| We were waiting for Kirsten, me and Joel
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| Cause we found out the name of her hotel
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| With the folköl and an evening paper
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| In which she spelled out my name letter by letter
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| Well, I grew up outside this city
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| Where the local Estrella chips factory
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| Had paid the way to your grave and to your destiny
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| So what can a suburban boy like me do when she mentions me?
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| It’s to compromise a portion of his dignity
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| Another club, another beer, another hour
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| Squint at the clock up at the church tower
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| «What she’s doing here you think?»
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| «I heard she’s filming with von Trier»
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| «Hey Klara, how’s your night?
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| Did you know about Kirsten, have you seen her?»
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| She says, «Yeah, she was here
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| But she was turned away at the door»
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| Yeah I know, I know
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| I can’t believe no one told her before
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| That in Gothenburg, we don’t have VIP lines
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| In Gothenburg, we don’t make a fuss about who you are
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| In Gothenburg, we don’t have VIP lines
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| Then I bit my tongue and the taste of blood was so strong
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| Cause times are changing Kirsten
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| Göta Älv is slowly reversing
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| They turned a youth-center into a casino
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| They drew a swastika in your cappuccino
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| And the VIP lines are not to the clubs
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| But to healthcare, apartment and jobs
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| Hey buddy can I borrow five grand?
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| Cause my dad’s in chemo
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| And they wanna take him off his plan
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| I said in Gothenburg, we don’t have VIP lines
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| I said in Gothenburg, you’re not worth less and you’re not worth any more
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| I said in Gothenburg, we don’t have VIP lines
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| Then I bit my tongue and the taste of blood was so strong
|
| At the end of the night, me and Joel
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| Went back and sat outside her hotel
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| And drank beer after beer 'til the sun came up
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| And since she didn’t show up, Joel said I had to man up
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| And write a note of affection and leave it in the reception
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| And I wrote this confession with the lipstick from his girlfriend on the back
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| of a receipt
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| But the receptionist said I was drunk and asked me to leave |