| Thank you, thanks London. |
| Now you see the lights have come up but you see it is
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| us, and you probably noticed that we’re a bit older than we were formally.
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| We’re not ill…
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| We’ve been trying to stay young, we’ve been tryna preserve ourselves like those
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| sexy man-boys that you saw 10 years ago on the TV
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| 'Cause we know that people don’t like good characters that they know from
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| television to get older, I think to them it’s disturbing
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| I mean it’s difficult for us to see you, 'cause you’re older as well.
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| But, the lights are quite dark so it’s quite flattering on you guys.
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| But yeah no, us being up here and we remind you of your own, I guess your own
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| mortality.
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| Sorry about that.
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| Having said that, let’s enjoy the fleeting moment
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| The time we have left.
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| Yes! |
| Let’s just try and have a good time, yeah. |
| Anyway, you see how fast it’s
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| going.
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| Yeah, it’s gone. |
| It’s great to be here in London. |
| This is a bit of a reunion
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| gig for us; |
| we haven’t played since last night, and… it’s just great to have
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| the whole band here.
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| We don’t know if you’ve heard these jokes, you might be exactly the same people.
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| We’re one of the biggest bands in New Zealand now…
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| In terms of the number of members. |
| 'Cause we’re a two-person band;
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| most bands in New Zealand are one-person bands. |
| You’ve probably heard of John.
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| Rob.
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| Lucy.
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| Lucy’s great, yeah yeah, brilliant. |
| It’s a very good band. |
| Even our national
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| orchestra’s a one-man band. |
| When we combined we formed the supergroup.
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| Yeah.
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| 'Cause Bret used to be in a band, didn’t you.
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| Yeah, my old band was called The Bret, and…
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| Yeah.
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| And Jemaine was, the band was called what The Jemaine and the…
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| I was in a band, it was- no, it was Jamaine and the no one else.
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| That’s right, yeah.
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| How we got together was we were billed on the same night at the same by
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| accident, and, most of our songs are the same chords anyway so we just sang at
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| the same time. |
| That’s how we wrote all our songs.
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| Yeah.
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| Yeah, and that’s how this electricity got started.
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| Yeah, that’s right.
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| We’re gonna do some songs, this next one is another duet. |
| And it’s kind of
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| groundbreaking for us. |
| Because we’re really challenging the gender stereotypes
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| that exist. |
| Within the band. |
| And, for those of you who know some of our songs,
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| I often play the ladies in our songs.
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| And you do it well Bret, you do it well.
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| Thank you. |
| But this next song we’re doing a gender reversal reversal.
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| So what we usually do is we gender reverse it so Bret’s the lady,
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| but we’ve reversed it back on itself full 360 till he’s back to a man.
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| Yeah.
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| He’s very excited to be playing a very macho Iain. |
| A guy called Iain. |
| A British-
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| A very-
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| It’s a very macho name.
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| He’s a very macho sexual British guy.
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| And Jemaine takes the role of Deanna.
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| Yeah.
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| It’s an office place romance. |
| And she’s a very complex character.
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| All the layers that you’ve put in there.
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| Yeah I’ve put in two layers. |
| I’ve added another dimension to what I usually do
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| to make a fully 2-dimensional character.
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| Yeah.
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| I’ve really embraced the role. |
| I’ve studied a woman.
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| That’s right.
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| And I just like watched the little things she did, so this kind of thing…
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| you’ll see it. |
| I won’t do it now.
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| Save it.
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| I’ll save it for the performance when you see me become Deanna, you’ll see it.
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| Oh it’s a transformation, yeah.
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| Thank you, thank you.
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| But one last detail, before we do play the song, you know, I think, you know,
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| we wanna point out that we are aware that comedy is a very male-dominated
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| industry.
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| Unfortunately.
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| And we’re writing the roles for women, but the problem is the band itself is
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| very male dominated.
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| It’s systemic.
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| Yeah, it’s…
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| It’s a systemic problem.
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| It’s the fucking patriarchy, that’s what it is. |
| Yeah. |
| So we’re sorry about that.
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| But we’re trying, we’re trying.
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| What, too fast?
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| Probably too rocking for us. |
| Turn it down a little bit, people are moshing at
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| the front. |