
| I was the last one? |
| All my bones, they are gone, gone, gone |
| Take my bones, I don’t need none |
| Cold, cold cupboard, lord, nothing to chew on! |
| Suck all day on a cherry stone |
| Dig a little hole not three inches round — |
| Spit your pit in a hole in the ground |
| Weep upon the spot for the starving of me! |
| Till up grows a fine young cherry tree |
| When the bough breaks, what’ll you make for me? |
| A little willow cabin to rest on your knee |
| What’ll I do with a trinket such as this? |
| Think of your woman, who’s gone to the west |
| But I’m starving and freezing in my measly old bed! |
| Then I’ll crawl across the salt flats, to stroke your sweet head |
| Come across the desert with no shoes on! |
| I love you truly |
| Or I love no-one |
| Fire moves away. |
| Fire moves away, son |
| Why would you say that I was the last one, last one? |
| Clear the room! |
| There’s a fire, a fire, a fire |
| Get going |
| And I’m going to be right behind you |
| And if the love of a woman or two, dear |
| Could move you to such heights |
| Then all I can do |
| Is do, my darling, right by you |
| Name | Year |
|---|---|
| Peach, Plum, Pear | 2004 |
| Right On ft. Joanna Newsom, STS | 2009 |
| Cosmia | 2006 |
| Sprout And The Bean | 2004 |
| The Muppet Show Theme ft. Joanna Newsom | 2011 |
| 81 | 2010 |
| Good Intentions Paving Company | 2010 |
| The Book Of Right-On | 2004 |
| Emily | 2006 |
| Go Long | 2010 |
| Monkey & Bear | 2006 |
| Sapokanikan | 2015 |
| Sawdust & Diamonds | 2006 |
| En Gallop | 2004 |
| Time, As a Symptom | 2015 |
| Easy | 2010 |
| Inflammatory Writ | 2004 |
| This Side Of The Blue | 2004 |
| On A Good Day | 2010 |
| Goose Eggs | 2015 |