| Hey, Paula, come here
|
| When I see you not to look at and all that and so on
|
| And that’s a fact and so forth, and all that and thereabouts
|
| And that’s the truth and not to look at either, no fear
|
| You think I’m wrong I think, I think you’re right
|
| I think I think you’re wrong
|
| You think I think I think
|
| And then again again
|
| And then and then
|
| And then and then
|
| Again again and then
|
| And then again again
|
| And then and then again
|
| Again again again
|
| And if not why not
|
| If
|
| And if not why why
|
| Why not
|
| And if not why not, of course it might be old
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| Course it might be busy
|
| Being as it might be
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| As it could be new.
|
| Hey Paula
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| I’m hoping desperately that you will take me to see a good
|
| And also you and me might want to share a flat together if I get one fitted.
|
| And if not why not not
|
| Not if or why
|
| Or if not not
|
| And then again again again
|
| First thing, first thin, g first thing to go
|
| And why not if not if not why not why if not if if why why why
|
| Yes and no
|
| Yes and no
|
| Yes and no.
|
| I’m not Jack Palance.
|
| Have you got a party hat?
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| Can’t you show more restraint?
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| Have you got a clarinet?
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| Have you got a box of paint?
|
| Yes and no
|
| Yes and no
|
| Yes and no
|
| What what what what what what what what what what what what
|
| what what what what what what what what what what what what. |