| Are we still on the phone
|
| With the lady Anna Clarke and her trumpet solo
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| Whose ghost sings for pay
|
| In the blue billiard room of the Monterey
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| For room and for board
|
| And the backdoor key is a 19th century civil war sword
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| Once owned by John Booth
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| Who misplaced his script wen he caught his leather boot
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| This could be the shining hour
|
| Based on all those mad beliefs
|
| In the money oil and angel powder
|
| In the new age magazine
|
| There’s a hole in the wall
|
| Behind the photograph of Al Capone he’s a sittin' down at city hall
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| The police they peek thru here
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| And they watch you get dressed in the two-way mirror
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| But it’s all in good spirits
|
| And if you close your eyes ya can’t help help but to hear 'em move
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| This could be the shining hour
|
| Based on all those mad beliefs
|
| In the money oil and angel powder
|
| In the new age magazine
|
| I propose a toast
|
| To the memory of the horse who carried King Tut and his gold
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| Into the sun
|
| He collapsed last summer from the heat stroke somewhere in the East Village oh
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| It kills me to think
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| That I’m no longer living just looking for excuses to drink
|
| So lift up your glass
|
| And you Ouija board 'cause I’m fading fading fading fast
|
| This could be the shining hour
|
| Based on all those mad beliefs
|
| In the money oil and angel powder
|
| In the new age magazine |