| The shark attacked Watson and the hero killed the shark
|
| Down in Havana bay, down in Havana bay
|
| Lucky Watson survived to tell the great tale
|
| But he lost his leg, yeah the shark got his leg
|
| A portrait painter, a Boston boy
|
| Picked up a can of paint, and he told that story straight
|
| John Singleton Copley
|
| You got me hypnotized
|
| John Singleton Copley
|
| It’s music to my eyes, to my eyes
|
| When I was a kid growing up in Washington D.C. my parents would often take me
|
| and my brother and sister down to the National Gallery of Art for a stroll
|
| through the galleries and a decent but overpriced lunch at the cafeteria.
|
| Like most kids, I found the gallery stroll to be tedious — portraits of old
|
| people, blurry water lilies, landscapes of places that looked boring,
|
| and interior scenes that said nothing to me. |
| But there was one picture that I
|
| loved. |
| In the late 18th century while across the ocean artists were busy
|
| painting fancy ladies in their hats and dresses, a guy from Boston sat down and
|
| made a really big, really realistic painting of a guy being attacked by a shark.
|
| John Singleton Copley’s Watson and the Shark captured my heart,
|
| excited my sense of adventure and gave me my first sweet taste of the magic of
|
| art. |
| So I thank him for that. |
| This next and final verse is a little bit
|
| unrelated but it’s about another Copley painting of a really weird looking
|
| little boy holding his pet squirrel. |
| Hope you enjoy it
|
| That little boy’s got a flying squirrel on a long gold chain
|
| He’s got a squirrel on a chain
|
| It’s an unusual toy for a little boy
|
| But those were different days
|
| Yeah, those were different days
|
| John Singleton Copley
|
| You got me hypnotized
|
| John Singleton Copley
|
| It’s music to my eyes, to my eyes
|
| To my eyes, to my eyes, to my eyes |