| Today I’m prepared to bring specific charges
|
| against certain members working in an industry
|
| that reaches into every household in the country
|
| Hoods is up so skills is up It’s a stick-up, so why’d you interrupt?
|
| So such bust material cerebral
|
| I’m eatin cereal with spoons sippin Cepacol
|
| Daddy-O slipped me some cause my breath stank
|
| White gold, but no accounts in Swiss banks
|
| Think tanks once rolled on the city streets
|
| I used to meet your moms between the sheets
|
| Universe is versus hoods prospectus
|
| True flam, flammin words on wax discus
|
| So they dismiss this as vulgarity
|
| And once laughed and pointed at the university
|
| Some perk without skills and push a pen
|
| I send surreal scenes where you never been
|
| Looked out, gave you three strikes, you struck out
|
| Pop shit with the 3rd, knock your fronts out
|
| Blew your blunts out you wings stuck up your ass
|
| Gassed you up then slap you with my staff
|
| I seen your skins like to go to the motels
|
| but your ass won’t know to the hotels
|
| Cause a lip is zipped, I paint pictures
|
| A portrait, a self far from ??
|
| My discussion of impression ain’t ignorance
|
| So don’t label the hoods on appearances
|
| You never thought that a gangsta could talk sense
|
| But this artifice flipped, your beans is spent
|
| Took your papes out your pocket and just stood out
|
| The focus, the portrait of the artist as a hoods-up
|
| Portrait planned it back in the days
|
| Young strays, posted at the L.Q. |
| on Friday’s
|
| Waitin for Dice to give the go ahead
|
| Hawkin 50 cent, puttin heads to bed
|
| for a herringbone hear the tune of the Audio Two
|
| Milk was chillin as I chilled in the back room
|
| Listen to snaps, cuts by Scoob and Scrap
|
| Union Square, to tear up the KRS tracks
|
| Torn up by the Kent, the Clark Dark
|
| as the brothers try to spark
|
| We knocked boots, and the boots got knocked
|
| Three A.M. |
| and it was off to The Rooftop
|
| Hip-Hop Starski, the Masters of Ceremony
|
| Ka-ka-cracked out, was hookin property
|
| Five A.M. |
| it was the S&S
|
| A hundred and forty-fifth street, down on Lennox
|
| Starchild made all the hoes squeal
|
| For a dollar crackheads Armor-Alled your wheels
|
| Whippin home in the sunshine, fun time
|
| but now you can’t find
|
| clubs like this that kept the music in the street
|
| And pop rap couldn’t get a dime to eat
|
| Yo, they’re makin mills, but what about the hood?
|
| A parking lot, where the Latin Quarter stood!
|
| A landmark marked in the cranium
|
| but now I bring it back in front of packed stadiums
|
| Picture painted with the goals and the good
|
| The portrait of an artist as a hood
|
| Yo Pete man, yo where the hoods at Pete?
|
| Yo the hoods is in Brooklyn, Queens, Bronx
|
| Money-makin Strong Island
|
| Yo can’t forget Newark New Jersey
|
| Philly, D.C.
|
| From Detroit to Mobile Alabama
|
| Memphis Tennesse Cleveland
|
| Yo, money-makin Miami, Chicago
|
| East St. Louis got crazy hoods
|
| Oakland Compton Watts wearin the hoods
|
| Yo true indeed, Louisville
|
| Boostin Houston got CRAZY hoods
|
| New Orleans, Seattle
|
| North Carolina cannot forget about Atlanta
|
| Shockmaster ?? |
| got crazy hoods
|
| listenin to his program
|
| And the hoods are holdin their joint
|
| And they’re out
|
| True indeed. |
| SEE-YA! |