| This is addressed to Geoff Taylor of the BPI
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| Thanks to STB for the beat
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| You’re the BPI’s VIP and you’ve picked a fight with TPB
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| But P2P's too deep to preclude, don’t you see?
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| You can’t stop it
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| You won’t stop it
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| You won’t block it
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| So find another way to lie and line your own pocket
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| Most of us have composed a lot, no profit
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| 99% of us will never have a pop hit
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| It’s not rocket science, so don’t knock it
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| And don’t pretend like you’re being philanthropic
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| Talent isn’t rare, it doesn’t need protection
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| Any claim to the contrary is pure condescension
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| A con, deception, the wrong perception
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| Propagated by a proper dong, it’s evident
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| Go to any pub
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| In any town
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| In any county
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| And count the musicians doing it without need
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| For some rudes in suits, shitting on our scene
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| And sticking in the boot
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| So you can stop telling me stuff
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| Put your money where your mouth is
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| And take a salary cut
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| Cause I’ll happily put your cash into the hat of a busker
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| The BPI doesn’t give a fuck for
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| Look, I’ve studied your justifications of what you seem to think
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| There couldn’t be a clearer case of circular reasoning
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| You judge talent by how well they’re selling
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| But they’re only selling from how well you’re selling them
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| You think Adele’d have reached where she was
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| Without the media machine feeding the buzz
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| You say artist should get paid for the work they do
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| But you only care about the ones that bring in revenue
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| If the bottom line is the sign of a good artist
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| The why the need to manipulate the market?
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| So Pro laissez faire you recommend protectionism
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| Where’s your decision, on which method it is or isn’t?
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| The only way your in today’s position
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| Is through decades of ripping of plagiarism
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| But now the next generation’s risen
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| You’re complaining «Hey, we need to change the system
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| These crazy kids and their disco dancing
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| It isn’t legitimate if we haven’t cleared the sampling»
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| But surely sampling is always a bad thing
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| Not just when the bank accounts need balancing
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| And if MC’s are paid related to their talent
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| How come I make a fraction of what T-Pain is selling?
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| If I re-made a ballad with sheen aimed at amorous teenagers
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| Daniel’d be famous now but it isn’t gonna happen
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| So I’ll stick to rapping with integrity
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| Something your industry is lacking
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| Ask any MC or composer
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| Piracy?
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| Yes Please! |
| It’s the only method I know to my VSTs
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| Nothing is proportionate, the prices are extortionate
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| To lawfully produce, only a portion can afford the stuff
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| I’m sure that cutting off connections and dealing bans
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| Would leave the music scene desolate, completely bland
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| Innovation comes from underground
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| Where there ain’t much money round
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| So we resort to lawlessness to make the funny sounds
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| And then of course all that goes around comes around
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| The majors wander round and plunder from the underground
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| See you need us as much as we need you
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| And that might not be much depending on your view
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| I was once on the tube once and overheard a conversation
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| Between two rec execs planning exploitation
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| A singer had passed on
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| So they tacked a crap track onto the back catalogue
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| And laughed a lot
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| I thought: «I can’t believe it, this is a mix up»
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| I’m literally listening to paint a vulgar picture
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| That the BPI can leave a site on the net censored
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| Is an incredibly terrible threat to the new tech sector
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| Now there’s a industry that really needs fighting for
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| They’re the future, you’re just a wounded dinosaur
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| Tchaikovsky didn’t need the BPI
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| Stravinsky didn’t need the BPI
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| Verdi didn’t need the BPI
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| Vivaldi didn’t need the BPI
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| Rossini didn’t need the BPI
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| Debussy didn’t need the BPI
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| Puccini didn’t need the BPI
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| So why do we need the BPI?
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| I don’t need the BPI
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| Homeless busker doesn’t need the BPI
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| British music doesn’t need the BPI
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| The future doesn’t need the BPI
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| You don’t need the BPI
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| We don’t need the BPI
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| They don’t need the BPI
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| The BPI needs the BPI
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| BYE BYE BPI
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| BYE BYE BPI
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| BYE BYE BPI |