| Gather 'round cats and I’ll tell you a story
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| 'bout how to become an all-American Boy.
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| Just buy you a guitar and put it in tune
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| And you’ll be a rockin and a rollin soon.
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| Impressin the girls, hittin hot licks, and all that jazz.
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| I bought me a guitar about a year ago and I Learned how to play it in a day or so.
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| And all around town it was well understood
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| That I was knocking 'em out like Johnny B. Goode.
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| Hot licks, showing off, ah, number one.
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| Well I practiced all day and up into the night,
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| My papa’s hair was a gettin kinda white.
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| He didn’t dig that, ah, rock and roll.
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| He said, «You can stay boy, but that’s gotta go.»
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| He’s a square; |
| just didn’t dig me at all.
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| So I packed my guitar, picks and all, and I said farewll to my poor old pa.
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| I split for Memphis where they say 'you all'
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| And them swinging cats are a havin a ball.
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| Yeah, they love me down there, guitar picks and all.
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| I was rocking and bopping and getting all the breaks,
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| And the girls all said that I had what it takes,
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| When up steps a man with a big cigar. |
| He said. |
| «Come here, kid.
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| I’m gonna make you a star.»
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| Put you on «Bandstand', buy you a cadillac. |
| Sign here, kid.»
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| So I signed my name and became a star, having a ball with my guitar.
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| Driving a big, long cadillac. |
| And fighting the girls off’n my back.
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| But they just keep a comin, screaming, they love it.
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| So I picked my guitar with a great big grin
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| And the money just kept on rollin in.
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| And then one day my Uncle Sam said (thump, thump, thump) «here I am!
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| Uncle Sam needs you, boy. |
| Gimme that guitar. |
| Take this rifle. |
| Yeahhhh — gonna
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| cut your hair off….
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| A letter from Don Powell
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| Most of your lyrics are on the money — I merely cleared up a few that you
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| Apparently couldn’t distinguish from the record. |
| I backed Bobby with guitar on the original cut for All American Boy. |
| I was playing in R&R band in Dayton,
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| Ohio when one night Bobby and his manager showed up. |
| They had a few beers,
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| introduced themselves on a break and asked if we would be interested in backing Bobby on a novelty song about Elvis being drafted into the army.
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| We practiced the song the next day, a Sunday, drove to Cincinatti on Monday,
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| and cut the record in King Studios there. |
| The third try was a take and became
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| the song which became a hit. |
| The band was given the option of taking a percentage of record sales, assuming it could be marketed and did well;
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| or we could receive 'session fee', which was about $ 35.00/person.
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| without exception the band members (all five of us) took the $ 35.00.
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| You can imagine our surprise (and delight) to hear the song being played on the radio all over Ohio and the whole midwest.
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| The reason for the confusion re Bobby’s name not appearing on the Fraternity
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| label, who bought pressing and distribution rights, was that two weeks prior to the recording, Bobby, ironically, had been drafted and knew that he would not
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| be able to promote the song by touring or personal appearances. |
| His best friend,
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| Bill Parsons, was allowed to assume Bobby’s role, and Bill actually did record
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| the flip side of AAB with a jazzed up version of Rubber Dolly. |
| When the record
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| hit, Bobby was in boot camp in the army, and I and the band (now called the «All American Boys») went on tour of the midwest with Bill Parsons,
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| playing at small to medium venues in clubs and auditoriums from Detroit to St.
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| Louis. |
| But it could not be pulled off. |
| Bill Parsons was no Bobby Bare and the
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| we soon faded back into obscurity, playing at neighborhood bars in Dayton, Ohio.
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| Bobby was a true-born, gifted singer and songwriter with the magic ability to be at one with an audience. |
| He was truly one of a kind.
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| I will be happy to share any experiences and anecdotes re Bobby with you should
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| you desire. |
| DGP |