| The war was over, I was living with my folks
|
| I yelled upstairs, «Hey mom, I’m off to grab some smokes»
|
| And my father called, «Why you need to smoke so late?»
|
| Well I’d lied, I had a date
|
| Free from my folks' enslavement
|
| Skippin' along the pavement
|
| To see a brunnette, who I’d never met
|
| But I never would forget, how she looked in that dress
|
| How she stuck out her hand and said
|
| «My name is Cecily Smith and I hope you like music
|
| 'Cause I’ve got two tickets for La Traviata»
|
| That’s when I said, «I hate opera»
|
| She laughed and said, «Well lucky for you
|
| That you’re with Cecily Smith
|
| Who cares what you are listening to
|
| It’s who you’re listening with»
|
| So we take our seats, her hands are folded in her lap
|
| If not a kiss, then I at least will get a nap
|
| So I close my eyes as the orchestra begins
|
| Then I hear violins
|
| And the hair on my neck was rising
|
| A feeling new and surprising
|
| But it wasn’t the sound that made my heart pound
|
| No, it was because I found her hand is in mine
|
| And that’s where it will stay until they play the final chord
|
| She says, «Were you bored?»
|
| And I say, «I guess it wasn’t quite so bad;
|
| It was the best time that I ever had»
|
| She laughed and said, «Well lucky for you
|
| I got seats to Beethoven’s Fifth,
|
| Who cares what you are listening to
|
| It’s who you’re listening with.»
|
| A perfect wife
|
| A perfect life
|
| The time exploded like a bullet from a gun
|
| A week, a year, and then a marriage, and a son
|
| And a rental where I still can hear her laugh
|
| When I play the phonograph
|
| So I let the music guide me
|
| And Cecily sits beside me
|
| A girl of nineteen, with a nervous marine
|
| Feel her head begin to lean, as the melody soars
|
| And though it was real, it doesn’t feel like it could be
|
| That night when you said to me
|
| That I’ve got two tickets for La Traviata
|
| It’s sad but true, how much I miss you
|
| I miss you Cecily Smith
|
| Life is not the things that we do
|
| It’s who we’re doing them with |