| Tonight the streets are red
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| The lights are blue and blinding
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| No sign of the «Good Doctor,»
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| But the siren’s wail and whining
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| Tell us he’ll be found
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| He made his way to the window overlooking the city
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| I can almost hear the hounds…
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| He turned back to the reporters
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| What kind of man builds a machine to kill a girl?
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| No he did not use his hands
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| Like a smart man, he used a tool
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| But just the same
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| How can you question who’s to blame?
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| What was her name?
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| Doesn’t matter, now listen-
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| «The Good Doctor» has to pay!
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| Stepping away from the throng of reporters, he looked at the digital countdown
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| above the nerve center of his broadcasting controls. |
| He whispered quietly to
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| himself…
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| When I say he was a monster
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| When I set fire to his name
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| It does not matter where you hear it from
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| Whether truth or lies
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| It gets said all the same
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| Glancing once again at the countdown, he spoke plainly to the reporters
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| Whatever’s on the table plays!
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| 1 minute, 46 seconds until the broadcast would begin
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| Wily shut the door on the tumult of voices continuing to shout questions after
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| him. |
| He walked down the empty hallway and around a corner and into the studio
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| adjacent to his control room. |
| A pane of double-plated glass sealed out the
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| bedlam of the reporters. |
| He watched as their mouths continued to hurl impotent
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| questions
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| In the silence of the studio he didn’t bother trying to make out what they were
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| saying. |
| His eyes focused on a blinking red light above the digital countdown.
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| He spoke aloud. |
| His words bounced off the soundproofing glass. |
| The cameras
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| weren’t yet rolling. |
| The microphones were not yet active. |
| His words went
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| unheeded for the last time
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| There is a flame that I’ve been fanning
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| There is a fire waiting to catch
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| There is a hell that has been building
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| From the moment we first met
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| 58 seconds to air
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| If there ever was a time
|
| If there ever was a chance
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| To undo the things I’ve done
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| And wash these bloodstains from my hands
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| 49 seconds to air
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| It has passed and been forgotten
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| These are the paths that we must take
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| Cause you and I, Tom, we are men
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| And we can bend and we can break
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| 40 seconds to air
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| If you think that you can run
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| If you think that you can stand
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| Well you forget who turned this city on
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| You forget who plugged this city in!
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| 30 seconds to air
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| They’ll not switch it off again
|
| He straightened his tie, knocked the wrinkles out of his suit jacket and faced
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| the camera lens
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| One by one they’re tuning in
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| 15 seconds to air
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| At this very moment — his moment of glory — he wished he could be out in the
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| streets of the city. |
| He wished he could hear the hum of a thousand tubes,
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| powering the screen, popping to life and warming up simultaneously…
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| wished he could feel the wave of sound as they drew the attention of every
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| person within the walls of the city. |
| His city. |
| He wished he could float above
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| the streets as every person walked from their homes, left their dinners,
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| their polite conversations, their lives. |
| Wished he could be there as they
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| filed out into the streets, fixed their eyes on the giant screen, and waited
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| 3 seconds…
|
| But Albert’s place was here. |
| His time was now. |
| He cleared his throat
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| The red blinking light went solid…
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| Outside, on the giant screen, Wily’s face came into focus. |
| For the first time,
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| the people of the city looked to one man. |
| They saw the face of a leader.
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| One man towering above the city
|
| After a few inspirational opening lines, Wily turned his attention to the
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| matter at hand. |
| Thomas Light. |
| He assured them that the murderer would be
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| apprehended. |
| He promised them that their city would be made safe again.
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| They trusted him completely |