| Not really harrys voice:
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| Ecuas-nzbe?
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| Thing-fish:
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| Whiff it, boy! |
| whiff it good, now! |
| mammies, step forward n try tgit on down wit
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| dem broadway zombies! |
| dis de closin numbuh, now! |
| moses! |
| git yo brown ass ovuh
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| heah! |
| leave de co-log-nuh alone
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| Minnit. |
| whyntcha go on n cornhole ya some evil prince! |
| I blieve he done evolved
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| to de point where he kin hannle it now!
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| See dat? |
| uh-huh! |
| look like he severely enjoyin it awready! |
| sound like he enjoyin it, too! |
| wuh- oh! |
| I smells trubba! |
| look like he got de eeyah- noosht!
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| aint no two ways about it.
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| The mammies dance tangos with the zombies, (eventually hurling them offstage),
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| the evil prince corn-holes rhonda (who doesnt even notice as she waves her
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| magic-wand fountain pen around for harr
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| Follow), thing-fish snatches up the crab-grass baby and obdewlla (one in each
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| hand), shaking them like maracas, while twirl-dancing around the yard,
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| harry-as- a-boy and the artificial rhonda re Ar, chasing after the infant, quentin robert de nameland corn-holes brown moses.
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| opal rides the bull while francesco gives her an enema. |
| the nativity box
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| rotates erratically, deli- vering dutch
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| Ts who offer onions to the audience.
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| Thing-fish:
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| fo yall departs, I jes wish to say in conclu- sium, as matters o dis gravity
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| genrally re- quire some type o philosomical post-scription, dat what yall have
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| witnessed heah tonight were a t Tory — only de names o de potatoes have been changed to protect de innocent.
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| Galoot co-log-nuh! |
| dont buy it, peoples! |
| dis have been a public service
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| ernouncemint. |
| wave good-night to de white folks, dewlla!
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| A conga-line is formed. |
| they all exit through the audience, except for
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| francesco, thing-fish &sister obdewlla x (the crab-grass baby has been returned
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| to harry-as-a-boy and artificial rh Rhonda:
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| This is symbolism, harry!
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| Harry:
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| …not the stuff that freckles lets out!
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| Rhonda:
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| This is symbolism! |
| really deep, intense, thought-provoking broadway symbolism.
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| really modern, harry…
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| Harry:
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| Take your hand off that chain, honey!
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| Rhonda:
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| Fuck that briefcases…
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| Harry:
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| …not the briefcase… |