| She is all the rage of the German stage
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| Playing Wiedekind or Goethe
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| We all love her so she plays SRO
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| So the critic’s barbs don’t hurt her
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| It’s really a phenomenon
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| When she comes on all cares are gone
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| She bares her soul and shoulder
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| We gasp and pant and start to chant
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| 'Take it off, Petronella, take it off
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| Of your talents we’re adoring
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| But we find the theatre boring
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| If you don’t want us to yawn or snore or cough
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| Take it off, Petronella, take it off'
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| I act Maeterlink wearing only mink
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| And I play Iphegenia
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| Wearing not a swatch just a diamond watch
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| And a glittering tiara
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| I bring classics to the present tense
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| With elegance and reverence
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| And you’ll love my love’s labour
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| My Juliet’s the best you’ll get
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| As my costumes get less and lesser
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| They think I’m quite the dresser
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| And of course they admire my scholarship
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| When I strip, don’t you fellas? |
| when I strip
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| When the curtain’s down she goes on the town
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| On the arm of her rich lover
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| Then he sees her home, her hands start to roam
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| But he hovers just above her
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| You’ll please me more than you can know
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| By giving me a second show
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| Your bare flesh in the moonlight
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| Will help to make my juices flow
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| 'Strip for me, Petronella, strip for me
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| Release your body from its torments
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| I want my own private performance
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| In the morning we’ll go on a shopping spree
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| But tonight, Petronella, strip for me
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| Strip for me, Petronella, strip for me' |