| Vinyl heritage, find the best ways to use it
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| Fuse it like circuits, fit it all together
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| Now and work it, so the get treasure
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| In the sun weather going digging around the markets
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| Find what you find, but it’s best to have targets
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| And know what you’re looking
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| I keep the beats cooking
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| I always have my ears open for the next shit to be hooking
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| Off in the 900 Akai
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| I don’t want those record dealers to even know I’m a rap guy
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| Keep quiet it
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| Because you’ll know that they’ll be listening
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| Bootleggers break sellers
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| Big up my man Christian
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| Liverpool to New York
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| Paris back to Londinium
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| I flip the music whether its rock or Brazilian
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| Breaks, there’s a million, so I can’t be out of choice
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| I take the intro before the coming of the voice
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| So…
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| Hush
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| Mum’s the word
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| And with the best intentions, you know I keep it on the down low
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| Taking my time, trying to master the sound scope
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| And if it sounds dope I leave it how it is
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| Instead of going mad tryna please the kids
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| Don’t need the glamour and glitz, because that shit sound ridiculous
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| Those things will but the soul is continuous
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| Material lust, keeping us trapped in it
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| Lost in real, still there’s always the acting it
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| Putting no back in it? |
| Then you’re definitely slipping
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| Colour me purple, watch our circle go missing
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| The Devil’s grinning because he think he’s in control now
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| Bring your new style, I come bad out with the old style
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| But flip it back still
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| Your crew better chill, there’s too much overkill
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| As our time is fill, with ill rhymes and breaks
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| When the papes come, we watch the fakes and snakes come
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| Then escape on the bass drum
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| Keep it quiet!
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| Hush
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| Mum’s the word
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| Like that!
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| L.P. and I’m out, keep it under the hat |