Song information On this page you can read the lyrics of the song Tanya Jean , by - Kurt Elling. Song from the album The Messenger, in the genre Release date: 31.12.1996
Record label: Blue Note
Song language: English
Song information On this page you can read the lyrics of the song Tanya Jean , by - Kurt Elling. Song from the album The Messenger, in the genre Tanya Jean |
| Melody: |
| Dig with me this chick lording every clique, name of |
| Tanya Jean. |
| Even in the thick she’ll never miss a trick. |
| She’s a |
| Royal queen. |
| Swingin' down the block, stoppin' every clock, wiggin' |
| Every scene — |
| She’s got a flock (a man in every dock) diggin' Tanya |
| Jean. |
| But if she ever would think, for once, she would see |
| That she has been a dunce — |
| Never digging her brains and her beauty are more than |
| The usual front. |
| She could be swinging ad libitum 'stead of just acting |
| Like she was dumb. |
| (Up and running to run all the savages’s no more than |
| Just a stunt. |
| Solo: |
| «Come dancing with me in a little dream, Tanya Jean,» |
| Said Prophet-Man-With-One-Hand-Put-Away. |
| «And we will |
| Seek together the stolen vision (vision that was hidden |
| By lovers gone and poets buried). |
| Time, swing over: |
| Gonging and banging late-in-life clock assembling a |
| Three-ring, peddling a new thing. |
| Telling time, telling |
| Tales, telling sights, filling pails with alabaster |
| Springing. |
| Here’s your life upon a plate regarding it’s |
| Fate. |
| Senility’s rumored.» |
| «How can you eat that,"asks the girl, with a smirk. |
| «Don't you see how every day, come what may, it’s |
| Growing — you jerk, you. |
| And thirty centuries of |
| Sleeping won’t make a dent in giving the time that it’s |
| Needing. |
| Flipping to appendices, Demosthenes, won’t |
| Bring about the stumbling of a Beast with weaker knees. |
| This I tell you. |
| So dig it.» |
| «Don't wig it. |
| Come along with me and envision the |
| Vision. |
| Maybe then, you will feel. |
| Like the rumbling of |
| A train on tracks a hundred miles away, you can hear |
| Pretty clear — like the echoes of the footfalls of |
| Childhood in rooms — like a fire, sire, like a pyre; |
| a |
| Singing out of desire. |
| Dark angelic bodies in a flying |
| Circus come bombing over Flander’s Fields. |
| «And what if darkened drummers who can play just like |
| Elvin never escape the mandibles of their mothers, |
| Keeping silence when screaming upwards from deep within |
| His inner voice — crying into the vortex of night, |
| Subtle terrors make writing a scrawling of dying-wish |
| Notes? |
| Time to make another adversary list up to the |
| Sky as you travel by. |
| «Suddenly bidding is asking. |
| And then it’s wishing. |
| You |
| Can’t stretch your arms out like a lord enfolding |
| Thousand stars. |
| So dig it. |
| And lonliness is rolling |
| Over levees like a suicidal tidal surge — upending |
| Illusiories, strong, of living as defensive. |
| Meanwhile, |
| Intimacy calls us into dangers with a siren song of |
| Loving long in luxury-to-be (secret, unnameable surging |
| Of love into what must always be). |
| It’s spilling over |
| Infinity to become behemoth: everything, everywhere, |
| Everyone, everytime. |
| The kingdom comes from ancient, |
| Howling cries of MotherGods. |
| «Screaming across the open plains of nothingness comes |
| Everything that might have been, like great comets |
| Blasting through every dark sky. |
| So what if L.T. |
| Dexter’s swinging has rarified Mid-Atlantic sounds of |
| Jazz in silk scarves and all fall-colored Paris nights? |
| And Charlie Parker’s with him, blowing on his over- |
| Grown pitoodle stick and reaching through the thicker |
| Places in our heads (intelligence was never, ever, |
| Surely, this hard to find). |
| Dig what I’m saying: just |
| Because we’ll never know The Secret doesn’t mean that |
| We should find that we have sold ourselves, like |
| Joseph, into bondage again — time and again, until the |
| End. |
| «My friend, take your practiced powers and stretch them |
| Across the void until everything living has a chance to |
| Ponder every contradiction. |
| That might be everyone’s |
| Doable mission. |
| Just like when Herbie’s playing piano — |
| Then you can hear it, 'cause he can play it. |
| You don’t |
| Forget it 'cause Herbie said it when he spoke like a |
| Child playing jacks on the floor of a kitchen. |
| And |
| Hermann Hesse said it: 'You'll search for truth among |
| The planets and never find a truer voice than that |
| Voice which is calling it out to you — calling you to |
| At least become a human. |
| Instead of being confounded by |
| Being. |
| Instead of surfing in the dirt like a serpent, |
| Go dance in the whirlwind.' |
| For those who have heard |
| It, God becomes a silence, huge and glowing, flowing |
| From the deepest inner places inside of your heart. |
| «It's saying, 'Go moaning and groaning, alone-ing. |
| Go |
| Rolling on the breast of earth. |
| Report you truly all |
| The lives you see there, like a song growing golden- |
| Ripe, like the wheat. |
| Take it! |
| Take this cup I’m |
| Passing to you. |
| Drink it. |
| Think it way down into the |
| Entrails of your thinking. |
| What moves in secret is not |
| Ever nothing. |
| If gateways of seeing were opened, then |
| We could see that everything is just as it always is; |
| Infinitely infinite.' |
| «But now, you see? |
| Time is growing short for me.» |
| Pow! |
| Poof. |
| The dreaming was over. |
| But Prophet-Man had |
| Put mind into motion: Tanya Jean was then, hereafter |
| Seen to be the queen of what we later called the scene |
| In which a body haverim careen like on the ceiling of |
| The Sistine Chapel. |
| Wow. |
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