| Joe:
|
| This city’s sleeping like a soldier
|
| Trapped inside of an iron lung.
|
| Machines can keep you breathing
|
| But what happens when you find a new war’s begun?
|
| Flip a switch and turn it off, you won’t be able to
|
| Breathe.
|
| So either way you’re a casualty.
|
| I’ve got this burning like my veins are filled
|
| With nothing but gasoline.
|
| And with a spark,
|
| It’s gonna be the biggest fire they’ve ever seen.
|
| Cut me down or let me run,
|
| Either way it’s all gonna burn…
|
| The only way that they’ll ever learn
|
| We’ve got to turn it off,
|
| Flip a switch.
|
| Light up the night!
|
| There is a city that this darkness can’t hide.
|
| There are the embers of a fire that’s gone out,
|
| But I can still feel the heat on my skin
|
| This mess we’re in, well you and I,
|
| Maybe you and I,
|
| We can still make it right.
|
| Maybe we can bring back the light.
|
| Tom:
|
| At the heart of the city there is a building that looks
|
| Down over all there is.
|
| And the man in the tower controls it all without
|
| Raising a single fist.
|
| It’s like they gathered up the city, they sold it to
|
| The devil, and now
|
| It’s gone to hell and they wonder how.
|
| Well, a friend once told me:
|
| Men, they would follow any man who would turn the
|
| Wheels.
|
| Now the wheels are spinning out of control; |
| what would
|
| They do if we held them still?
|
| If you destroy the working parts, what you’ll get is a
|
| Broken machine.
|
| A beacon of light from a burning screen.
|
| Light it up.
|
| Light up the night.
|
| Together:
|
| There is a city that this darkness can’t hide.
|
| There are the embers of a fire that’s gone out,
|
| But I can still feel the heat on my skin.
|
| This mess we’re in, well you and I,
|
| Maybe you and I,
|
| We can light up the night.
|
| [They made their plans carefully. |
| Spending hours on the
|
| Details. |
| If Joe could reach the main telescreen on top
|
| Of the tower in the center of the city — Wily’s tower —
|
| He could take out the central transmitter. |
| He could
|
| Stop the broadcasts going out to the satellite screens.
|
| He could stop the broadcasts going out to the machines.
|
| He could take out Albert’s eyes.
|
| With Wily blinded, Light could reenter the city
|
| Undetected. |
| He could complete the task that he had
|
| Obsessed over for more than twenty years. |
| He could kill
|
| Albert Wily. |
| A prisoner caged on the edge of the city,
|
| This was Light’s chance. |
| His chance not only at
|
| Freedom, but to exact revenge. |
| To kill his judge, his
|
| Warden, and the man who’d built his prison. |
| To destroy
|
| The man who’d taken everything from him — his life’s
|
| Work, his name, his love.]
|
| Together:
|
| There is a city that this darkness can’t hide.
|
| There are the embers of a fire that’s gone out,
|
| But I can still feel the heat on my skin.
|
| This mess we’re in, well you and I,
|
| Maybe you and I,
|
| We can light up the night.
|
| There is a city that this darkness can’t hide
|
| There is a fire that will burn through the streets of
|
| The city, and we will stand in the light.
|
| We will stand in the light,
|
| You and I.
|
| You and I.
|
| We can bring back the light.
|
| [With Wily’s assassin out of the way, they had a small
|
| And rapidly closing window. |
| The sniper robot would soon
|
| Be missed. |
| Their plan finally secure, Light locked the
|
| Green helmet under Joe’s chin and handed him the bag of
|
| Explosives. |
| «Go!"he shouted.] |