| I used to wake up, bathroom, face-wash, cartoons
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| Ma Dukes, far too smart to start to
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| Talk to this awful swine with a score to
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| Settle with the world, whose only crime is that it bores you
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| Walked to the train it was covered from the floor to
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| Ceiling in graff and stickers, up back no ticket
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| Can’t afford to, life off the payroll
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| Lye rolled up made my eyes and my brain roll
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| Headphones wrapped like a vine ‘round my Kangol
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| Walked like a Bengal Tiger, and the train rolled
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| And the train rolled, and the train rolled
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| And the train rolled on
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| Then I was stopped by these two cops who got mad rude
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| I’m like ‘What? |
| There’s not a whole lot that you can do'
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| Then «whop-bop-a-lu-a-whop-bam-boo»
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| Next stop, what have you got? |
| The whole damn crew
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| So I grabbed ‘em by the wrist, then switched to a grip thumbs
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| Flipped then we clicked then we finished with a fist bump
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| This chump, tried to get cute with me and diss us
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| About the handshake, I said man wait
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| There used to be a time like way before this song
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| When all the handshakes were like twenty seconds long
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| And they just went, and they just went
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| And they just went, and they just went on
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| There used to be a time like way before this song
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| When all the handshakes were like twenty seconds long
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| And they just went, and they just went
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| And they just went, and they just went on
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| The handshake is thought to have developed as a gesture to demonstrate that
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| neither party at an encounter is carrying a weapon or poses a threat.
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| Over hundreds of years this simple act has developed into a sometimes-complex
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| ritual and a way to convey status, mutual affiliations or just plain respect
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| I used to wake on a Saturday, play in the matinee
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| Game, get faded on the train down to Adelaide
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| Headphones playing looking out at fresh painted walls
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| Rakim saying we about to get paid in full
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| My man entered, cap and black sweater
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| Jacks get all up on a fella that act clever
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| Train tracks were graffed with back-to-back letters
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| But we came to rap and that was back when a
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| DJ would supply the wax stage had a lino mat
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| Place full of writers in a Raiders or a Giants cap
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| Casing with minors, crates are piled by the back
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| We’ll break in in time to hit the stage and freestyle attack
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| Walk in like I’m possessed by the beat mix
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| Clean kicks, full of more hot air than a phoenix
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| Move right away to my crew side of stage
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| Nothing new but this groove how we do night and day
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| Bring it back; |
| no high five shit is wack
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| We’re bringing that old side-to-side, finger snap
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| Fist poke, stop and lock, just don’t stop the rock
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| Look away handshake body pop
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| There used to be a time like way before this song
|
| When all the handshakes were like twenty seconds long
|
| And it just went, and it just went
|
| And it just went, and it just went on
|
| There used to be a time like way before this song
|
| When all the handshakes were like twenty seconds long
|
| And it just went, and it just went
|
| And it just went, and it just went on
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| Not all cultures consider a firm handshake as a sign of respect;
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| in fact a grip that’s too tight can often be considered as offensive
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| Scientists at the University of Manchester, taking into account twelve
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| different variables, developed a mathematical formula for the handshake to
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| which people would be the most receptive
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| There used to be a time like way before this song
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| When the DJ cut the record right
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| Cut the record right, cut the record right
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| Cut the record right, cut the record right
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| There used to be a time like way before this song
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| When the DJ cut the record right
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| Cut the record right, cut the record right
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| Cut the record right, cut the record right
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| (Keep on bringin' it) |