| Pa arrives in the city of the closed doors
|
| Greeted by miners from Asturias
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| His limousine streaks past giant shiny moneyboxes
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| Huddled together for warmth
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| He is deposited in his inner chamber
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| Later, Pa meets the bear, impersonates a tree
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| To confuse the hell’s gates dogs' sense of smell
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| And rests for chess with no-one
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| Then (amongst the closed doors) he shrinks
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| Is dwarfed by rabbits, expands again
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| To invade the destiny of fourteen mysterious others
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| Strangely clad, captured by a camera
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| Carefully arranged, with a space for his image
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| A plot hatched by fate
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| Pa looks for diversion in the written word
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| Meanwhile, the mundane world seeks solace in illusion
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| An imprisoned rainbow gives shelter to the homeless
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| A painted machine registers the weight of mystery
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| And for background interest a kilometre of women
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| Queue to kiss a wooden foot, patiently
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| The Queen had been
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| But no information, in the city of the closed doors
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| On Christian Spain
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| Elsewhere, bare buttocks wait their turn
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| In vain. |
| No guides available. |
| All busy in the Prado
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| Followed by shuffling feet. |
| Fascinated. |
| Perhaps
|
| Outside again in the mundane world
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| In the city of the closed doors
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| Living men impersonate sleeping saints
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| On sundry raised surfaces, (like benches)
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| Art objects seat beadless (beneath coats)
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| Performance artists simulate poverty and beg
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| A day’s begging pays the entrance fee
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| To the Cinema of Terror. |
| A golden gas mask
|
| Throw the torturers off the trail, amongst
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| The grazed walls of the city of the closed doors
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| Pa escapes
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| Samples the delights of raw fish, good wine
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| Closes the door of his inner chamber
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| Closes the door of his inner chamber, and sleeps |