| Now the troubadours are outside the court
|
| With their gramophones and rifles
|
| And an awful cloud is daring to pour
|
| Such a wild scene a 3-D picture bible story
|
| And the floats of tinsel garland are downed
|
| Stalled for blocks on the parade route
|
| But the majorette still twirls in the rain
|
| And the marching band goes soaking wet
|
| And that’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| See the ladies in their queen union suits
|
| Shuffling gaily for the camera
|
| Doing high kicks in their felt button boots
|
| While the men puff their cigarettes from Panama
|
| Like the baby dolls of bisque on display
|
| In the shops of Barcelona
|
| There’s a blankness that falls over his face
|
| As the speaker makes his way up to the podium
|
| Could he be so blind to sip lemonade
|
| In such a dire time well that’s a fine
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| Ah ah
|
| Holding hostage in the opium dens
|
| That are tucked behind the alleyway
|
| Where the corridors of Amsterdam bend
|
| 'Neath the windows where the harlots pose like mannequins
|
| No one thinks of them on Valentines (do ya do)
|
| There’s no chocolate box or cards to read
|
| And that’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how
|
| Do ya do do ya do
|
| That’s a fine how |