| take it out...
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| Come on, use it...
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| Don't be afraid of him...
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| If it's a matter of dying...
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| First they die...
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| take it out...
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| Come on, use it...
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| Don't be afraid of him...
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| If it's a matter of dying...
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| First they die...
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| Give it, take it out and chambe
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| that my dogs are hungry
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| If the 'R' gives them a cramp, lambe them
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| Aren't you brave?
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| I slice melons with the rope
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| Throw me, bastards, I'm still making kids
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| Get turuleco, all of you fighting are Moroccan
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| Papi, for the chola there is no vest
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| Quiet ox, olé, or we'll get the guacamole
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| One hundred with the gun and one hundred with the snails
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| Don't lose control of me or I'll empty you to' el treintole
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| All those who snored finished for school
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| You saw how the Tonka demolished them
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| Naldo, everyone snores and no one can with the Mole
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| (That was the father, daddy!)
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| (Hector, the baby!)
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| (And now he touches you with the other fantastic!)
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| (Daddy, you will never forget my name!)
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| (I am your worst nightmare!)
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| The ___________, the one that puts them to eat pitch
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| The one who borders them and pitches them
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| With his little red eyes, the little black man champions them
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| Upload his glasses so he can see
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| Although from afar they look at me and throw me
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| They are my things, look for your ways
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| And although they conspire that they dominate
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| You all admire me (Hey!)
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| take it out...
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| Come on, use it...
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| Don't be afraid of him...
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| If it's a matter of dying...
 | 
| First they die...
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| Get another sack to put a rogue
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| 'W', part tobacco
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| Prepare for the heist
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| The lyrical barraco arrived
 | 
| In the record of the new kids
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| Bambino, put down the broom
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| Give the butt to mahogany
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| We're going to set fire to this silly mafia
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| They caught her wrong with the one who sings "La Trova"
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| And now I kill them and ride them in the trunk of a Nova
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| The key man hunting on the ship
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| They think it's low key
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| It is a danger that they walk together 'W' with the father
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| (You know, 'W', the freaks got together!)
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| smell the loin
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| Don't snore me or I eat them all
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| Naldo, whoever throws what there is is lead
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| And I bring you Yomo, and that's how we are
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| Hitting your pigeon in the crop
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| What is mine I take
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| The one that is outlined with the full dome it
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| I've been coming since the Momo's 24 "in chrome
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| And in your head I show them
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| The one with the cake, throw me lambones, give me a promo
 | 
| Good evening, reporting from the scene
 | 
| (Hey!) The only rapper with the right
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| To say that I am the most complete prospect of this business
 | 
| Completely, because of how I sing, dance or conduct myself and project
 | 
| And if they notice me upset, it is indeed
 | 
| With all those who have thrown mud at me
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| Promotion of over I'm giving them elbow
 | 
| After all, what am I missing, fool?
 | 
| If, as you tell me, pa', the numbers speak for themselves
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| I have never tried to pass you the rolo
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| I just work and you figure it out on your own
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| (I just work and you figure it out for yourself!)
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| take it out...
 | 
| Come on, use it...
 | 
| Don't be afraid of him...
 | 
| If it's a matter of dying...
 | 
| First they die...
 | 
| take it out...
 | 
| Come on, use it...
 | 
| Don't be afraid of him...
 | 
| If it's a matter of dying...
 | 
| First they die...
 | 
| «This is Naldo!
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| That today he presents you!
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| The best production of new talents!
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| This is the production where…
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| …all the great exponents of the genre…
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| …from reggaeton come together to support the new!
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| This is the new blood!
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| The new generation of reggaeton!” |