
Date of issue: 16.11.2017
Record label: Mailboat
Song language: English
Technology (narration) |
Wow, now that’s an ending, I made it and all the chords sound |
like they should go there, nothing to punch in and fix |
I was thinking about how we’ve all been jaded a bit |
by the technological advances that now are part of the |
process of writing songs and making recordings |
To start with, you don’t have to go to a studio to make recordings |
anymore you can do it at home or in a hotel room on the road |
Right now I’m on tour and recording these notes, |
ironically enough in a rented waterfront |
condo in Perdito Key, Florida 3 miles East of the |
Florabama bar |
The rally point of my misspent youth |
The gear I’m using is a long way from the Garrick Production Sound |
It fits into a small carry on suitcase, I use a studio these days |
more for rehearsals than recordings and so it goes |
I guess the main reason I have loved listening |
to these old tracks is that they have really |
come from another time and place |
Like any treasure worth its salt should do |
The cool thing to me about listening now, in the age where |
you can cut and paste, tune and loop, sample, copy and quantise |
is how simple and fun these tracks sound |
Your first studio experience is |
simply a wonderful discovery experience |
for a would be singer |
I was a nightclub entertainer and a product of Bourbon Street bars |
Making records was something real stars did, real stars played |
on the radio and millions of people heard their songs |
We were club players, copying the hits that were popular at the time |
I’d never set foot in a studio up until the time I set foot inside |
Product Sound Studios |
I did have a Sony reel to reel machine that my |
Uncle Bill had brought me back from Japan |
That we played around with recording our rehearsals |
and some of our shows in New Orleans but that was it |
So although it was a small studio in a small town, known more for |
Mardi Gras than music |
Product Sound was still a studio |
Hell they even recorded on new tape |
in boxes sealed in plastic wrappers |
that had never been opened |
Luckily in years up the road the |
studio got bigger and better but I never |
have forgotten that first time I |
stood in front of a studio mic and put |
headphones on mhy ears and in my mind I was on the way |
to becoming a recording artist |
And I did not care how long and how hard I would have to work to turn |
that dream into reality, from the moment I stepped in that booth |
I was fully committed to trying for the brass ring |
on the merry-go-round I had chosen to ride for life |
Here is another song from the Mobile |
sessions, I can’t be your hero today |
Name | Year |
---|---|
Knee Deep ft. Jimmy Buffett | 2010 |
It's 5 O'Clock Somewhere ft. Jimmy Buffett | 2006 |
Margaritaville | 1992 |
Roll Me Up and Smoke Me When I Die ft. Jimmy Buffett, Emmylou Harris, Sheryl Crow | 2020 |
A Pirate Looks At Forty | 1992 |
Playin' the Loser Again ft. Bill Withers | 2018 |
Cheeseburger In Paradise | 1992 |
License to Chill ft. Kenny Chesney | 2018 |
Christmas Island | 1995 |
Who's The Blonde Stranger? | 1992 |
My Head Hurts, My Feet Stink And I Don't Love Jesus | 1975 |
Come Monday | 1992 |
Why Don't We Get Drunk | 1992 |
One Particular Harbour | 1992 |
Scarlet Begonias | 2018 |
Fins | 1992 |
Brown Eyed Girl | 1992 |
La Vie Dansante | 1986 |
Go Cubs Go ft. Steve Goodman | 2017 |
School Boy Heart | 1995 |