| Alright people listen up, listen up, everyone |
| Alright, lemme get everyone's attention |
| Alright, now most of y'all been briefed about this |
| Uhh, we'll run some details by y'all before we head on out there |
| The target of this investigation is AMG studios, Midtown Atlanta |
| 5:30 P.M., we'll be storming the compound |
| We received information that a group of suspects known as "The Aphilliates" |
| are creating and distributing music, illegally, throughout the country from |
| this location, alright? |
| They're running a piracy ring and we're going to put a stop to it |
| Y'all hush up back there, y'all need to be paying attention |
| Now game plan: First unit on the scene is an unmark; that'll be myself and |
| Officer O'Donell |
| Get a look around, make sure nobody is outside |
| Soon as y'all get the clear signal, y'all pull on up |
| Exit the vehicles, straight to the door, fast and quiet |
| Now, uh, Murphy, Johnson, and Clemenski (Yes sir) |
| Y'all head to the back, y'all make sure nobody gets to run it, alright? |
| And that's about it. One final comment I like to make, y'all pay good attention |
| to this |
| The first officer/officers on the scene to apprehend Mr. Don Cannon and a Mr. |
| DJ Drama will receive a bottle of Scotch on the house |
|
| Alright, so y'all know what to do |
| Ya'll go on out there, be careful |
| Let's go get some policework |
|
| Uh, negative |
|
| that's a |
|
| corner |
|
| go |
| Get down, don't move |
| Get down on the ground, get down on the ground |
| FBI, don't move, don't move (Don't you move) |
| Clear (Don't move) |
| Turn that shit off, turn that shit off, turn it off |
| Get down on the floor, FBI |
| What do you got there Larry? |
| T.I., Lil Wayne, this is Jeezy? |
| Willie the Kid, Beanie Sigel |
| We getting |
|
| for this shit? (You want me to go with you?) |
| Shit, this is |
|
| fucking mixtapes, break them |
| What's going on? W-What are y'all? What are y'all doing? |
| Don't break all of them, I'm taking some of them home to my kids |
| Gimme a couple of those (Here you go) |
| Alright, looks like y'all got everything under control, I'll see y'all back at |
| the station |
| Man, see you later (See you later) |
| Alright, I'ma check how it is |
|
| here |
|