| Melody:
|
| Dig with me this chick lording every clique, name of
|
| Tanya Jean.
|
| Even in the thick she’ll never miss a trick. |
| She’s a
|
| Royal queen.
|
| Swingin' down the block, stoppin' every clock, wiggin'
|
| Every scene —
|
| She’s got a flock (a man in every dock) diggin' Tanya
|
| Jean.
|
| But if she ever would think, for once, she would see
|
| That she has been a dunce —
|
| Never digging her brains and her beauty are more than
|
| The usual front.
|
| She could be swinging ad libitum 'stead of just acting
|
| Like she was dumb.
|
| (Up and running to run all the savages’s no more than
|
| Just a stunt.
|
| Solo:
|
| «Come dancing with me in a little dream, Tanya Jean,»
|
| Said Prophet-Man-With-One-Hand-Put-Away. |
| «And we will
|
| Seek together the stolen vision (vision that was hidden
|
| By lovers gone and poets buried). |
| Time, swing over:
|
| Gonging and banging late-in-life clock assembling a
|
| Three-ring, peddling a new thing. |
| Telling time, telling
|
| Tales, telling sights, filling pails with alabaster
|
| Springing. |
| Here’s your life upon a plate regarding it’s
|
| Fate. |
| Senility’s rumored.»
|
| «How can you eat that,"asks the girl, with a smirk.
|
| «Don't you see how every day, come what may, it’s
|
| Growing — you jerk, you. |
| And thirty centuries of
|
| Sleeping won’t make a dent in giving the time that it’s
|
| Needing. |
| Flipping to appendices, Demosthenes, won’t
|
| Bring about the stumbling of a Beast with weaker knees.
|
| This I tell you. |
| So dig it.»
|
| «Don't wig it. |
| Come along with me and envision the
|
| Vision. |
| Maybe then, you will feel. |
| Like the rumbling of
|
| A train on tracks a hundred miles away, you can hear
|
| Pretty clear — like the echoes of the footfalls of
|
| Childhood in rooms — like a fire, sire, like a pyre; |
| a
|
| Singing out of desire. |
| Dark angelic bodies in a flying
|
| Circus come bombing over Flander’s Fields.
|
| «And what if darkened drummers who can play just like
|
| Elvin never escape the mandibles of their mothers,
|
| Keeping silence when screaming upwards from deep within
|
| His inner voice — crying into the vortex of night,
|
| Subtle terrors make writing a scrawling of dying-wish
|
| Notes? |
| Time to make another adversary list up to the
|
| Sky as you travel by.
|
| «Suddenly bidding is asking. |
| And then it’s wishing. |
| You
|
| Can’t stretch your arms out like a lord enfolding
|
| Thousand stars. |
| So dig it. |
| And lonliness is rolling
|
| Over levees like a suicidal tidal surge — upending
|
| Illusiories, strong, of living as defensive. |
| Meanwhile,
|
| Intimacy calls us into dangers with a siren song of
|
| Loving long in luxury-to-be (secret, unnameable surging
|
| Of love into what must always be). |
| It’s spilling over
|
| Infinity to become behemoth: everything, everywhere,
|
| Everyone, everytime. |
| The kingdom comes from ancient,
|
| Howling cries of MotherGods.
|
| «Screaming across the open plains of nothingness comes
|
| Everything that might have been, like great comets
|
| Blasting through every dark sky. |
| So what if L.T.
|
| Dexter’s swinging has rarified Mid-Atlantic sounds of
|
| Jazz in silk scarves and all fall-colored Paris nights?
|
| And Charlie Parker’s with him, blowing on his over-
|
| Grown pitoodle stick and reaching through the thicker
|
| Places in our heads (intelligence was never, ever,
|
| Surely, this hard to find). |
| Dig what I’m saying: just
|
| Because we’ll never know The Secret doesn’t mean that
|
| We should find that we have sold ourselves, like
|
| Joseph, into bondage again — time and again, until the
|
| End.
|
| «My friend, take your practiced powers and stretch them
|
| Across the void until everything living has a chance to
|
| Ponder every contradiction. |
| That might be everyone’s
|
| Doable mission. |
| Just like when Herbie’s playing piano —
|
| Then you can hear it, 'cause he can play it. |
| You don’t
|
| Forget it 'cause Herbie said it when he spoke like a
|
| Child playing jacks on the floor of a kitchen. |
| And
|
| Hermann Hesse said it: 'You'll search for truth among
|
| The planets and never find a truer voice than that
|
| Voice which is calling it out to you — calling you to
|
| At least become a human. |
| Instead of being confounded by
|
| Being. |
| Instead of surfing in the dirt like a serpent,
|
| Go dance in the whirlwind.' |
| For those who have heard
|
| It, God becomes a silence, huge and glowing, flowing
|
| From the deepest inner places inside of your heart.
|
| «It's saying, 'Go moaning and groaning, alone-ing. |
| Go
|
| Rolling on the breast of earth. |
| Report you truly all
|
| The lives you see there, like a song growing golden-
|
| Ripe, like the wheat. |
| Take it! |
| Take this cup I’m
|
| Passing to you. |
| Drink it. |
| Think it way down into the
|
| Entrails of your thinking. |
| What moves in secret is not
|
| Ever nothing. |
| If gateways of seeing were opened, then
|
| We could see that everything is just as it always is;
|
| Infinitely infinite.'
|
| «But now, you see? |
| Time is growing short for me.»
|
| Pow! |
| Poof. |
| The dreaming was over. |
| But Prophet-Man had
|
| Put mind into motion: Tanya Jean was then, hereafter
|
| Seen to be the queen of what we later called the scene
|
| In which a body haverim careen like on the ceiling of
|
| The Sistine Chapel. |
| Wow. |