| Ahhh… f*!*!*k
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| It’s so much easier to just sing it
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| Universally loved by British toddlers: («Yaangbluh Brah Blah!»)
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| By homeless French tuba players: («Youengbluud Bress Baend!»)
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| By stoned American coeds: («Yungbludd Braas Baand!»)
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| …Uh-huh.
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| Let’s see: 6 albums, 15 years, 22 countries --
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| Who am I?
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| Try not to love me
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| I know, right?
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| For the people coming night after night
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| My whole life here
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| Maybe why I don’t have a wife
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| My lone vice
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| Kill a drummer, light up a mic
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| It’s so nice
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| Youngblood banging some brass
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| Happened so fast
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| Summer of lovin', my ass
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| We got more hot shit than you can shake a dick at
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| So ill, at the door you get a stamp and a sick bag
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| You coming to the gig?
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| I think your lady is
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| I think she’s having thoughts of having David’s kids
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| You coming to the gig?
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| I think your man knows
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| We got two fully-automatic trombones
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| You coming to the gig?
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| I think it’s worth the price
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| I think the saxophone section dresses awful nice
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| You coming to the gig?
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| I heard your mom say:
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| «I could sit and listen to the trumpets all day!»
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| Here’s the part where y’all play:
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| WHO AM I?
|
| …aaand back!
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| Where you been for the last, like, decade?
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| Last night? |
| Sex tape, right hand --
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| Nahhh, I mean, how could you think that we could quit this sound?
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| «Well, Nat left the band, it really let me down.»
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| Understandable
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| His mandible alone will handle all the tones your band could know
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| Intangible, like, how you make it danceable?
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| Hey, bands thinking you can do this: your hands are full.
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| There’s your answer, folks
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| You can have the notes
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| But it doesn’t mean your music’s not a joke
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| And I don’t care what kind of funny hat you’re tipping, friend
|
| Just because you play a horn, you ain’t sitting in
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| «Don't be mean! |
| That’s my boyfriend Vincent!»
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| Listen: asshole is my preexisting condition
|
| I rap, it’s my job description
|
| Well, that and dissin'
|
| But for real, kids:
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| You coming to the gig?
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| I heard it’s so bomb
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| I heard they got not one but two dudes on the floor toms
|
| You coming to the gig?
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| It’s not a lot of cash
|
| I’d cut off a nut to get the tuba’s autograph
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| You coming to the gig?
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| Well France is kinda far…
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| Too bad, you shoulda seen the staff dancing on the bar
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| You coming to the gig?
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| Don’t wanna miss the boat
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| You can tell your crew that one time Mr. Skogen missed a note
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| Hey mister tenor saxophone
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| WHO AM I?
|
| WHO AM I?
|
| Couple things:
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| We don’t listen to anyone else’s say-so
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| We don’t got stage clothes
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| We don’t make great dough
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| We don’t play lame shows
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| We don’t do tame prose
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| And if you’re trying to break our balls, you better aim low
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| We do blaze foes
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| We do flame-throw
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| We do maim those sticking with the same old lame-o play-dough preschool-age flow
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| Don’t know 'bout fame though
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| You know my name, though
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| You coming to the gig?
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| It’s off the hook, right?
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| I’ll play your kindergarten graduation, book flights!
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| You coming to the gig?
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| There’s no one else to call!
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| These ten dudes unplugged trump 'em all!
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| You coming to the gig?
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| Yup
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| Three letters: Y… B… B!
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| (…forever!)
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| All night, all day
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| Getting down, getting loud
|
| WHO AM I?
|
| (YOUNGBLOOD BRASS BAND!)
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| For the kids, for their heads
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| Every breath till I’m dead
|
| WHO AM I?
|
| (YOUNGBLOOD BRASS BAND!)
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| For the past, for the now
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| For the fire, for the sound
|
| WHO AM I?
|
| (YOUNGBLOOD BRASS BAND!)
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| For the shows, for the fans
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| For the love for the band
|
| WHO AM I?
|
| (YOUNGBLOOD BRASS BAND!)
|
| WHO AM I?
|
| (YOUNG! BLOOD! BRASS! BAND!)
|
| (YOUNG! BLOOD! BRASS! BAND!)
|
| (YOUNG! BLOOD! BRASS! BAND!)
|
| (YOUNG! BLOOD! BRASS! BAND!)
|
| (I don’t know what that was… but it was a miracle.) |